The Bolder Shadows is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "The Bolder Shadows" makes it the perfect choice for street style or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "The Bolder Shadows" is the font for you.

The distinguishing characteristics of this typeface were suggested by cover artwork for the May 1930 issue of Inland Printer: a combination of caps based on Breda Gotisch, released by H. Berthold AG in 1928, and a lowercase based on Goudy Text. The result is a remarkably elegant and retro-stylish blackletter face. Both versions of the font contain the complete Latin 1252 character set plus support for Central European (Unicode 1250) languages as well.

In this modern era, sometimes being bold is not enough. Sometimes you need to go BOLDER! So here comes the Liquorstore Bolder font family, the long awaited sequel to the popular Liquorstore industrial, geometric display font. This new bolder font family features multiple styles that work on their own or as overlapping layers to create stunning multi-color typography. Chromatic layering effects are created with inline, outline, bi-line, and tri-line styles can be used together to create extra impactful words in your logos and headlines.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

Stencil Board JNL is another typeface modeled from lettering made by a Diagraph stencil cutting machine. Diagraph was first to make stencil punch machines which are used both industrially and by the military. Thanks to Neil Haynes for the samples he provided from the company's machine testing department.

Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces. According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926 Display Board JNL is available in both regular and oblique versions.

Many decades back, churches, schools and other buildings with a need to display an outdoor message often chose a sign making system utilizing characters silk screened onto metal pieces in a block chamfer style. Each piece had a crimp in the top of the metal which formed a hook to fit over the existing rails of a message panel. This allowed for a finished sign to be displayed within minutes, and a quick change of information was not very time-consuming. A popular version of these signs provided white letters and numbers on black backgrounds. This was the model for Announcement Board JNL, which is available in both regular and oblique versions. There are two different width blank panels on the broken and solid bars for those who wish to kern the letters tight to form a ribbon, however they were designed to have slight spacing in order to emulate the hand assembly of those vintage sign panels.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

Directory Board JNL is based on the classic plastic letters used on office building directory boards.

We are proud to introduce, Board of Directors. This striking, square display typeface is a true testament to the advancement of modern technology. Inspired by hi-tech logos of the 1970s, the tight curves and large x-height of Board of Directors truly set it apart from the competition. But it’s not just the aesthetics that make Board of Directors stand out. The stroke gaps were carefully crafted to lighten the perceived character weight, making it the perfect choice for scientific and technical applications. The flat sides of the A and V harken back to the dot matrix printer letterforms of the past, adding a sense of nostalgia and history to this otherwise futuristic typeface. Board of Directors is available in seven weights and italics, giving you the flexibility to choose the perfect weight for your project. From the lightest weight for subtle emphasis to the boldest for maximum impact, Board of Directors has you covered. We believe that Board of Directors is more than just a typeface. It’s a symbol of innovation, progress, and forward-thinking. With Board of Directors, you can take your message to the next level and make a statement that truly stands out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The condensed style and square character shapes of a vintage typeface originally known as Raleigh has been re-interpreted by Jeff Levine Fonts as Tall Order JNL. There is an alternate A, K, M, N and S on the respective lower case keys.

Eckhardt Poster Board JNL further continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). The typeface is a casual brush style, modeled from an image of a do-it-yourself sign making kit comprised of stencils, paint and brush spotted for sale through an online auction.

Restraining Order Pro brings the unique style of a vintage typewriter keyset to the digital age. Antique typewriters have an incredible warmth and appeal to them, primarily because of their unpredictable "grunge" results that were a mix from the force of keystrokes to the wear of the ribbon and paper texture. This typeface is further fleshed out with SmallCaps and extensive figure sets to add a more serious note to the nature of the typeface, when needed. WHAT'S INCLUDED: Extensive language support. Restraining Order Pro has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. Antique typewriters are incredible, but they aren't something easily accessible to everyone, nor do most people want to fiddle with white out edits and the like. That's why typewriter fonts that capture the flavor of vintage typewriters are a no brainer (convenient and easily editable). I hope you enjoy playing with it just as much as I had fun making it.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

XRoomingHouse is a typeface of pictures that I did many years ago. Most of the pictures are border elements, and within a set they can be combined to make borders or frames. There is no real style consistency in the font—it is an eclectic collection of elements. (Minor corrections and additions were made in 2018 to improve sets that can form frames. For a more ambitious attempt at a font that can form frames, see Framealot). As for the name, boarders stay in a rooming house.

Create intertwining Celtic animal borders with the Celtic Beasts-BA font. Characters are sections of borders that are derived from ancient Celtic manuscripts such as the Book of Kells. Combine the characters to make a variety of Celtic animal borders.

Elfen-Fraktur is monolinear blackletter typeface, that was originally designed by M. Beck and published in 1919. This revival comes in two extended versions with a complete Latin 1 character set: Elfen-Fraktur A uses the original blackletter skeletons and is suitable for setting texts with traditional German typesetting and orthography rules. Elfen-Fraktur B includes modernized letter designs for a broader and more legible use in various languages. A free bonus is the set of 22 border elements called Elfen-Schmuck. Check out the type specimen PDF for more details and instructions.

Picture frame and border font.

Set of elegant simple borders.

Font with elegant cursive script initials to create two-letter monograms for letterheads. Includes 37 borders, each accessed by a single key-stroke on the computer keyboard.The borders will automatically line up with the initials.

32 illustrations of 15 Frames and 17 Banners. Most are line drawings with a reverse version. Lots of dots and grids, scallops and stripes to mix and match. Quick way to add some punch to your layouts. Great for mailing labels, labeling for jars, borders for this and that. Nice scrapbook additions too. Take a look at Rae's other frame fonts... Frames & Borders and Frames & Borders Too.

A font package to generate traditional three-letter monogram designs, or a single initial. Includes 29 borders, each accessed by a single keystroke on the computer keyboard. The borders will automatically line up with the initials.

This font is a collection of Borders and Illustrations on a Halloween theme. It includes spiders, owls, a bubbling cauldron, and a swarm of bats. Border designs occur in at least four rotations, to allow for symmetrical formal designs.

Creates monograms with a crisp, stylish contemporary feel, for personal or business stationery. Each of the 36 borders is selected with a single keystroke. The border aligns and centers the letterforms by the use of a special spacer key.

BearerFond has been in my pen for years and I've used this way of writing a lot on cassette cases. Anyone still using cassettes? Me neither, so in order to keep it alive I have made a font out of it and named it bearerFond; as in bearer bond, since it looks like it could be used on official documents. Nothing too official though.

Straight Angles is a precisely designed three-dimensional font with a clean and futuristic look. The predominant angles are 90 degrees and 180 degrees with parallel and perpendicular lines. Each character is surrounded by a crisp black border of even thickness throughout the font. Upper- and lower-case letters are the same, providing a constant maximum top height while the stems extending below are allowed to show off their distinct personalities in order to spice things up. The 3D extrusion effect makes text appear to stand out from the page.

Fun frames and borders in a variety of styles. Note that the pennants can be typed in 2 lengths-- typing abab gives you a continuous pennant border. This works for all of the pennant and bunting styles-- abab, cdcd, efef, ghgh, ijij, etc... :)

Here's another collection of ornate border elements gleaned from the 1888 specimen books of James Conner's Sons United States Type Foundry in New York City. Refer to the PDF guide for detailed, yet simple, instructions for constructing nine delightfully different border patterns.