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  1. CORPOREA - Unknown license
  2. Pinda - Personal use only
  3. Red Circle - Unknown license
  4. Smartie CAPS - Personal use only
  5. PF Tempesta Five - Unknown license
  6. Gravicon - Unknown license
  7. Shredded for you - Unknown license
  8. Corporate HQ - Unknown license
  9. atthewindowPRO - Unknown license
  10. ARG219am - 100% free
  11. Back In The USSR DL - Personal use only
  12. GUNJU - Unknown license
  13. COnsume - Unknown license
  14. Torgny.. - Unknown license
  15. Glyphstream - 100% free
  16. Das Reicht Gut Regular - Unknown license
  17. Bubbleboy - Unknown license
  18. Imperfect font - Unknown license
  19. Lakmus - Unknown license
  20. RaveParty Offset - Unknown license
  21. Folk Solid - 100% free
  22. SF Espionage Light - Unknown license
  23. Street Humouresque - Personal use only
  24. Big Fat Ugly Cow - Unknown license
  25. Oxona Caps - Personal use only
  26. OXIDO ExtBd ExtCond - Personal use only
  27. TT Alientz by TypeTrends, $22.00
    Useful links: Using the variable font TT Alientz in InDesign About TT Alientz: TT Alientz is a variable* typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif. As part of this project, we decided to investigate the influence of a foreign substance and the consequent transformation of the original forms, which ultimately leads to extreme visual changes. The TT Alientz family consists of 3 fonts: grotesque, serif and variable* font. Each font contains more than 470 glyphs. In addition to broad language support (including Cyrillic), the typeface has stylish ligatures, contextual alternates, and old-style figures. Variability in the typeface affects the changes in the overall style of the font—moving the slider to adjust the variable axis, you can go from a laconic grotesque to an extreme serif. TT Alientz Grotesque is a fairly neat hipster grotesque, but with its own small features. In the design of some letters of the grotesque you can find small sharp elements that add uniqueness and character to the font when used in large inscriptions and headings. At the same time, when you use the font in a small size of the size and in text blocks, sharp elements do not greatly affect its readability. The design of some letters of the grotesque is quite peculiar and is intended to emphasize the initial concept of slight 'alienness'. TT Alientz Serif is an 'infected' TT Alientz Grotesque and the result of changes to it. Unlike the grotesque, the serif is dynamic, viscous, ductile and very prickly. Serif has a lot of smooth lines and not quite standard strokes contrast. It can be noted that most serifs in the antiqua are pointed inward, not outward. Despite its extremeness, the serif will look good both in large and in small body sizes. *An important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ FOLLOW US: Instagram | Facebook | Website TT Alientz supports more than 160+ languages, such as: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zaza, Zulu.
  28. P22 Lindum by IHOF, $24.95
    Lindum is a classically-proportioned Roman font that is almost a sans serif, the serifs appearing only on the upper part of the letterform. The lowercase features a large x-height and very short descenders.
  29. MAREGY by Salamahtype, $19.00
    MAREGY is a modern sans-serif font with an elegant style. This font is perfect for branding projects, logos, social media posts, advertisements, product packaging, wedding invitations, product design, labels, photography, watermarks, stationery, and more.
  30. JH Oleph var by JH Fonts, $200.00
    JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.
  31. Blezja by Typoforge Studio, $19.00
    To design a font Blezja, I was inspired by an old metal tin from 1907 from Potsdam, which was used to store earplugs. From a few letters I created whole typeface - lower and uppercase characters.
  32. Grammatik by Letterhead Studio-VG, $15.00
    Grammatik was made in the end of 2004. This typeface is clear and simple hybrid between sans and serif styles, which was so popular late 90s. Use Grammatik as a display face for best results.
  33. OBO Regular by Wilton Foundry, $29.00
    OBO is a modern interpretation of the classical Italian letterforms with the readability of contemporary sans typefaces. OBO is ideally suited for creating identities for branding, posters, book covers, headlines, logotypes, restaurant menus, beer labels.
  34. JH Oleph by JH Fonts, $9.00
    JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.
  35. Latok by Juraj Chrastina, $29.00
    Latok is a fat geometric display family with an original vibrant feel for poster and editorial usage. You can choose Latok Small with wider gaps or Latok Large according to the size of the text.
  36. Decor by Haniefart, $17.00
    Decor is a classic style font made by hand, modified with various ornaments so that it looks attractive, modern and elegant, can be used for company brands, logos, film titles, drink bottles and so on.
  37. Magicpie by Balpirick, $15.00
    Magicpie is a quirky and authentic handwritten font. It has a playful style, making all of your projects more exciting than you ever thought they could be. Let your imagination unleash with the stunning Magicpie!
  38. Lucida Fax by Monotype, $40.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  39. Flyer by Linotype, $40.99
    The Flyer font family consists of two very heavy condensed sans serif faces, Black Condensed and Extra Black Condensed. Excellent for headlines or packaging, Flyer font is geometric and quite similar to Tempo Heavy Condensed.
  40. Love Julia by Bosstypestudio, $12.00
    Love Julia is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!
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