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  1. GearBox - Unknown license
  2. Blazing - Unknown license
  3. Lastman - Unknown license
  4. Gears - Unknown license
  5. Shoplifter - Unknown license
  6. Alpha Sentry - Unknown license
  7. Chemical Reaction B BRK - Unknown license
  8. Gumtuckey - Unknown license
  9. Walkway UltraBold - Unknown license
  10. UNITED BRK - Unknown license
  11. Touchdown - Unknown license
  12. Fat Legs - Unknown license
  13. U.S.A. Condensed - Personal use only
  14. Rogue Hero Expanded Italic - Unknown license
  15. Chow Fun - Unknown license
  16. Juan Miro - Unknown license
  17. Only Fools and Horses - Unknown license
  18. Tork - Unknown license
  19. Headache - Unknown license
  20. Geared Up - Unknown license
  21. Twin Marker - Unknown license
  22. Electrik Hollow - Unknown license
  23. GALLAECIA - Unknown license
  24. Binary X BRK - Unknown license
  25. 26WOMAN - Unknown license
  26. Danube - Unknown license
  27. HOUSEPIPES - Unknown license
  28. Bolid - Unknown license
  29. STAR+STAR (sRB) - Unknown license
  30. ITC Bailey Sans by ITC, $39.00
    ITC Bailey Sans is the first typeface family created by Kevin Bailey, a graphic designer in Dallas, Texas. He was once looking for an understated block serif for a design project and could find nothing suitable. Bailey began working on his own serif face but then found that the basics of his new design worked well as a sans serif and continued on that track. ITC Bailey Sans font is available in four weights: book, book italic, bold and bold italic and even has a companion serif display font, ITC Baily Quad Bold.
  31. Occam by Veil of Perception, $20.00
    Occam is an informal calligraphic script face. The letter forms were drawn and constructed rather than penned or brushed but reflect a definite flat pen influence. The ascenders and descenders incorporate an abstract implied loop form. Some curves that would normally be round are pointed and some transitions that would normally be sharp and pointed have been made round. A few exit strokes curve back instead of moving up and out for a little different look. This font could be put to good use as a contrasting style combined with sans and serif faces in applications such as newsletters, brochures, invitations and annual reports. It could be used for heads, subheads, pull quotes, drop caps and as a title font for covers.
  32. Hey Sucka by Stationjack, $18.00
    Hey Sucka is a hand drawn, bold and playful cartoon like font. Upper and lowecase, numbers, punctuation and special characters including advanced latin, basic cryllic and advanced cryllic character sets. This font would be ideal to use on product packaging, magazines, posters, t-shirts.
  33. Ad Words by Outside the Line, $19.00
    Just in time for the sale season. Ad Words is a font of words you would use if you did retail ads. Some words in script, some print, some bold, some not. Plus 2 starbursts. Enlarge the starbursts and then reverse one of the words out of it… like Now! Win! or Free! Other Outside the Line fonts work with this one, check out Architectural Lettering Regular and Bold, Plz Print or Plz Script.
  34. Morphine Jack - Unknown license
  35. Stars And Type by Tim Kirkman, $22.00
    Stars & Type is a display font inspired by a road trip around the USA. It is bold, abstract and experimental and is meant for attention grabbing large headlines. Utilising stars to give a sense of Americana, it would be suited to editorial, advertising and display typography.
  36. Saffron Walden by Hanoded, $15.00
    Saffron Walden is a small market town in Essex, England. When I created my first ever connected script font, I decided that a 'flowery' name would be best (since that seems to be the most popular choice for connected fonts….). Saffron Walden is a fattish, inky brush font, with a slight tilt to the right. It would be perfect for book covers, magazines, headlines and posters, but could also be used for packaging. Comes with a bunch of ligatures and a heap of diacritics.
  37. Butan by Butan, $30.00
    Butan was originally designed as a typographic project for the Specialization in Typography Design at the University of Buenos Aires, during the years 2013 and 2014. The project was conceived as a “wayfinding” font, that would be functional for bilingual signage systems. The main guideline for its design was to create a font that could be readable from great distances and it could be potentially used in signage systems. Therefore the neutral aesthetics and clean shapes were very relevant in order to create this particular font.
  38. Tape Up by Ingrimayne Type, $9.00
    The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.
  39. Atnew by Outerend, $18.00
    "Atnew" is a modern typeface that includes six individual fonts (ExtraLight, Light, Regular, Medium, SemiBold, Bold) and a variable font ranging between Light (50pt) and Bold (200pt). Keeping geometric shapes but with soft curves gives fonts a playful feel. They can be used in interfaces, websites, posters, stationery, tv show credits, and many other purposes. It could be for your everyday activities like journaling. The variable font version provides more flexibility for your needs by fine-tuning weight points.
  40. Furriatt by DVType, $16.00
    Furriatt is a heavy weight bold all caps display typeface. It’s perfect for posters, logos, merch, covers and all stuff you want to print or display in larger format. Font also contain alternative characters set, you could match it with standard glyph to get the best rhythm of letters.
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