Over the past few years, every designer has seen the surprising outbreak of blackletter types in marketing campaigns for major sports clothing manufacturers, a few phone companies, soft drink makers, and more recently on entertainment and music products. In such campaigns, blackletter type combined with photos of usual daily activity simply adds a level of strength and mystique to things we see and do on a regular basis. But we couldn't help noticing that the typography was very odd in such campaigns, where the type overpowers all the other design elements. This is because almost all blackletter fonts ever made express too much strength and time-stamp themselves in a definite manner, thereby eliminating themselves as possible type choices for a variety of common contemporary design approaches, such as minimal, geometric, modular, etc. So extending the idea of using blackletter in modern design was a bit of a wild goose chase for us. But we finally found the face that completes the equation no other blackletter could fit into: Leather is a digitization and major expansion of Imre Reiner's forgotten but excellent 1933 Gotika design, which was very much ahead of its time. In its own time this design saw very little use because it caused problems to printers, where the thin serifs and inner bars were too fragile and broke off too easily when used in metal. But now, more than seventy years later, it seems like it was made for current technologies, and it is nothing short of being the perfect candidate for using blackletter in grid-based settings. Leather has three features usually not found in other blackletter fonts: - Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century. This design is one of the very few manifestations of such interaction. - Fragile, Boboni-like serifs, sprout from mostly expected places in the minuscules, but are sprinkled very aesthetically on some of the majuscules. The overall result is magnificently modern. - The usual complexity of blackletter uppercase's inner bars is rendered simple, geometric and very visually appealing. The contrast between the inner bars and thick outer strokes creates a surprising circuitry-like effect on some of the letters (D, O, Q), wonderfully plays with the idea of fragile balances on some others (M, N and P), and boldly introduces new concepts on others (B, F, K, L, R). Our research seems to suggest that the original numerals used with this design in the 1930s were adopted from a previous Imre Reiner typeface. They didn't really fit with the idea of this font, so we created brand new numerals for Leather. We also expanded the character set to cover all Western Latin-based languages, and scattered plenty of alternates and ligatures throughout the map. The name, Leather, was derived from a humorous attempt at naming a font. Initially we wanted to call it Black Leather (blackletter...blackleather), but the closer we came to finishing it, the more respect we developed for its attempt to introduce a plausible convergence between two entirely different type categories. Sadly for the art, this idea of convergence didn't go much further back then, due to technological limitations and the eventual war a few years later. We're hoping this revival would encourage people to look at blackletter under a new light in these modern times of multiple design influences.

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”. We present to you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kinds of use, even if you're a doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Valentine is another brand-new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1.100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script. Valentine is a very distinguished, elegant and versatile script font.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential. Font Gambero is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" that appeared from May 1960 till December 1973 in Poland.

Hey Guys! I’m happy to present my new typeface hand-drawn by chalk on a blackboard. This font is perfect for a school signboard, advertising of a coffee shop, retro logos, handwritten posters, bar identity, etc. What's included? * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Thank you!

Calisso is meant to set a new standard. Calisso is a complete redevelopment of the Latin alphabet, where every stroke in each letter was given a new geometry - a complete reformulation of these most atomic components. The challenge of designing such a highly stylized font is to maintain legibility. The Calisso Standard steps up to that challenge and surpasses it. The Calisso Standard is classy, contemporary, and cosmopolitian. For a unique, fresh look - use the Calisso Standard.

This new Recoleta is made up of 24 styles in total. We have added to its classical width two new variants with two different degrees of condensation: one very condensed and svelte, and the other at the midpoint between the standard width and the condensed. Each of the 3 widths has 8 weights, from thin to black. It also has numerous stylistic alternatives in both uppercase and lowercase. On the other hand, Recoleta also supports the Cyrillic alphabet.

Friends is a complete and contemporary language system for postmodern graphics. Inspired by the idea of making new art and graphic design keeping in mind new ways of visual language like emojis as a formal way of communication and contemporary graphic arts. Friends is perfect for web design, postmodern arts, book design, posters, editorial design, branding, advertising, headlines, and short texts. Friends includes 14 style typeface plus italics, icons, emojis, arrows, ligatures, fractions, special numbers, etc.

Hey! Introducing my new Art Deco inspired script style typeface Avery. This font perfect for beauty magazines, vintage branding, luxury posters, wedding headers, and advertising. What's included? * Regular style * Uppercase and lowercase * Numbers * Symbols * Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

In 1995, David Berlow cut Moderno FB for Esquire Gentleman and Reforma from a TrueType pole of Giza. In 1996 he cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. A redesign of the Baltimore Sun, with Ionic FB as text, required further growth. The whole series was then revised for Louise Vincent, at the Montreal Gazette, with further styles added in 2005 for La Stampa. FB 1994-2008

Salin is a modern sans serif font family with a geometric and humanist touch. Salin has totally 20 fonts with 10 weights and their appropriate italics. It contains rich opentype features. Includes extended language support, fractions, table figures, arrows, ligatures and more for each weight. Ideal for corporate identity, poster, brochure, orientation signs, and all kinds of graphic design works. “Salin News" and "Salin News Italic” are specially made for long paragraph texts which are written with small sizes.

Introducing to the new signature font: Boss Signature Boss Signature font is a natural & modern handwritten font. It's perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. - Very simple installation - PUA Encoded open - Very great for branding, logotype, handlettering, invitations, or fashion branding. - Multilingual Support - Support for Adobe Illustrator, Corel Draw, Indesign, Adobe Photoshop and Procreate 4.3 (NEW UPDATE) - Support for MAC or WINDOWS

First Prize typeface has simple shapes. It is a narrow, heavy sans serif typeface with geometrical logic and quite predictable constructions of characters. The idea behind it was to combine constructed structure of the skeleton and some calligraphic ideas, swashes and cursiveness. At the moment First Prize typeface consists of three narrow styles: bold, upright italic and italic. Cursive weights have beautiful ending swashes and initials. There are few alternative shapes for A&N. As a Display typeface First Prize will work very well with any other typefaces for the good of any project in print or online.

Introducing you a cartoon font family straight for your Halloween or other horror events. A wide range of variations completely satisfy the most sophisticated font gourmet. From Thin to Bold horror sans styles and a fancy horror script. Also, 62 Halloween graphic elements come as a Graphic Style! Each font has Normal and Roughen Styles. All sans serif's come as filled, inlined and inline separately. 33 typefaces total. • Halau Script has two uppercase letters sets and a lot of alternates included swashes. Halau Sans also has few alternate symbols and pair of ligatures (fj, fi). Trick or treat, folks. Enjoy!

Darion is a modern bold script font with natural handwriting touch. This font ready to make all your designs looks awesome. Its clean and strong looks are suitable for projects such as crafts, quotation, decoration text, prints, advertising, packaging, logos, business cards, invitations, labels, products, T-shirt designs, social media posts and much more. Get this font now, have fun! To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Hiroshima Gyoshi is a handwritten font inspired by ancient Japanese calligraphy. The thick and random strokes look very prominent and play with negative space. You will feel the rhythm in irregularity. it is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Hiroshima Gyoshi will look spectacular

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

Kanna Aoki was designing fabrics and dishware for several major manufacturers when she designed MVB Cafe Mimi. The design came from a few words Aoki painted as decoration for a set of cappuccino cups. Aoki created the Regular weight for MVB Fonts using a brush. The Bold was adapted after digitization. Using several double-letter ligatures, the fonts can feel as natural and spontaneous as the original hand-painted lettering. Despite its curlicues and free-flowing forms, great care was taken to keep this script balanced and legible. It skips and hops along the baseline but doesn't lose its step.

Grotesk Polski FA developed in 1998-2006, was inspired by the Polish eminent pre-WWII text typeface - Antykwa Półtawskiego. Adam Półtawski designing his antiqua had took into consideration the special qualities of Polish language. He designed unique letters: k, w, y, z and R, K, Y. Another unique element of his typeface was polygonal dot. Grotesk Polski keeps all that shapes and goes further. It is a contemporary sans serif in four cuts: Regular, Italic, Bold and Stencil. The proportions of the typeface were rebalanced to give it a neo-grotesque form with a Polish twist.

People often come into your life and make a significant impression that lasts a lifetime. Be they friend, family member or relationship partner, such people are rare and endearing. Sadly, we lose many of these individuals before their time. Femi SRF is dedicated to one such person who was in Stella's life and whose memory will live on long past the duration of his mortal existence. Like Femi himself, this typeface offers a touch of bold elegance and discipline. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The Mailart Rubberstamp font was inspired by rubberstamped envelopes and artworks by Mailartists Jonathan Stangroom, H. R. Fricker and Flea Art, and the typeface Clarendon Condensed. Mailart Rubberstamp now has an additional Bold weight and complimentary Obliques. The typeface has also been updated with subtle outline improvements, a bigger repertoire of European accented characters, and more consistent, slightly tighter spacing; increase the tracking to recreate the more relaxed, rustic appearance of the earlier version. The fonts are derived from the individually rubber-stamped letters on printed and collaged envelopes received from mailartists, and the typeface Clarendon Condensed.

Initially, I participated in the contest to design the logo for Bill Lloyd. In the end, the design was rejected, but letters remained. I then decided to continue with the idea and complete the entire typeface. After a couple of months, I realized that the typeface was imperfect, and now that I’m working on an updated Lloyd type, this one is free. The main characteristic of the typeface is its bold and curvy shapes. It is also tall and original in design. It was a great experience because it taught me how failure inspires people to move on, and create something better.

In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian Gubitz accomplished their own fraktur. Now you will be able to use both regular and bold styles of this highly readable blackletter font. It is recommended to activate both OT features Standard and Discretionary Ligatures to access all ligatures in both these fonts. Typing N-o-period and activating the ordinal feature gives you the numero sign.

Raphia is a one-of-a-kind display font designed with caution in mind in order to create a font with a powerful, bold, and noticeable character for your varied creative endeavors, maximizing the impression of beauty. Not only that, but this font works well as text in sentences as well. So, what are you waiting for? Start making your creative ideas more beautiful and extraordinary right now, and don’t forget to employ this font. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

Landmark is a modern bold font that mix rounded and square angles.

Frank H. Atkinson was a popular Art Nouveau sign painter in Chicago, Illinois. He designed signs for the Cadillac Motor Car Co., Chicago Academy of Fine Arts and the department store Marshall Field. Oddly enough, he even designed signs for other sign painters. In 1908 he published a book, Sign Painting, which sold well. French Plug, a bold, rounded, all-cap design in an American Art Nouveau style from that book. It has a relaxed, easy-going informality that is useful for ads and flyers. It also would have fit very nicely with many French posters of the period.

Veronika Luxurious is a Glamour Luxury typeface. with beautiful letters and a touch of elegant appearance. plant it firmly in a modern design. It is a careful collaboration between beauty and function. Designed specifically for logo-themed projects, the font itself features many alternative and binding options, perfect for creating elegant, chic lifestyle designs, such as logos, titles, branding, web design and book designs. Veronika Luxurious displays both uppercase and lowercase letters, supports Latin-based languages. It holds two weights, Regular and Bold. each offers something different and they are all made to work together in harmony.