John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

If you need a typeface suitable for the most elegant and hard work, you will fall in love with Schotis family, your true Scotch Roman style workhorse. Schotis Text is designed for perfect reading on running texts, leaving the setting of big sizes for Schotis Display. Each optical size family has seven weights plus matching italics, with 1100 glyphs per font. With a very extended character set for Latin based languages including Vietnamese, Schotis shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. Schotis family is based in Scotch Roman style but designed from scratch, with a more contemporary and not nostalgic look. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. 1. In a font, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. 2. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. 3. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . 4. Spread thoroughly the page, serve and enjoy . If you like natural, switch to Bridona, your pages will thank you.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Andarillo is a display typeface inspired by vintage travel posters and magazines. The complete glyph set contains uppercase, small caps, numerals, punctuation, ligatures and multilingual support. Andarillo is perfect for logotypes, magazines, titles, posters, advertising and branding communication.

Hapshash is an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome.

Suitable for various media, posters, banners, brochures, and various merchandising such as t-shirts, totte bags, stickers and much more perfect for display such as label, apparel, fashion, sticker, books, poster, and many more! Complete with OpenType features.

Edgy and modern, Saissant is a hand-drawn font that leaves an impression. Bold capitals and kinetic lowercase letters have been designed for emotional impact. Saissant includes multi-language support as well as contextual alternates and discretionary ligatures for a convincing calligraphic effect.

A modernist typeface with powerful elegance. This bold and sophisticated font captures the essence of idealistic beauty through its tension, balance, and unexpected shapes. Inspired by the ideals of modernism, creating a distinct look that is sure to make a lasting impression.

A fun font that is truly extraordinary, handwritten as it is, a combination of lowercase and uppercase letters, really cool, has a playful impression but is very amazing, very suitable for all jobs because this font has its own free style and courage.

Frangstton - Simple and elegant impression is attached to this font. You can use it in your design projects such as logos, magazine covers, promotions, product packaging, quotes, wedding invitations, product labels etc. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th century world of steel-tube chairs and fluorescent lamps.

Vidro is a glass technique introduced by the Dutch in Japan in the 16th century. Vidro glassworks, such as decorations and children's toys, enrich the live of Japanese people. P22 Vidro is comprised of simple forms that express both irregularity and fluidity.

'Rollingtime.' is a bold script font with a graffiti style. this font looks natural. purely produced from hand sketches. we added a few ligatures to emphasize the natural impression. This font is great for logotypes, brands, website, header, writing quotes and graffiti.

A 1940s-era edition of the sheet music for the Marine Corps Hymn offered up the hand lettering which comprises Ensemble Inline JNL. Bold, condensed and attention-getting, this titling font commands attention. Available in Inline, Solid, Inline Oblique and Solid Oblique versions.

Plumero is the wild, playful side of calligraphy. The disciplined elegance of old lettering is replaced with the fresh, joyful swashes of youth. Attractive and care-free, Plumero catches the eye and leaves its viewer with an indelible impression of its unmistakable signature.

Handwriting style will always be fun. Skinnytoon comes with that purpose. Equipped with 200+ Glyphs that will give the impression of a good handwriting. Perfect for tittle, magazine headers, comic, cartoon or simply as a stylish text overlay to any background image.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

16th and 17th century formal handwriting forms the basis for Tinderbox, an antique script. Preserving the rough impression of a quill pen on parchment, Tinderbox evokes old manuscripts, ecclesiastical texts, gothic inscriptions, faded tattoos and horror literature; spooky calligraphy for the digital age.

Patheos is a striking modern display serif typeface with high contrast lines and amazing ligature options that will make your life easy. Impress your clients with the 78 included ligatures to achieve a custom look in seconds. Patheos also includes multilingual support.

Wedusa with an antique typeface offers the impression of a classic and elegant design. Inspired by classic and modern calligraphic styles. Can support about 35 languages. Will be a versatile font because writing text using this font is also easy to read.

Practice Sketch This sketch font is perfect for your needs to look elegant and dignified, a luxurious impression will be seen when you use it, aesthetic and modern, very suitable for types of designs that want to look stylish. Thank you very much

Bleached Magenta is an elegant font. Bleached Magenta will add charm and impression for your design. Bleached Magenta is perfect for many design needs such as merch, T-shirts, signature logo, wedding, book covers, social media posts, websites, events, and many more.

A modern text design with a medium x-height and short ascenders. The axis of the curves is inclined to the left in the Old Style tradition. New Prairie was kerned for text point sizes but requires subjective display kerning and compensation.

A font inspired by 40s movie posters. Enjoy!

Another font inspired by 40s movie posters. Enjoy!

Introducing a vintage look label font named "Green Mexican". You can see all available characters in the posters. This font has 4 styles. This font will look good on any retro design like poster, t-shirt, label, logo etc.

Introducing Slovenia Callygraphy Slovenia very perfect for logos, wedding invitations, posters, business cards, headlines, Instagram stories, youtube stories, book cover, poster promotion and many more! Includes many ligatures and opentype features, also Stylistic Sets with end & start love swashes.

Mystyline is a modern thin line condensed font inspired by hipster aesthetics. The letters are decorated with lines and dots. Mystyline is suitable for contemporary typographic posters (event design, movie posters, advertising, music production, photo overlays), hipster design etc.

Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line. However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry. Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the way, designer italics in their own right and not just an oblique version of the roman. Rondana comes in twelve variants comprising a wide spectrum of weights, allowing for an extremely diverse range of expression.

Lecturia is a modern humanist sans serif typeface. Ascending dynamic movement characterizes the structure of it’s characters -- the stylistic alternates emphasize this impression. The family comprises eight weights from the most delicate "Hairline" to the strong "Bold" -- each upright and italic. Using the variable font, the intermediate levels can be controlled fluently. The forms and proportions of Lecturia have been selected to be very legible as body type for longer texts. Lecturia ist still legible from a great distance or under unfavorable conditions. In large sizes as a heading, the font is very eye-catching. The shapes of the individual characters follow the "humanistic" form language of modern faces. In addition to ligatures for problematic letter combinations, it contains stylistic alternates for some characters that make the appearance even livelier. Small caps provide a restrained opportunity for emphasis. In addition, Lecturia offers several sets of numerals: proportional standard figures, lining figures, proportional oldstyle figures, non-proportional tabular figures, superscripts and subscripts, numerator and denominator to represent fractions, circled numbers. The very good legibility of Lecturia makes it the ideal typeface for information systems -- a selection of directional arrows is included.

Ardalista is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Ardalista has a script typeface and extra letters that allows you to be more free in designing. What's new? Hey..look at this. besides you get a font with over 150 alternates, ligatures and swashes. let's imagine what you can do with all that. yeah that's awesome. For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Ardalista also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share.

A bit grungy, a bit stern, 21 Emmerson is a tribute to my birthplace and was designed with punky headline posters in mind. The simple lines of this font are angular and sharp - great for party posters, invitations, labels, etc.

This is our new font, Laillie Dream is playful handwritten typeface. Laillie Dream comes with three weight, include uppercase, lowercase, number, punctuation, multilingual. This font is suitable to design especially poster, logo, book cover, greeting card, quotes, advertising poster, and anymore

Turman Grotesk is inspired by the hand-drawn painterly letterforms poster artist Adam Turman uses in his poster designs. Each character uppercase and lowercase has contextual alternates that can be used to give your type a more natural, handmade feel.

Introducing the elegant and fashionable Nagotire handwritten font, which looks like a signature, this font is purposely made with a quirky alternative. Nagotire is suitable for greeting cards, product packaging, news, invitations, posters, blog posters, branding, business cards, logos, etc.

Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.

Obrigado means 'Thank You' in Portuguese. It is my way of saying thanks to the unknown designer of a Portuguese port-wine poster from the thirties. Obrigado font is based on that poster. As I had to work with a handful of glyphs, I designed the missing ones myself. Obrigado is a quite elegant and refined art deco font, which would be ideal for posters and logos. Obrigado speaks most Roman based languages.

Introducing of our new product **Scramble Storm** Horror brush Font is handmade Rough Brush Font with ligature and Multilanguage support. Can make it easier to convey the message in your design. use for awesome display, labeling, movie sceen, poster, movie title,quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, tags and so much more! Best for project that need horror vibes , horror poster, childrenbook, cartoon, comic etc