Rutter is a handwritten brush font bursting with energy. It features extra attention to quick strokes and sharp details. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

This was a favorite of the old time job printers;­ decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out at the rate of several every year.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them. Balidone includes an extensive range of ligatures and stylistic alternates. Article abstract: Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

When I was a kid, I loved the story of The Boy Who Cried Wolf. I thought it was pretty stupid of the boy to trick the villagers into believing wolves are attacking his flock of sheep. But I also thought it was a bit sad that the sheep are eaten by a wolf in the end. I didn’t really feel sorry for the boy (he really was stupid), nor the wolf (he just does what he is supposed to do in life), but I did feel sorry for those poor sheep. I guess this is what disinformation leads to in the end. Cry Wolf is a bit of a scary font: it was made with a really old and battered brush, using Chinese ink and some quality French paper. It has a slight tilt to the right and I added some inky splatter for dramatic effect. Use Cry Wolf for your book covers, product packaging and headlines; use if to spice up you invitations and your halloween posters. Comes in a slightly tilted Regular style and an outright Italic style.

British designer Bob Newman's Horatio family is a delightful look back into the modernists experiments of the 1920s. This geometric sans serif design was created in 1971, and was originally released by Letraset. We are please to offer the family in digital form, in light, medium, and bold weights. Many designers during the 1920s were interested in reforming the alphabet, and wanted to reconcile letterforms with the machine and manufacturing technology of the age. Herbert Bayer at the Bauhaus was one of many designers who developed a universal alphabet," creating letters using only the simplest of geometric forms. Similar experiments in 1920s-style revivals were also created during the 1970s, most notably Herb Lubalin's ITC Avant Garde Gothic."

Heimat Display is the high contrast sans serif typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Display is a typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Display’s character set provides different alphabets, the regular one plus alternate designs that comes across as less suspenseful. Heimat Display [873 glyphs] comes in 72 styles and contains extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Heimat Didone is the high contrast serif typeface family within the Heimat Collection, also containing Heimat Display, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Didone is a neo-classical typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Didone’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Didone [872 glyphs] comes in 72 styles and contains 6 optical weights, extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

A special category of typefaces, combining together principles of both serif and sans-serif, is sometimes described as Linear-Antiqua by German typographers. This concept catches the eye wherever it appears and this is also the case of Tabac Glam — a highly contrasting display typeface, expanding the wide expressive spectrum of our Tabac super-family through a new characteristic hue. Tabac Glam is naturally a great complement to the serif Tabac. It’s however only in conjunction with other styles of the superfamily — Sans, Slab and Mono, that you’ll be able to unleash the enormous potential of the wide range of combinations, and the family’s 112 styles will certainly satisfy all needs of both elegant and technical typesetting. Tabac Glam will best stand out in huge grades, on the covers of thick magazines under glossy layers of UV coating, or on snow-white surfaces of displays.

Designed with help and inspiration from legendary tattoo artist Dustin Horan. This beautiful time saver was designed specifically for skin application. Short words and initials can instantly be turned into seamless tribal style tattoos. Each glyph links with the next allowing letters to flow endlessly around limbs and in circles. Respecting the rhythm and geometry principles laid forth by American pioneering tribal artist Leo Zulueta, Scribal makes flowing text shapes that disguise themselves as design. When mirrored back to back and rotated vertically, Scribal becomes well-crafted tribal pattern. Typeface wise, Scribal breaks the mold. While a script font, Scribal was designed to be written in all capitals. Each capital is a mono-spaced glyph, providing even spacing. The shape influences are also vast, ranging from scripts, to blackletters, to romans. Making Scribal a very "Americanized" font, reflective of this "Americanized" style of Tribal Tattooing.

A fun font that is truly extraordinary, handwritten as it is, a combination of lowercase and uppercase letters, really cool, has a playful impression but is very amazing, very suitable for all jobs because this font has its own free style and courage.

Cuckoo was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo is strong, classic and informal display font designed to work well on any job.

Spacelord is inspired by vintage toys from the 1950s and 1960s. It refers to the box art of robots, spaceships, x-ray-guns and other cosmic trash treasures of this golden science fiction age. Aboard the lord: four, three, two, one, zero!

This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one came on the scene sometime in the 1880s.

Stenciling Cards JNL is the digital equivalent of the individual letter and number stencils used to paint markings on walls, crates, boxes, etc. Use this type design when you want a reversed stencil look. Kern it super tight for a continous word stencil.

Rockybilly font is a super handwritten brush font bursting with energy. It features extra attention to quick strokes and sharp details. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

The polls are in. Now here by customer request--Haboro Serif, the newest edition of the Haboro Hyperfamily. The Haboro fonts are an outstanding upstart success from the first part of 2016. Following the release of the popular Haboro, Haboro Sans and Haboro Slab have both been welcomed additions to the family, too. Now, Haboro Serif continues to build on the base of these related designs. Serif maintains the unique, script-like terminals of the original. These terminals, along with the optimized stroke weight of this face, make it useful for text settings. Prefer standard serifs? These are also available as OpenType alternates within the font, giving you a wider variety of options without compromising its effectiveness in the same text settings.. Haboro Serif works with many other members of the Haboro family as well. Try the original Haboro for your headlines, and pair your Serif text with Haboro Sans for a balanced design that appeals to the reader. Add Serif to your box today, and try this all-around “Renaissance man” of a typeface for a touch of practical elegance on your next job.

Traveling through the central and southern parts of Mexico a number of years ago, I couldn’t help but be impressed with the amazing architecture of the indigenous peoples. From the giant pyramids of Teotihuacan to the extensive and impressive layout of Chichén Itzá to the smaller-but-spectacular Monte Alban ruins in Oaxaca, creativity abounds. One of the things I most enjoyed were the carved stone friezes that ran around many of the more complete buildings. Oaxaca calls to mind those beautiful carvings and, strangely, Chinese writing.

Monadic is a modern singular monospace display font. The typeface is made from groups of single basic triangular geometric units. Monadic is inspired by structured and organic geometry. The name is derived from the Ancient Greek μοναδικός (monadikós, “single”), from μονάς (monás, “a unit”); it is the adjective of monad, an elementary individual substance which reflects the order of the world and from which material properties are derived. Monadic is great for display work, logos, structures, architecture, technology, biology, sports, monograms, quotes, headings and posters.

At one time or another, everyone has filled out a job application. Jobseeker JNL emulates a hand-printed alphabet and numerals as one would find on such forms, but it is also useful for any project where a simple handwritten block print is needed.

With some slight variation, Merchandising JNL was modeled from the lettering on a display box for Meyercord Decal letters and numbers. The phrase "make your own signs with decals" was lettered in a casual brush-like style, and is reproduced for the first time digitally.

Abwyn is a sparkly Art Deco construction. The little diamonds in the vertical strokes add a lightness that is very pleasing to the eye in display sizes: Lower case numbers, Euro, ballot box in the section slot. It was just designed for fun & celebration.

This handy helper is created just for teachers. Use the letter boxes, number line helper, base ten blocks, multiple lined writing options, and touch numbers to help you create printables for your classroom. Also includes a PDF guide to using the font most effectively.

The House Of Usher is a beautiful set of decorative initials, mixing Victorian style in the boxes with gothics capitals. Perfect for beginning of paragraphs in artistic publications, storybooks and several texts conveying the feel of the Art Nouveau period with the gothic writing.

The beautiful calligraphic typeface Ambiance comes from master designer Rob Leuschke. The complete array of characters includes a swash alternate for each upper and lowercase letter. Called contextual alternates in OpenType, the swash characters are automatically substituted in the appropriate context when you select them.

“9 Garcons...Un Cœur” (“9 Boys...One Heart”) is a 1948 French musical starring Edith Piaf. The hand lettered credits for the film are done in a condensed Art Deco sans alphabet, now available digitally as Stage Show JNL in both regular and oblique versions.