Valis is a thin, futurist, lightweight font, a sister font to my other design Ebdus. Valis has more of a 3D Angular feel. This font is an omnicase font, with capitals, capital-lowercase and lower case letters available. Lowercase letters are accessible through your Glyphs palette.

We present to you STIFF - a simple, characteristic typeface in a nice, retro style which is angular, geometric and extra narrow. Stiff makes the text look distinctive and unique so it's perfect for titles, subtitles, logotypes or short parts of text which need to be exposed.

Cult is the work of designer Timothy Donaldson and its forms alone evoke a sense of mystery. The wide capitals with their unusual forms complement perfectly a condensed, angular lower case alphabet. The unique Cult is especially suited to work dealing with anything mystical or New Age.

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged-1234 family has ink blotches and spills, along with misprinted letters, and the typeface has four versions (1, 2, 3, 4) giving increasing amounts of chaos, jumbledness and irregularities.

A handsome font, perhaps a little classical. Regularly-connected script, so it’s legible but also memorable font. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold, modern serif typeface for text and display. The italic is a sharp edged version of calligraphic letterforms.

Abstract Style is a abstract display font. This font has abstract and irregular shapes, sharp corners and messy shapes that characterize it. Abstract Style would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a abstract creativity!

Pelican was designed by Arthur Baker and released by Agfa Compugraphic in 1989. Pelican is a calligraphic typeface that is distinguished by the irregular shapes of the lowercase letters. The rough-edged quality of Pelican makes it a good choice for informal display work and short texts.

Super Puff MX is a Y2K inspired variable display typeface that takes from early 2000's futurism, pop, and cartoon aesthetics. Due to its heavy weight and alternates it offers, it's perfect for a variety of logos, 3D, and motion graphics. SPMX was designed specifically for those use cases, and its wide range of styles and alternates gives you lots of freedom for creating unique graphics that still capture the same fun, futuristic, and playful early 2000's aesthetic. Features & What's Included: Variable font file that allows you to choose any slant degree from Regular to Full Tilt. OTF font files in 4 styles or slants, from Regular to Full Tilt. This is included because many young, talented designers around the world don't have access to programs that can take advantage of a variable font. I want them to have the option of using properly slanted and kerned oblique instances of Super Puff. Robust OpenType features including a vast pool of alternates and stylistic sets giving you lots of choices when choosing letters, numbers, and punctuation. Two stylistic sets for letters and numbers One stylistic set for punctuation and symbols One stylistic set that replaces punctuation with Y2K style icons Extensive Latin language support covering almost all of Europe and South America. All multilingual glyphs have access to alternates as well. Super Puff MX was designed and developed by Abe Zeinali/Xuveki.

The three typefaces that make up the Balance font set are legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance a distinct family of fonts which are appropriate for all documents. Balance Regular is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Regular a distinct font that is appropriate for all documents. Balance Light is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Light a distinct font that is appropriate for all documents. Balance Unicase is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." Each letter, in this unicase version of Balance uses a single character height. There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Unicase a distinct font that is appropriate for all documents.

Introducing "AZN Knuckles Varsity" font by AthayaDZN. Revolutionizing a varsity slab serif, combining sharp and rounded edges, angled serif, and a variety of weights, fitting it into the modern scene. Equipped with 3 styles ( Defined, Regular, Stencil ) Use the Defined version if you are aiming for that slab serif look, just like the name suggested, it defines the modernized slab serif on each letter, giving it that retro look yet still in the modern scene. Especially on the light weight of this version, the slab serif is really prominent. Use the Regular Version if you are aiming for any type of design that you see this font fits especially the modern scene, just like how it's advertised. Use the Stencil version if you are aiming to make a statement, my favorite one is the Bold and Italic version of the Stencil if I was to make a statement, just like the preview where it says "Anarchy", the separated shapes of the letter combined with it's bold and slanted shape is perfect to make a strong statement. Language Support : Afrikaans, Albanian, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Luxembourgish, Norwegian, Portuguese, Romansh, Scottish Gaelic, Spanish, Swedish, Swiss German, Uzbek (Latin). And that's it for this font, thank you for purchasing the product, I wish you success on your projects. Please enjoy the font and let me know if you needed any help or if you have any questions -Athaya twitter.com/Athaya_DZN behance.net/athayadzn

The digital font Technotyp is based on the hot metal typeface created by the German typographer and type designer Herbert Thannhaeuser (1898-1963) for the former East German type foundry Typoart in Dresden. In the typography book ‘Der Schriftsetzer’ (Fachbuchverlag, Leipzig, 1952), by Paul Fritzsche, this absolutely beautiful slab serif design is presented in all its variations. Fritzsche remarked that – because of its rather condensed form and its relatively long ascenders – the 'Werkschrift' of the Technotyp (comparable with our 'Regular') seemed to be very well suited to serve as a text face, and recommended for this purpose that the face be cut for the composing machine. However, this never happened and the entire Technotyp family was made available for hand composition only. This is finally changing and being remedied for good now: URW++ proudly presents the new digital version of this really charming font family with its distinct flavor of the 1950s, adding it to the other digital renditions of Herbert Thannhaeuser fonts at URW++, namely Garamond No. 4 and Magna. The original Typoart family had an italic style for the light version only. The new digital version of Technotyp includes italic styles for the regular, medium and bold weights as well, enhancing the family to meet today’s standards and requirements for professional type setting. To further increase its usefulness, Cyrillic faces were created, too. True to the standard for all digital fonts at URW++, the character set for Technotyp covers all West- and East European languages.

Sánchez Niu is a redesign of Sánchez—one of the first font families by Latinotype designed in 2011. In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc. At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning. Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power! This new version includes improvements that make it work well with longer text. Such improvements have not had a major effect on the look of the font, though. We have adjusted the original proportions and added a number of new characters as well as OpenType features such as small caps, oldstyle figures, tabular numbers and stylistic alternates. Sánchez Niu contains a set of 720 characters that support 219 languages. The font is well-suited for long text, headlines and logotypes, and it has been optimised for web usage. Sánchez Niu comes with two free fonts—Regular and Regular Italic! Corrections, digital editing and review by César Araya, Rodrigo Fuenzalida and Alfonso García.

Millstream Handwritten Script Font Give your designs an authentic handcrafted feel. Millstream Handwritten Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Wotham is a beautiful signature font featuring a modern and attractive typeface created for branding any professional project. This is best applied to logos, branding, cards, packaging, book covers, wedding invitations, printed quotes, merchandise, and so on.

Slotheryn Signature Script Font Give your designs an authentic handcrafted feel. Slotheryn Signature Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Introducing "Payback" Modern Serif font, that has own unique style & casual look. This font is perfect for an elegant & luxury logo, branding, title project, fashion brand, magazine, clothes, lettering, quotes, and so much more. Thank You. Subectype

BlueCreek is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

Oliviars Beauty Script Font Give your designs an authentic handcrafted feel. Oliviars Beauty Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Cariollets Handwritten Script Font Give your designs an authentic handcrafted feel. Cariollets Handwritten Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Bagelorts Handwritten Script Font Give your designs an authentic handcrafted feel. Bagelorts Handwritten Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

HouseBay Logo Script Font Give your designs an authentic handcrafted feel. HouseBay Logo Script Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Brothest Street Swag Font Give your designs an authentic handcrafted feel. Brothest Street Swag Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Gotlicks Handwritten Display Font Give your designs an authentic handcrafted feel. Gotlicks Handwritten Display Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Bokarms stencil is a condensed font with a distinctive look Created for military-themed design. Perfect for industrial projects. It will also work as a universal typeface for promotional poster designs, branding, logo design, and clothing branding.

Coco Sharp is the newest evolution of the Coco typographic project, developed since 2013 by Cosimo Lorenzo Pancini for the foundry Zetafonts, with the help of Francesco Canovaro and Andrea Tartarelli. Influenced by vernacular grotesques sign-painting and modernist ideals, and inspired by the classy aesthetic of fashion icon Coco Chanel, Coco is drawn on a classic geometric sans skeleton but applies humanist proportions and visual corrections to key letters with the aim to create a warmer, subtly vintage texture on the page and on the screen. Coco Sharp drops the rounded corners of previous incarnations (Coco Gothic and Cocogoose) to pair the typeface display and logo capability with a sharper definition for text use. As in the other Coco families, a wide range of alternate letterforms allows to express different historical moods, including elegant, quirky and unexpected designs able to transform a simple word in a memorable wordmark. The other peculiarity of Coco Sharp lies in the wide choice of x-heights given to the user, both by providing a variable version and five graded sub-families, that allows designers to fine-control text readability and space usage. Large and XLarge versions provide big and easily readable lowercase letters, perfect for small point size typesetting or bold copywriting; Small and XSmall provide smaller lowercase letters with the elegant proportions of Futura and its modernist eponyms, optimized for display use or for adding a classy flare to body text; the Regular x-height offers a "one size fits all" solution that works both for texts and for display use. Alle the 60 weights of Coco Sharp come with a full set of open type features allowing faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. Use Coco Sharp out of the box as a solid workhorse family or enjoy discovering the limitless possibilities of its 2000+ latin, cyrillic and greek glyphs covering over 200 languages worldwide. • Suggested uses: perfect for modern branding and logo design, editorial design, web design, packaging and countless other projects; • 62 styles: 6 weights + 6 italics x 5 different x-heights + 2 variable fonts; • 2011 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Subscript, Superscript, Tabular Figures, Slashed Zero • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;

Proudly present Greats - Luxury Serif Font, created by ikiiko. The pinnacle of opulent serif fonts that sexily combine refinement and glitz. Transform the visual identity of your brand with this gorgeous typeface, which was painstakingly designed to radiate sophistication and grandeur. Greats is the ideal option for fashion-forward brands looking to make a statement because of its traditional elegance and timeless serifs. Its elegant design and minute features provide a beautiful mix between modernity and tradition, giving your writing an air of distinction. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, perfume, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligatures & Alternates Multilingual Support Works on PC & Mac

Neillgates is a Casual script font. With lregular contrast stroke, slanted and fun character with a bit of ligatures. To give you an extra creative work. Neillgates font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Neillgates font. Cheers, Maulana Creative

Rochaline a fashion chic display font. This font was inspired by and for fashion brands in the world. In general, it creates a luxurious and elegant look in design. Add this font to your favorite creative ideas and notice how it makes them stand out! Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline, and many more...

Velocity Vipers Brush Font, a modern and stylish font style influenced by urban style and branded goods that can be used in a wide variety of ways by Lettercorner Studio Velocity Vipers font is ideal for branding, photo overlays, watermark, typography, greeting cards, posters, business card, branding projects, social media posts, magazines, book covers, invitations, weddings, photography, fashion, apparel, letter, stationery, or any tasks that need a signature taste.

Double Aunofa, a couple of beautiful fonts with the approach to luxury branding and classy feels. Comes in clean tall serif and handwritten script style. Perfectly fit for your simple branding, logo, classy visual identity, you name it.

perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and much more!. it will make your design project more beautiful. The font is suitable for any design like branding, fashion, print template, quotes, wedding and etc.

BlueCreek Rounded is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

"Mandalika Indonesia" is an elegant and beautiful duo font. This font is equipped with uppercase, lowercase, ligatures, numerals, punctuation, and multilingual support. Very suitable for business branding, social media, logos, banners, posters, branding, stickers, summer, graduation, and others.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

“Broken Legend” is a unique and nice graffiti font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for use for city wall graffiti, tattoos, banners, posters, stickers, branding, business branding, logos, and others.

"Malikasthi" is an elegant and beautiful brushed handwriting font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, business branding, stickers, banners, branding, posters, valentines, back to school, and others.

Gostend is a handwritten script font with a natural texture. It has a thin calligraphy look making it perfect for branding and digital designs. Use this font for logos, social media, websites, blogs, Instagram, business cards, branding, and more!