Old English Old English is related to Black Letter styles from early printed books and have a distinguished, historic look. The Old English font is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraved look is desired.

Ribelano is a serif display font that represents clear, contrast, and sharpness. The font comes in 6 different weight styles from Light to Black and it comes with 300+ glyphs. Perfectly suited for display needs such as heading, branding, logos, poster, etc.

Remedia is a simple linear typeface with a wide range of font weights, from a hairline Ultra Light to Extra Black. Legible in body copy and a great starting point for a unique logo, Remedia is a creative typeface for everyday uses.

Designed by Konrad Bauer and Walter Baum in 1956, Folio was the first popular Swiss Sanserif; the positive black shapes of the letters appear to be locked inevitably into the correct position by the firm and positive white shapes that surround them.

Krom Mono is a modular monospaced font built with pixel shapes. Designed for headlines, posters, and small size body text. This family consist of 9 weights from thin to black plus variable font with a character set that covers over 90 languages.

Ductus is a five weight typeface that is both ancient and contemporary. Drawing on various sources such as rustic capitals, Naskh arabic calligraphy, and black-letter, Ductus is a reflection on how the broad-nib pen can be relevant for today’s designer.

Carlgine is a unique and modern family of serif fonts. Carlgine has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Olivier is based on painted black ink letters. Inspiration for this typeface is fluidity of wine. Shifting base-, mean- and cap lines, varying tails and ascenders give it an organic, playful feel. The font is suitable for logo types, short paragraphs and headings.

Minimal and modern sans serif consists of 10 weights from hairline to black as well as variable versions. Works great for branding, fashion, modern, and casual valentine design theme. Designing a logo is made easy with lots of alternates to play with.

Carltine is a unique and modern family of Sans serif fonts. Simply Conception has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

SK Shriftovik is a geometrical, caps and small caps only, sans serif typeface inspired by the works of constructivists of the early XX century. Due to its structure, this display typeface is good for posters and magazines. The SK Shriftovik typeface supports many languages, including extended Latin and Cyrillic. The font contains many ligature combinations and stylistic alternatives that significantly transform the text.

A rounded slab in 4 styles In our age, since the arrival of microcomputing, the majority of professional letters have been composed in quality typefaces. Typewriters & the typestyles they used have become antiques. A letter set in Times or Helvetica & printed with a laser printer at 600 dpi or more are of such quality that one can no longer distinguish it with a document produced by offset printing. But letters composed in this way appear overly institutional when a bit of informality is needed. Le Monde Courrier, designed by Jean François Porchez, attempts to re-establish a style halfway between writing and printing. Informal neo-tech style This rounded slab serif returns the informal character of “typewritten” fonts to letters and suit well all bad conditions, from inkjet printed memos to webfonts use. With a unique typographic colour, it integrate itself with the rest of the Le Monde family with effective contrast. The verticals metrics and proportions of Le Monde Courrier are calibrated to match perfectly others Typofonderie families. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

RoglianoPro is a 70-font humanist slab serif super family (7 weights on 5 styles each plus matching italics) that while maintaining a strong and direct backbone, sustains a warm undertone that nods to the lettering and lithographic posters of the Victorian era when you take into account its multiple stylistic alternates, borders and decorative ornaments. Extremely legible for small text as well as finely-detailed enough to be very attractive when used in large settings, RoglianoPro is a versatile typeface that offers a wide range of voices that can move from mechanical to humanistic with absolute ease, and perform efficiently from branding to editorial design. Its Slab serif letterforms are strong, but gregarious and approachable – it’s friendly, but its solid presence is still a typographic force to be reckoned with. Rogliano includes a large set of over 900 glyphs, support for more than 200 latin script languages, a full complement of ligatures, small caps, swashes, William Morris-influenced borders and many Opentype features. In summary, a great addition to any multi-purpose type library.

Bolgica is a Neo-grotesque slab serif inspired by the slab serifs of the 1800’s century. By combining modern elements in several letter characters, the Bolgica family is very suitable for various design needs such as advertising, packaging, logos, editorial and publishing, branding and other creative industries. The family has 9 weights, as well as the matching true italics forms, provides typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super and subscript characters. It comes with a complete range of figure set options – old style and lining figures, each in tabular and proportional widths. With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 726 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

Few projects are outside the range of PMN Caecilia® Sans. Drawn specifically for on-screen imaging, the family benefits from a large suite of weights, each with several stylistic variations. This is a design ideally suited to building digital interfaces, complex websites, apps, games, kiosks, HTML ads and large-scale brand identities. “My goal was to create a, friendly, versatile, ageless, yet discerning typeface family that will serve the needs of many users,” says Peter Matthias Noordzij. the typeface’s designer. “It is not intended to be eye-catching, but generous: enabling numerous visual and typographical expressions.” The use of Noordzij’s earlier design, PMN Caecilia, in Amazon’s Kindle® wireless reading devices, gave him the opportunity to study the behavior of the slab serif typeface in an on-screen environment. Although based on his earlier design, Noordzij incorporated fundamental changes to optimize PMN Caecilia® Sans’ digital performance. While PMN Caecilia has proven to be a steadfast serif typeface in print and on screen, the addition of a sans serif counterpart gives designers more flexibility when creating complex hierarchies. The combination of serif and sans serif makes the PMN Caecilia family a good choice for everything from print editorial projects to complicated web sites. A broad range of typefaces pair well with PMN Caecilia Sans. Humanist serif typefaces, such as Agmena™, Dante®, and Frutiger® Serif, set up dynamic typographic harmony, while designs like ITC New Veljovic™ Masqualero™ and Perpetua®, will create a striking counterpoint. And, of course, PMN Caecilia is a natural design partner – as are other slab serif typefaces, like the Aptifer™ Slab, Joanna® Nova and Soho® families.

Inspired by Alf Becker's Rounded Block letterstyle. Nice 30's/40's era appeal.

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft "Bodrum Sweet" is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. "Bodrum Sweet" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. "Bodrum Sweet" some corner is rounded. These nuances aid in legibility and give "Bodrum Sweet" a harmonious and sensible appearance for both texts and headlines. Bodrum Sweet provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sweet 14 Regular” forms the central point. "Bodrum Sweet" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Sweet is the perfect font for web use. You can enjoy using it.

Solid State is a display font of sharp, simplified shapes. Modernist blocks a go-go.

Dikta Neue is a neo-grotesque sans serif typeface inspired by Swiss Design in The 1960s. With a solid and minimalist letterform make this typeface suitable for text and display. Dikta Neue is available in 18 different styles from thin to black including italics.