Experimental typography meets Art deco retro style. Odd contrast gives your work a curious impression.By using 'liga' and 'dlig' feature of OpenType format, you can access advanced typography.

Kettering 205 is a geometric slab-serif with Art Deco influences, such as lowered crossbars on many characters, and a crossed W. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It’s a highly individual looking font, but retains good legibility coupled with striking looks as a display font. The Kettering 205 family comprises of six weights and is closely related to Kettering 105, its less Deco flavoured cousin.

Based on Corradine Fonts font Emblema 65, Emblema Headline is a powerful tool for modern designers who need a vintage art deco style font with personality and high quality. The Emblema Headline family has four layers, each one with three or four different looks, for a total of thirteen different variations. Non-OT-users can select a font from these thirteen variations, also with specific flavors: Basic, Deco, Swash or Extraswash. Explore the great possibilities of Emblema Headline in your next project.

Bungehuis font was modeled on the lettering found on an Amsterdam art deco building from 1931. This building on the Spuistraat, also called "Het Bungehuis", used to house offices, but is now part of the University of Amsterdam. In 2015 it had its brief moment of fame, when students, demanding more democracy at the University, occupied it. Bungehuis is a heavy art deco font and would look great on posters and in headlines. It comes with a rather democratic range of diacritics.

A new reopening of an Art-Deco gate. Different vibes of the Gatsbyesque era, sculpted with the touch of lavish modernism for an everywhere and every timeline of the multiverse purpose. Inspired by the purpose above, here's an attempt to resurrect the great from the past. Please welcome, GRASOND. A vintage art-deco display sans serif fonts. Perfectly fit for your luxury branding, logo, vintage design, beer labels, signage, anytime you need a massive throwback, please, be my guest, oldsport.

The Philco font is a capitals only design inspired by the Art Deco period. Available in plain and decorated form, Philco is suitable for use in advertising, flyers etc.

Introducing new font family Venzel. It's an interesting experimental deco all caps typeface. • 5 fonts with different wide • OTF and TTF version • alternative letters and numbers • multi-language support

Direkta JNL take the classic Art Deco influenced lettering of the 30s and 40s and adds a diagonal triangular cut into the letters, creating an air of forward movement.

Handwritten with care, and made bold and consistent with an art deco flair. If I owned a classy diner, this is how I'd like my chalkboard menus to look.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

A little bit of thick-and-thin Art Deco hand lettering is offered up in Wonderful JNL, based on some promotional text found on an old piece of sheet music.

Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.

A 1940s-era package of "Herald Square" carbon paper sold by the F.W. Woolworth 5 & 10 cent stores offered up the hand lettered Art Deco design of Stationery Department JNL.

Quiet Night is my scribbled art deco font. Despite it's slightly jumpy and rough apperance, the font is super legible - even at smaller sizes. Comes with ligatures for double letters.

The channel letters in the neon sign for the iconic Clevelander Hotel located in the Art Deco district of Miami Beach was the inspiration and basis for Cleveland Neon JNL.

The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.

The font is based on an alphabet from a mid1920s art deco book. The original seemed to have tapering strokes but it was too small to be sure; I made all strokes parallel & orthogonal and slightly modified the original in a number of other ways to bring it into the 21st Century. The designers of the original were Paul Carlyle and Guy Oring. Nocturne has all the elegance of the Deco fonts of the 1930s. It recalls the romantic, sophisticated Zeitgeist of the early 20th century, that nostalgic time "between the wars". Nocturne comes in two styles: Nocturne Regular, which uses the Art Deco convention of small x height, and long ascenders. This style is perfect for headers, posters, labels etc. Nocturne Book, which, with its higher x height and slightly wider characters, is extremely legible and suitable for small size text.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The hand lettered title on the cover for the (ca. 1917) sheet music for “After the War is Over” provided the design inspiration for National Nouveau JNL, which is available in both regular and oblique versions. A precursor to the Art Deco movement which would arrive within the next decade, this bold thick-and-thin design embraces the elements of both Art Nouveau and Art Deco in one type design and gets its name from the patriotic spirit of America during “The Great War”.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Twentieth Century was designed for the cover of 20th Century French Poetry and was drawn with pure geometric shapes. It is the distillation of a broad variety of styles loosely known as Art Deco but, also categorized under such terms as Moderne, Streamline, Machine Age, Futurist, 70s Art Deco, Memphis among others. If there were a source in particular that I would cite as my inspiration, however, it would definitely be the work of Frank Lloyd Wright. I mean, look at the "W" for cryin' out loud!

To see the “auto-mix” effect, go to the Webfont page. This typeface has been designed to demonstrate a hypothesis: consistency in letter form and style is not essential to fluent reading. The Neology fonts also include both plain constituents, Neology Deco (1920s-style minimalist geometric) and Neology Grotesque (similar to Helvetica etc., but with a small x-height). All fonts have both three-quarter and full cap-height lining figures. The plain fonts have stylistic alternates (“a” for Deco and “g” and “l” for Grotesque).

SK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched structure typical for the style and spirit of Art Deco. The typeface is suitable both for decorative work and for typing because it includes uppercase and lowercase. Moreover, it supports a wide language range. SK Mutka typeface supports extended Cyrillic, Latin, as well as an extensive character set. SK Mutka is perfect for bold and classic designs, for print and web works.

The Modernique font has an Art Deco flair. Contrast between thick and thin strokes is extreme, making this font only suitable for display. The Lowercase f, i and j are unusual.

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Built from the petroglyphs found on the island of Santa Catarina - Brazil. With elemental geometric signs and figurative human representations. It is a printer with a decorative characteristics of Art Deco.

The 1934 sheet music for "I'll String Along with You" from the Dick Powell-Ginger Rogers musical "20 Million Sweethearts" yielded the charming Deco monoline design for Words and Music JNL.

The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.

Burger Royale JNL by Jeff Levine is a bold, sans serif font with a slight Deco feel, inspired by the logo of a former Florida chain of hamburger shops called Royal Castle.

Local Jeweler JNL was inspired by an online image of a vintage 1940s-era store sign. This type design features a thin Art Deco sans serif in both regular and oblique versions.

Sign Vendor JNL is a simple sans modeled from hand-lettering with a touch of Art Deco influence. The design is from a 1930s poster promoting winter activities in New York State.

Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.

Parkitecture JNL is the latest font to embrace the angles and lines of the Art Deco era. Bold and solid in look and feel, it gives nostalgic headlines a "solid" retro appearance.

Decorative elements with a decidedly Art Deco flair make up the twenty-six images found in Design District JNL by Jeff Levine. Use these images as embellishments to your next design project.