Ela Swashes are not meant to and cannot be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights.

Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y has their alternative glyphs that can be available with OpenType salt feature and tabular figures can be available with tnum feature. Be sure to check out the sans serif style of this Dharma series named Dharma Gothic.

School Hand is a font designed for use with young children. There is the Dotted version, which is designed to be traced over with a larger dot to show where to start and automatic lines. Then there is the Regular version which can be used for reading or can be printed light grey for tracing. School Hand Cursive is a cursive font which is designed using contextual alternates. Contextual alternates cannot be activated in the Myfonts preview window so please see the gallery images which show how the smooth flow of letters is achieved. Contextual alternates are available in Adobe applications and MS Word 2010 or later. If you want to see how particular text will be rendered please contact me.

Introducing Lonewarc by forberas, This font born to be a Halloween Project. But still can be made as a display font, and still suit your other fun project. Your review and response are most welcome.

A traditional calligraphy-style gothic font with a twist. The uppercase letters were designed for easier readability than typical gothic text. This gothic font can be used in all caps and still be extremely legible.

To be honest - there is nothing tacky about this font! The font has its origins in both comic and graffiti, but can be used in a great variety where something handmade/comic/unusual is needed!

Released in November 2003, Charminette is the Collection's first face with a consistent baseline and x-height. Intended as a display face to be used large, it's also surprisingly readable at smaller sizes. Charminette asks to be considered for invitations to formal parties and weddings, any occasion when proper manners are called for. Or, when proper manners need to be subverted. A toast to civility!

This typeface, in fact a bitmap font 'avant la lettre' is an interpretation of the Old Face condensed type. It is being used where space is scarce. Its skeleton is projected on the chain structure of a fly screen. Eventually your text lines fill the space as wide as hypothetical doors can be. In small sizes the text appears to be drawn with a pencil.

Brounde font comes in four weights from extra light to medium. Legible texts can be created with its rounded slab serif configuration. Also it can be used in posters and every kind of graphic design works.

Introducing Waves Killer by forberas, This font born to be a Halloween Project. But still can be made as a display font, and still suit your other fun project. Your review and response are most welcome.

Introducing Cake Zombie by forberas, This font born to be a Halloween Project. But still can be made as a display font, and still suit your other fun project. Your review and response are most welcome.

The Pandorum font was especially designed by Alejandro Lecuna and Henning Brehm for film sets in the science fiction movie “Pandorum” starring Ben Foster, Antje Traue and Denis Quaid. It was used for all signage, logos, posters and monitors in the spaceship “Elysium”.

Sassoon Felt’s more casual letterforms can be used either as informal text or for the teaching of reading and handwriting; having the letterforms most taught in UK schools. These fonts are an educators alternative to Comic Sans (from Microsoft) and Chalkboard (from Apple), which are more appropriate for ‘Print’ style writing in United States Elementary schools and may also be appropriate for parts of Australia, which can be identified usually by crucifix t, diagonal y downstroke, short f, two-stroke and there may be more. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Hi Designers. Everyone will try these soft and sweet typography at least once. All the angles and sharpness are transformed with soft and smooth. Each of these 18 styles has a unique personality and can be combined to showcase the designer's emotion more smoothly. Here is the advantage of being able to stay new without being bored. Of course, it can also be used in typography design for kids. And these soft styles include the following Ligatures. - La, Le, Lo, da, de, do, fi, fl, me, mo, mu, ne, no, nu, ta, te, th, to, tt

Designed to be fat, loud and heavy.

Introducing Hell O Win by forberas, This font born to be a Halloween Project. But still can be made as a display font, and still suit your other fun project. Your review and response are most welcome.

Tolken Weapon is Powerful Racing Theme Font. The font is ready to be used for your racing sports or automotive-related projects. Built to be perfect for headlines, jerseys, logos, branding, posters, packaging, advertising, and much more.

Ckornoments is a two-font family of corner ornaments that was inspired by decorative grave ornaments. Similar ornaments can be found on old furniture and woodwork. Almost all ornaments come in sets of four for placement top right and left and bottom right and left. The two fonts, solid and outline, are designed to be used in layers but can be used separately. In addition, ornaments that include flowers have one part of the design separated out so the original and separated characters can be layered to give bi-colored images (or tri-colored with an outline). These ornaments are suitable for posters, newsletters, personal notes, and on other types of documents that benefit from framing. In addition to serving as corners, the ornaments can also be used as dividers between sections of text.

AJSHA font, even though being our newest font, is inspired by ancient Japanese and Chinese culture, eastern style of life of about 5000 years before present day, when honor and a good sword were respected. Japanese special sword Katana is known to be handcrafted to be extremely sharp and deadly. Therefore, the shapes of the AJSHA font accompanies the moves of a Katana master when he uses the power of his sword. The font comes in two styles, light and medium. Medium is a bit bolder style while the exact bold or strong version lacks due to the fact that the font's lines needed to be sharp as a swordsman's cuts. We expect this font to be a great asset tool for top-notch designer companies that put quality before everything else.

BAMBOLA, Script put out by EdyType. Almost formal script, that gained a little weight. but she is taking care of that. BAMBOLA, a real doll, wants to be loved, she is trying hard to be popular. Is very conscious of her beauty, but trying not to be a show off. She'll be at ease in any place where normal faces gather, unpretentious, yet with a touch of class. Born to be readable, it’s ideal for packaging headlines and editorial work. Not thick, nor thin, just the exact weight, makes a good pattern at large texts, and reduces with no problems, her voluptuous initials makes it stand out always. A real romantic face, it belongs to the fashion world, where she’s come from. A real hip chick, she’s got what it takes!

I wanted to do somewhat like Blackletter, but Blackletter is hard to read sometimes, so I tried to solve this problem and to do something unique. This font is able to be used with all European languages including ancient and reconstructed languages like Old Church Slavonic (it can be written by Cyrillic or Glagolitic script), Proto Slavic, Ancient Greek etc. It also includes IPA, so it can be used in education.

oook is a sans serif variable font designed to be used at very low size but it works with great personality also as display font. Uppercases and lowercase heights ratio is designed to improve readability at very very small texts. A feature that can’t be ignored in the smartphone era. With its wide eyes on letters and numbers you’ll be surprised by the improved readability of Excel or LibreOffice spreadsheets.

Qiltray is a good example of how handwritten fonts can be made for use in long texts. With clear and readable letters, Qiltray may be used in any kind of publications. Includes Cyrilic and CE character set support.

X RUFFIAN Ruffian was a champion thoroughbred horse who won 10 consecutive races. A feat worth mentioning & repeating. Her tenacity & steadfast approach established the basis for this variable based font. The X represents both the Roman numeral 10, but also the X-factor for creating bespoke works of art. It is quite befitting that this font be named after a legendary champion. Which begs the question...Do you champion variety? X Ruffian's design motif uses a broad tipped chiseled marker that was set at an angle for that extra bit of vigor. Identical letter forms defeat that truly "hand rendered" look that we ultimately strive for. Each uppercase letter offers 10 (X) or more stylistic alternatives, the lowercase and number sets have 3+ options and an over under for those special characters that yield a long bottom or top (see images). Ligatures & bonus characters can add that unique offering to your already individual style & can easily be found via the glyphs panel in any open type program. With a gigantic glyph count of 688, you'll never run out of options. As a right of passage, we felt obliged to include a roman numeral set as the name beckons, which differs from the standard letter form in which you would use to create. This is a variable winner. See you at the races!

While I was in Boston in 2014, I visited the Museum of Fine Arts and to my good fortune there was an exhibit of etchings by Rembrandt, one of my favorite artists. As to be expected, many were simply gorgeous, but one especially caught my eye. It was an etching of a priest (Jan Cornelis Sylvius, Preacher) with an extensive amount of writing in Latin. While I'm not certain that it was Rembrandt's own hand, the script was beautiful and I was fascinated by it because it had to be written on the etching plate in reverse. I snapped a few photos using my phone and later found other editions on line. I was so taken by the script that it begged me to create a modern typeface from it. The result is Saskya, named after Rembrandt's wife Saskia. There were many ligatures and glyph variants in the print, of which I captured many of them and made them accessible via OpenType features. The complete alphabet was not present in the sample, however, I discovered some other source material to sensitively fill in those gaps, with a remaining last few that I created myself. A truly romantic hand, Saskya will work well for invitations of many sorts, and when you're looking for that 'old thyme' scripty feeling in your graphics.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

EbuScript by José Manuel Urós. OpenType, 1 style The very first font of Type-Ø-Tones, EbuScript, comes from the pen of José Manuel Urós —nicknamed Ebú in those times. Now it is still in our catalogue thanks to a completed and improved version.

Profumo evokes the rubber ‘top secret’ stamps found on files in government vaults and under the beds of double-agents’ mistresses. The font was produced by scanning in inky impressions from vintage rubber letters - dozens of prints were made, and the most interesting selected.

A NEW HOPE! You begged with us..! You pleaded with us..! But we decided to release the official Richard Starkings font anyway! Huh? WHAT? You heard that line before? Where? Hmm... on this very site...? Well, yes, the Hedge Backwards font is all fine and dandy and does resemble the lettering legerdemain of comic book lettering robot, Richard Starkings... but has it been tweaked over the years to better suit the writing stylings of ELEPHANTMEN creator and writer, Richard Starkings? Has it been refurbished and digitally remastered by ELEPHANTMEN designer and Comicraft Secret Weapon, John JG Roshell? Hmm? No? Well then... here it is, retooled, reimagined and reStarkingsed...ah, what the hell, we started from scratch! This ain't no Greedo Shoots First -- you won't have to keep your pasty '70s VHS recordings of previous Richard Starkings Fonts inside a concrete bunker. Because any other font that claimed to be the official Richard Starkings font would have been called The Official Richard Starkings Font, would it not?

FT Thyson is a powerful and elegant display typeface. can be used to present your ideas in sports/fitness or editorials, Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Modal Stencil is the companion to Modal type family. It brings an extra expression for different uses. It can be used for Display better than Modal. It has all the styles that Modal so it can be used together harmoniously.

Happy arila Hello, I made two handwritten fonts, one with thickness and can be used for whatever you are working on clarifying what you want to display, and a smooth script font is also here to make your work be sweeter