Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were done as pencil renderings. Alisal is best classified as an Italian old style design. Originally created between the late 15th and mid-16th centuries in northern Italy, the true Italian old styles were some of the first roman types. They tend to be the most calligraphic of serifed faces, with the axis of their curved strokes inclined to the left, as if drawn with a flat-tipped pen or brush. These designs offer sturdy, free-flowing and heavily bracketed serifs, short descenders, and a modest contrast in stroke weight. Alisal has nearly all the classic Italian old style character traits, plus a few quirks of its own. It is calligraphic in nature, with more of a pen-drawn quality than faces like Palatino or Goudy Old Style. It is more rough-hewn than either Goudy's Kennerley or Benton's Cloister, and is generally heavier in weight than most of the other Italian old style designs. One place where Alisal makes a clean break with traditional old style designs is in the serifs. While sturdy and clearly reflecting pen-drawn strokes, Alisal's serifs have no bracketing and appear to be straight strokes crossing the main vertical. Like Caslon or Trajanus, Alisal is a handsome design when viewed as a block of copy. Ascenders are tall and elegant, and serve as a counterpoint to the robust strength of the rest of the design. Alisal is available as a small family of roman and bold with a complementary italic for the basic roman weight, providing all that is needed for the majority of text typography. Alisal is not as well-known as some of Carter's other typefaces, but this lovely and long-incubated design was certainly worth the wait.

Motherline Reguler : a monoline vintage script typeface which is created based on manual hand lettering with many features such as ligatures, stylistic set alternate, swashes, etc with total 650++ GLYPHS! which is obviously support multi language characters! Provided in both OTF and TTF. Motherline Bold : The bold version of the Motherline Reguler, looks awesome to be used as logotype, badge, emblem which is needed a strong and bold text. Motherline Sans : A complementary sans type font which is perfectly matched with the main font. Motherline Sans Rough : The rough version of the Motherline Sans.

Nuno Sans is an elegant sans-serif typeface with a humanist touch. It offers 72 styles with 4 widths, ranging from Extended to Condensed, including 18 styles of both uprights and italics. This versatile font supports Western, Central, and Eastern European languages, as well as Vietnamese, ensuring widespread accessibility to readers. Nuno Sans excels in various applications and situations, from bold headlines to easy-to-read text, making it suitable for web, print, and corporate identity projects. Nuno Sans is a contemporary and diverse typeface, perfect for any design project.

Stanley Union is a font bundle consisting of serif, sans serif, extended sans and dingbats which is organic and hand-drawn and comes with regular and stamp styles. This typefaces is perfect for people looking for vintage aesthetic and organic feel. What Will You Get : Stanley Union Serif Regular & Stamp Stanley Union Sans Regular & Stamp Stanley Union Extended Sans Regular & Stamp Stanley Union Dingbats We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun!

Famiar is a professional sans-serif typeface. It is friendly and optimistic while retaining an intellectual appearance and smooth, balanced curvatures. Drawn and created by Mans Greback between 2020-2022, Famiar has a fresh style and a strong personality, and is a great option for many modern designs. Provided in 18 high-quality styles, such as Thin, Light, Regular, Bold, SemiBold, ExtraBold, Black and Italic, the diversity of the typeface family ensures it can always be used to its fullest potential. Famiar is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Elpy is a friendly rounded sans serif workhorse family inspired by all things music! Spanning 22 Condensed and Regular weights with true italics, Elpy will fit right in with your record collection and your font collection! The Elpy family includes language support for Western and Eastern European languages, Greek and Cyrillic. Ian Lynam dreamt up Elpy one day when he visited a record pressing plant outside Tokyo, watching vinyl pellets being melted down and a fresh batch of 7-inch records get pressed. Despite the smell, a seed was planted that would be extruded into Elpy's rounded forms half a year later... Elpy Light and Regular function as highly readable text typefaces, while the bolder and lighter weights are perfect for display work. Elpy's rounded terminals make the family perfect for screen-based work, as well as for print conditions of any resolution—from offset to Risograph.

Introducing Hulahoy Typeface. This font is inspired by the design styles of the 70s. The style is funny, groovy, classic, not serious but has aesthetic and unique value, besides that the Hulahoy font is very easy to remember and becomes the image of a design. Hulahoy is very good for being your font collection because this font is very unique and easy to apply to any media that has a design concept that is not so serious, groovy, classic, funny and unique.

Hello Everyone, Introduce our new collection Kartun - A Cute Cartoon Font - Bold Display , Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters,card to kids cute,and guaranteed to add a sweet touch to your next design,packaging, branding, logotype and more. Kartun is font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Morgenfrisk is one of those words you cannot really translate: it is Danish for ‘feeling refreshed after a good night’s sleep’. Morgenfrisk font is a handmade, thin school class font - very legible, very neat and very nice too. I found the original letters in a Speedball™ Text Book. There were only so many of them, so I designed the missing ones myself. I adjusted some of the original letters to a more contemporary look. Comes with a frisk amount of diacritics!

Introducing Robine – Condensed Sans Serif Robine – Condensed Sans Serif font is the ideal choice for creating attention-grabbing titles and headings. With its high x-height, this modern sans-serif typeface offers a sleek and contemporary appearance, ensuring your designs will stand out. Stylish and Space-Efficient: Robine – Condensed Sans Serif strikes the perfect balance between style and space efficiency. Its condensed design allows you to fit more text into tight spaces without sacrificing readability. Versatile Usage: This font is incredibly adaptable, making it suitable for a wide range of design projects. Whether you’re designing posters, logos, or web graphics, Robine – Condensed Sans Serif adds a touch of modern sophistication to your work. Exceptional Clarity: Robine – Condensed Sans Serif ensures your titles and headings remain easily readable, even at smaller sizes, thanks to its clear and legible characters. It’s designed to make a bold statement while maintaining clarity.

a sans serif naive font

A modern grotesque sans serif

Extended sans serif display face.

Imperfectly hand-sketched sans serif.

A soft, friendly sans serif.

Minangrasa is a blackletter inspired by traditional houses in West Sumatra, Indonesia which are shaped like cow horns. It's bold and fun with a retro twist. Using all caps results in very stylish text, while combining capital letters produces text that is very easy to read.

"Spring Easter" is a very beautiful and elegant handwritten font. This font is very easy to use because it has been specially designed. Equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for birthdays, weddings, engagements, spring, summer, Easter, stickers, banners, posters, and others.

I hope you are very happy today. we want to introduce our newest font, which we named `` Original Taste font ''. This font is a very bold bold cript font and has cool alternets and swashes. original taste font. This font has a taste, old, modern and unique.

If you are searching for a stylish font to fit in a not very wide space, GL Tetuan is your font. Slab, modern but with a touch of oldstyle, compatible with many languages, including special characters and very nice ligatures. It includes Cyrilic, Georgian and Greek alphabets.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually. This font includes fewer line fillers, and more "ferns and fans" than our previous swirlies.

Quintet is a narrow, stylized sans serif font made up of thin, looping lines. This font tries to walk the line between retro and modern and to incorporate some hand drawn imperfections without being too obvious about it. I kicked off designing without any particular inspiration in mind but, as time went on, started associating it in my head with an old-timey, swingy jazz aesthetic. So hopefully it captures the spirit of the Jeeves and Wooster throwback theme song and opening credits, the music of Stéphane Grappelli and Django Reinhardt (who the name is a nod to), and countless album covers from that era.

The cover of a 1950s-era catalog for the Freedman Novelty Company (of San Francisco California) had the word "Novelty" hand-lettered in an unusually angular type style against various geometric shapes somewhat resembling balloons. While the lettering was quirky enough to warrant re-drawing as a digital font, the shapes would have presented a visual nightmare in design and spacing, so simple black rectangles were substituted and the letters appear in white. Since novelty lettering of this type would never become "standard" in use, its function became the font's name, Limited Appeal JNL. There is just a simple A-Z and 1-0 character set along with basic punctuation.

Introducing Broadster - Classic Brush Type, created by ikiiko. Broadster is a decorative sans serif typeface, inspired by typography from classic 60s American advertising & automotive visual styles of the time. This typeface is designed to give the appearance of a formal yet expressive style. The Broadster has bold, contrasting strokes. A style commonly used in print, magazine, and sign advertisements of the era. This typeface is perfect for an formal layout, poster, newspaper, magazine ads, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

"Sambia" is a geometric sans-serif, straight, extra condensed, monoweight font, accidental with sharp corners and closed aperture. The font family consists of regular and bold fonts. Typeface is great for headlines, logos and posters. The typeface is inspired by the Bauhaus style and tributes to the first half of the 20th century era. It has concise rounded forms, geometricity and a small letter-spacing. - Uppercase and lowercase letters - Numbers, punctuation and symbols - Multilingual support (Latin, Latin Extended, Cyrillic) - Support for more than 20 languages: Albanian, Belarusian, Bulgarian, Croatian, Danish (Norwegian), Estonian, Finnish, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Moldovan, Portuguese, Russian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian and others

Remhu is a sans serif font from the modern era. An option with a distinctive shape adds value to your brand and is ideal for branding purposes. It’s wonderful to be able to help designers or product owners who are looking for ways to make their designs more classic and elegant. And, in particular, for font satisfaction, multilingual language support, numbers, and punctuation. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Liliana is a geometrical typeface, born throughout comprehensive formal studies while testing new ways of displaying certain words and sentences. The essential structure of Liliana is very conservative: It can look similar to other geometrical typographies, however, it has unique features that make this project very special. Liliana is a typeface that will work perfectly while setting short texts, words, and phrases as well. It shall perform greatly even when the paragraph is too short. Thanks to the versatility of its alternate characters, Liliana is perfect to achieve eye-catching texts. The spirit of this typography is focused on its “s” character, which originates from manuscript writings and provides a very special identity. If the text does not contain the letter "s", the intended personality can still be achieved by using alternate characters such as "f", "l", “r” and “L”, which are aligned with the same concept. On top of that, may all this still not be enough, you can furthermore use its ligatures and swashes. It is actually hard not to set a spectacular text with Liliana! Liliana is a typeface optimal for being used in marketing assets, packaging design, magazines, branding, film captions, headlines, editorial, quotes, logos, corporate identity, and motion graphics. The italic version has a 10-degree slant. This feature is intended to convey a gorgeous feeling of tension, power, and agility. It’s very interesting to realize how the dynamism in the italic characters works when compared with the regular ones. The typeface has 9 weights, ranging from “thin” to “heavy”, and two versions: "regular" and "italic". Its 18 files contain 642 characters with ligatures, alternates, and swashes. It supports 219 Latin-based languages, spanning through 212 different countries. Liliana supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.