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  1. Toscography by Misprinted Type, $25.00
    Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.
  2. GHEA Ayb by Edik Ghabuzyan, $40.00
    This light weight Display font includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic + Bulgarian Cyrillic + Ukrainian Cyrillic, Armenian. May be used in titles, posters, labels, etc. Publisher: GHEA Fonts Designer: Edik Ghabuzyan, Yerevan, Armenia. Creation year 2020.
  3. Creion by Horea Grindean, $32.00
    Creion is a minimal round font, perfect for 2.0 logos and contemporary headlines. Creion fonts is an exclusive type fonts inspired by design elements. It includes a light version, a regular version and a bold version for strong type.
  4. Lyu Lin by Stefan Stoychev, $25.88
    LyuLin is a modern sans-serif font and contains 24 styles. Available in 6 weights and its italics and condensed forms. LyuLin Heavy Italic weight and LyuLin Light Condensed are free, so you can use them for your projects.
  5. Rotulona Hand - Personal use only
  6. Waba by Lewis McGuffie Type, $40.00
    Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or 'at liberty'. Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!). While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font. The Print & Paper Museum's collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic. How it is different but the same to the Latin letters I take for granted (as a humble Englander – no excuses). Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in). This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba. Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time – Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic. Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe. Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.
  7. Madromit by Dharma Type, $14.99
    Madromit(ma-do-ro-mi) is a somewhat nostalgic display font. Do you remember computer advertisements in the 80s and 90s? Yes, it is the most excited period in the history of computer. We call the design in this period Primitive Digital Design. Madromit is, so to speak, the revival or reconstruction of the primitive digital type in the period. The structure and elements of this font are very simple and the key features are geometric shape and simple griddy design with rounded corners, oval bowls, and right‐angled joints which we used to see in the primitive period. In addition to this, Madromit has one more characteristic feature — classic engraving font —. It is called Open Style. Open style is one of the classic method to decorate and emphasize the font. Our aim is the synergy by the mixture of primitive digital design and classic engraving method. This mixture makes new impression we have never seen before. Madromit family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layers. Madromit "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Madromit" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Madromit Standard, Half Open, and Full Open style can be used solely.
  8. Corinthiago by 38-lineart, $19.00
    “Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.
  9. Phosphorus Selenide - Unknown license
  10. Gilgongo - Unknown license
  11. Covington Cond - Unknown license
  12. Avondale - Unknown license
  13. Covington - Unknown license
  14. Plasmatica Outline - Unknown license
  15. BP Diet - 100% free
  16. Plasmatica Ext - Unknown license
  17. Plasmatica - Unknown license
  18. Plasmatica Open - Unknown license
  19. Covington - Unknown license
  20. Avondale Inline - Unknown license
  21. Plasmatica Cond - Unknown license
  22. Phosphorus Trichloride - Unknown license
  23. Covington SC - Unknown license
  24. Phosphorus Dihydride - Unknown license
  25. Covington Exp - Unknown license
  26. Avondale Cond - Unknown license
  27. Plasmatica - Unknown license
  28. Phosphorus Triselenide - Unknown license
  29. Slukoni - 100% free
  30. Phosphorus Tribromide - Unknown license
  31. Wazoo - Unknown license
  32. Avondale SC - Unknown license
  33. Plasmatica Shaded - Unknown license
  34. Avondale Outline - Unknown license
  35. Avondale Shaded - Unknown license
  36. Gilgongo Pap - Unknown license
  37. Covington Shadow - Unknown license
  38. DAMAGEPLAN PERSONAL USE - Unknown license
  39. Ah, Liturgisch! This font is to typography what a grand, echoing chorus is to a silent chapel: absolutely transformative. Crafted by the talented Dieter Steffmann, a wizard in the world of fonts, Lit...
  40. Brock Script - Personal use only
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