A great new display face. The slight serif gives extra character to this solid looking design, whilst the outline version has an open, clean look.

Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

Polynesiac was discovered deep in the jungle on a cave wall on Gilligan's Island. "I was looking for ancient pictographs, and I find this crap instead!" says designer Wesley Poole. "But, the more I looked at it, the more I appreciated its charms." Sort of tropical, but not strictly Polynesian, this sans serif face never stoops to caricature, and achieves instead, a mysterious new flavor of the South Pacific Islands. Fun as it is, there's a certain dignity to it. "Living in Hawaii you just absorb this stuff. This is a fun loving culture. I hope I captured that, along with some Island Aloha."

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, but the best. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher

Galifex is a modern and futuristic sans-serif font that includes 4 weights and alternates. It can be used in many many projects. Standard CAPS letters are great in 90% scenarios, it can be masculine strong branding of construction company, but also it can be used in fashion design, interior, etc. you know....it works almost everywhere. But also you can use alternate CAPS and you can create logos of some sort of tech companies, future companies, metaverse, crypto you know...web 3.0. Create logos, labels, use in packaging, advertising, book covers, branding and magazines, headings, banners, posters and much more. Feel free to contact me: andfontscontact@gmail.com

Meet Manulist, your new go-to font for a natural hand-drawn look full of charm! With its all-caps style and big uppercase letters, this font exudes a classic elegant look. But wait, there's more! Manulist also comes with elegant alternates, adding a touch of sophistication to your designs. And that's not all - this font supports multilingual characters, so you can spread the fun and creativity in any language you desire. Plus, every character in Manulist has a delightful imperfect shape, giving your designs a unique and organic feel. It's like having your own personal hand-drawn masterpiece in every letter!

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

The inspiration for Jeeves came from Leslie Carbarga's wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit. The font is loaded with a plethora of extra glyphs, ligature characters and OpenType features.

Inspired by Japanese robot animations in 80s such like Gundam and Ideon, Geom Graphic is a square geometric sans serif for wide range of usage. The family give an impression similar to Eurostile but is more squared and geometric. The letterforms of Geom Graphic are designed slightly rounded to appear natural, warm and retro. This family consisting of 4 weights with matching Italics. The wide range of languages is designed targeting use for futuristic product of game, movie, logo and so on. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

Tabulamore is a monospaced script typeface with two goals: to make a script face that looks as natural as possible within the limitation of monospace, and to offer better all-cap solution where many script typefaces fail to address. The typeface style is generally a loosely spaced casual script, whose spacing allows big letters like M W m to fit comfortably. The automatic small cap part is based on so-called Architect�s Casual style, and shows up automatically depending on the context. As the name suggests, it is perfect for someone who likes to express their love in monospace format.

Moena | Stylish Modern Serif Font Moena is a unique serif font that showcases distinctive characters in each letter, while maintaining a high level of readability. With its slight thinness, this font remains versatile for all design purposes, especially for logo designs. Moena's uniqueness lies in its meticulously crafted letterforms, where each character carries its own distinct personality. The font exudes an air of creativity and elegance, making it ideal for adding a touch of sophistication to your designs. Whether you're working on logos, branding, or other design projects, Moena's versatility shines through. Its delicate yet readable appearance adds a sense of refinement, allowing your designs to stand out effortlessly. Crafted with precision and a keen eye for detail, Moena ensures that every curve and stroke is thoughtfully designed to maintain legibility while showcasing its individualistic charm. With Moena, you have a powerful tool to create captivating and memorable designs that leave a lasting impression. Unleash your creativity and elevate your designs with the unique character of Moena!

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.