The Nightfall is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. The Nightfall features 300+ glyphs and 100+ alternate characters, ligatures, swash and multiple language support. View all glyphs here: http://s28.postimg.org/7osts7ezx/All_Glyphs.jpg To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access alternate glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Hambuger brush script font textured perfectly and based on the expression of the signature style that flows freely, friendly and organic. Hand painted with love. It includes ligatures and alternates characters in Open Type Features. Perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hambuger is encoded with Unicode PUA, allowing full access to all additional characters without designing special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank you for your purchase!

Introducing Hypothalamus - Sans Liquify Serif by Look Minus Today. Hypothalamus is inspired by the flow of water that flows so beautifully. This versatile font is perfect for all design needs, from print materials to digital media. With the right balance of thickness and spacing to get the beauty of how nature can create such beautiful shapes. Its elegant lines and smooth curves make it a great choice for a variety of design applications, including branding, advertising, packaging, and editorial design. Our font is a versatile and stylish choice for any design project. ------------------------------------------------ Features: - Uppercase - Lowercase - Alternates & Ligatures - Numerals & Punctuation - Multilingual & Symbol - HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Illustrator go to Window - Type – glyphs In Adobe Photoshop go to Window – glyphs For any further questions or assistance, please feel free to contact us. Thank you and have a nice day !

Tolyer font is an extra large super family of 50 fonts! In many cases quantity doesn’t mean quality but here we have such a big abundance of contrast, styles, weights and special effects in one place that it actually doesn’t pay attention to the fact this is an all caps family. When it comes to strong headlines, titles, posters, masculine brand names Tolyer type family is probably one of the best choices in sans serif typography. You could easily pick from low to high contrast outlines, uprights and obliques, 3D effects or different artistic textured styles to make your work diverse, expressive and attractive. Tolyer font offers you maximum readability even in poor display conditions like low quality printing or low resolution monitors. In some cases poor print quality could even add more value to the final result, because Tolyer has a lot of potential to be used in difficult conditions. Letterpress and high embossing are one of those print effects that really suit Tolyer best. Use it in high contrast with background environment, higher ink flow, don’t think about the dot gain and you should definitely use a textured paper – this is what Tolyer really likes and deserves. It will thank you for this with authentic look, classic vintage style and strong but attractive presence.

Pauline Script is a Vintage inspired Monoline script. It's a contemporary script inspired by the past, now available to the Instagram era. Pauline Script is a follow up to the popular Pauline typeface. Pauline was one of my first typefaces, all the way back in 2008. Inspired by a variety of influences, from Art Deco signage, to a simple spice label, Pauline Script has very little stroke contrast and was inspired by Retro connected scripts. Over the course of its evolution, it started to take on more influence from geometric sans serif typefaces and lost the connectors. There's a strong geometric streak, derived from 1930s sans serifs like Futura. Tall ascenders and descenders give it a unique look. Now, this script version has now come full circle, utilizing the original sans serif face design and adding connectors back in, with an optically corrected dynamic slant. For invitations, signage, logos or other applications, Pauline Script is there when you need something that stands out with a touch of class and a sense of uniqueness. Turning on Contextual Alternates (non connecting ending forms) and Discretionary Ligatures (better letter connections) is highly recommended. There's a wide range of weights available. It's a playful typeface with options to either have everything connected, or alternate forms which allow for letter connections that still maintain the sense of flow of a script. Includes plenty of ligatures!

TE Mona Tharwat Emara," a masterpiece of Arabic calligraphy crafted by the renowned Egyptian calligrapher, Tharwat Emara. This exquisite Ruqaa font seamlessly blends tradition with innovation, offering a timeless elegance that captures the essence of Arabic script. Tharwat Emara, a distinguished figure in the world of calligraphy, has lent his artistic prowess to create a font that is not merely a collection of characters but an embodiment of cultural richness. Each stroke of the pen reflects the heritage of Egyptian calligraphy, echoing the historical echoes of an ancient civilization. "TE Mona Tharwat Emara" stands as a testament to Emara's dedication to perfection. The font's graceful curves and meticulously designed letterforms pay homage to the classical Ruqaa style, while subtle contemporary touches infuse it with a modern flair. It is a harmonious blend of tradition and innovation, making it an ideal choice for projects that demand sophistication and cultural resonance. Designed with precision and passion, this font is not just a typographic tool; it's a work of art that brings the beauty of Arabic calligraphy to the forefront. Each character is a brushstroke of inspiration, contributing to a seamless flow that captures the eye and mesmerizes the reader. Whether you are working on a branding project, publication, or artistic endeavor, "TE Mona Tharwat Emara" adds a touch of timeless class. Embrace the elegance of Arabic script with this font, where every detail reflects the expertise of a master calligrapher. As you embark on your creative journey, let "TE Mona Tharwat Emara" be your muse. Elevate your designs, captivate your audience, and embrace the heritage of Arabic calligraphy with this exceptional font. Embrace the legacy, embrace the art – TE Mona Tharwat Emara awaits, a font that transcends time and tradition

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise in the early lettering roots of what eventually became the definition of geometric typography ended up having a life of its own. The majuscules led to minuscules, one idiosyncratic bold weight led to six more, and uprights led to italics. What was kind-of-interesting in the early twentieth century persuaded me to make it interesting enough a century later. This of course meant alternates, swashes, the standard baggage that keeps calling my name. Henderson Slab is a family of seven weights plus italics, all full of open features and extended Latin language support. Part of this family’s appeal is its coverage of nearly the entire of the slab serif through the last 100 years — the basis is the manual, humanist origins, the swashed forms come right out of the phototypesetting era, and the alternates and mostly modern constructs of contemporary ideas. The result is a set with the ability to function in modern spaces, from corporate to editorial, in text or display, while both winking and nodding at the roots of what is now considered a geometric endeavor. (Basic version do not include alternates, swashes, etc).

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes contained in TessieMiscellaneous are Escher-like tessellations. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

NOMAD —Regular is a stand alone font. Nomad -Regular is a clean, interesting revival font. It is a Display font. Nomad, now exclusively in OpenType .oft by Joseph V Coniglio of Coniglio Type. It is a narrow boldfaced font. Its analog source was comprised of an extremely limited die cut, truly generic, craft, peel-and-stick vinyl set of capital letters of ascenders and numbers. It was purchased at a five & dime stores, hardware department from the 1970's. My father owned an original set of characters: Nomad-Regular is nicely expanded to meet the needs of OpenType. The original adhesive labels adhered to the bows of that small boats so fisherman wouldn't get turned away at the Canadian border for not having their vessels tagged and listed with the appropriate license name and numbers, recorded by customs. It was a required serialization of letters and numbers marked on the side of their vessels. On the other hand, most beer and whisky drinking fishers, card players and bait casters would rather not deal with it, but the boat could not cross over the border without them. (Once part of Market LTD from the 1990's, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.) Designer: Joseph V Coniglio Author: Coniglio Type

A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble animals including horses, goats, rabbits, fish, frogs, and other vertebrates. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble flying birds. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

The 1940s-era hand-lettered title on vintage sheet music for the song hit "Donkey Serenade" had an interpretation of the classic typeface "Broadway" used in a Mexican/Southwest motif with wavy lines cutting through the letters. Adapting Playwright JNL (itself, a hand-lettered interpretation of "Broadway") to this style, the festive design is now a digital typeface called Southwest Serenade JNL.

Medin is a serif font with elegant characters. Medin is perfect for your elegant-themed work, suitable also for elegant vintage. This font is available multilingual & alternate characters, making it easy to do work on various design themes. Medin is equipped with multilingual accents. Get it now Medin fonts, to add to your collection and work solutions. Viaction Type Thanks.

Black catty is a font that is designed for commercial purposes such as, covers, films, logos, business cards, t shirts, weddings, and many more What's include: Ligature Stylistic set for lowercase PUA Encoded Characters - Fully accessible without additional design software. Basic Latin Language Support (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆß ) How to access alternate glyphs? you can see it on this link ( http://goo.gl/1vy2fv )

Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

Skillbone Font is a quirky and unique display font. Add this font to your favorite creative Halloween themed ideas and notice how it makes them stand out! Its perfectly suited for crafter and graphic artist to complete their design such as invitation, advertisement, poster, logo, birthday, product sign, and many more! Skillbone Font also Lightweight, even so contains All Standard glyphs and punctuations

First released by the Woellmer Foundry, Berlin, in 1910, Goethe Fraktur is a strong and legible blackletter font which has been now revived and carefully extended for modern use. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures. You will find the longs by typing option + b or by using the OT feature historical forms.

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

Signs of Yesterday JNL brings another twenty-six vintage signs inspired by a series of decals once made by the Duro Decal Company (now Duro Art Industries) of Chicago. This font complements the original twenty-six designs found in Too Much Information JNL. There are two blank sign panels on the parenthesis keys for use in creating custom retro signage.