Carlton is based on a typeface designed by Prof. F. H. Ehmcke. In 1908, Ehmcke released his Ehmcke-Antiqua design through the Flinsch typefoundry in Germany. Ehmcke-Antiqua was later distributed by the Bauer typefoundry in Frankfurt am Main. The Caslon Letter Foundry in England discovered the design and released their own typeface based upon the model, which they named Carlton. Carlton entered the Stephenson Blake program after they acquired the Caslon Letter Foundry in the late 1930s. As hot and cold metal typesetting became outdated technologies, Carlton and Ehmcke-Antiqua fell out of general use. In the 1990s, Letraset revived this classic design, distributing it under its English name, Carlton. Carlton's clean and generous capitals, as well as its understated yet detailed lower case, have found popularity again in recent years. The elegance of Carlton is best used for displays with large letter and word spacing. Carlton shows all of the hallmarks of a delicate serif typeface design; its forms capture a distinct moment that was common within Central European type design during the first third of the 20th Century. Carlton is similar to several other expressive typefaces from the early 1900s, including Bernhard Modern, Koch Antiqua, Locarno, and Nicolas Cochin."

This handwritten font was brought to our attention by one of our customers. Tom Bernard Anyz had offered his handwriting font at dafont.com, a free-font portal for private customers where Toms Handwritten is enjoying great popularity. We liked the design at first glance – it is so innocent and sketch-like, similar to a quick note or message. We reworked and completed Toms Handwritten for professional usage. Apart from the already available Latin character set for West and East, we also added Greek and Cyrillic.

Gosent is a Modern Sans serif typeface that has larger x-height size, it will give great performance in small text sizes. Features moderate contrast and lots of special details like the unusual ink trap, giving a modern feel. Gosent is great your various design, both serious and fun projects. Consists of 9 Weight variants from Thin to Black and comes with Oblique version

The rather wide, caps-only Monotype Engravers family imitates scripts that evolved from copperplate and steel plate engravers hands of the nineteenth century, which were a quite expressive medium! Monotype Engravers' letters show a strong contrast between thick and thin strokes and have sharply cut serifs. In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman."" Shortly thereafter, American Type Founders, Inc. (ATF) released another successful ancestor of this design in 1902, ""Engravers Bold,"" designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Also made available by Lanston Monotype at the beginning of the twentieth century, the Engravers faces soon became a popular choice for letter heads, advertising and stationery.

The rather wide, caps-only Monotype Engravers family imitates scripts that evolved from copperplate and steel plate engravers hands of the nineteenth century, which were a quite expressive medium! Monotype Engravers' letters show a strong contrast between thick and thin strokes and have sharply cut serifs. In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman."" Shortly thereafter, American Type Founders, Inc. (ATF) released another successful ancestor of this design in 1902, ""Engravers Bold,"" designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Also made available by Lanston Monotype at the beginning of the twentieth century, the Engravers faces soon became a popular choice for letter heads, advertising and stationery.