I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent readability. Blackletters are fine in ads and titles, but can’t be used in long texts (like books on Middle Ages, Medieval romances etc) where they would be the perfect historical choice. And I wanted to change this scenario. With Giureska, instead of taking one particular face to revive, I chose the best traits from many Gothic faces, i.e. the forms that were pleasant to look and easy to read. For the ‘small caps’, I studied uncial scripts and made a similar selection, adapting everything to make a unified font. With three weights, true italics and the uncials, Giureska can endure a variety of projects, bringing the appeal of Middle Ages much beyond the cover.

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

Glitzy is a caps-only font with extreme contrast. It was inspired by Art Deco typefaces, especially Broadway by Morris Fuller Benton, but Glitzy is not an attempt to reproduce that typeface. The letters on the lower-case keys differ slightly from the letters on the upper-case keys. The large black interiors invite decoration and the family includes four faces with interior decoration. These four faces with interior decoration can be used in layers with the base font to add color to lettering. (OakPark is a another attempt to do high-contrast lettering with an Art Deco feel.)

File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

For any project that calls for a gothic touch, the Krinah font is ideal. Krinah Blackletter fonts are the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie! Labels, vintage posters, and other items should all be designed using the professional-grade font Blackletter. It’s ideal for any project that calls for a little gothic flair. Additionally, it has a variety of lovely, harmonious forms, allowing you to choose the ideal word for your project.

Introducing Killuminati - Gothic Type, created by ikiiko. Killuminati is a simple english old type with modern blackletter style. This typeface is inspired by gothic & classic rock band logo. killuminati has a bold font with a combination of sharp and curved corners. This font is perfect for an poster event, stencil, logotype, magazine layout, fashion stuff, quotes, and so much more. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

Morris Fuller Benton’s Eagle, designed for ATF in 1934, which did yeoman-like duty on many WPA posters of the time. This version, unicase as was the original, has been designed to set tight, so that it creates dense and commanding headlines. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

In 1994, John Benson designed Alexa, Caliban and Balzano, three typefaces with a similar style. Characteristic of all of them is their calligraphic touch and the likeness to handwriting. Alexa shows a hint of a broad tipped pen style and its legible figures are reserved yet lively. Alexa is best for short and midsized texts as well as headlines and gives texts a personal, classic look.

Quick Meal JNL is a ‘hand lettered’ interpretation of Morris Fuller Benton’s 1905 design “Miehle Extra Condensed Title”, no doubt named for [or on behalf of] the manufacturer of printing and die cutting presses that were used for years within the printing industry. The type face is available in both regular and oblique versions. Quick Meal JNL is a pun on the pronunciation of ‘Miehle’.

Also known as Schoolbook. 900+ glyphs. After Linn Boyd Benton's and Morris Fuller Benton's 1894 lower contrast version of Scotch Modern, Didone. The part of the large project on revival and further development (by drawing many additional glyphs) of the 20th century’s typewriters’ fonts. And especially the most famous, versatile and beautiful typewriter: IBM Selectric’s golfball fonts, lost for the civilization for many decades after ‘80s, not being created since then in digital vector form. This new sub-project started in July 2018 for the restoration of the most beautiful classical typefaces, used during the 20th century on the extremely rare now IBM Selectric Composer typewriters / desktop publishing systems. Together with Nick Hamze and the Right Reverend Theodore Munk, the collectors of old typewriters. IBM showed the perfect taste by developing these best historical book typefaces of the human civilization for typewriters. So people could type then using both the real book faces, and the famous classical ones.

Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.

inspired in medieval iluminated gotic manuscripts

Prescissa is inspired by Textualis, also known as textura or Gothic bookhand, which was the most calligraphic form of blackletter, and today is the form most associated with “Gothic”. Written manually by hands, and reform into clean Typeface. Natural stroke from original handwriting. It can be used for just Title or even writing. In this font, you will get : Over 449 Glyphs 12 OpenType features Multilingual languages. Get Prescissa now! It will best use for any design requirement, many fonts will coming with a unique concept. Thank you! Best Regards, FM-STCO.

Vingo is an understated, elegant, sans serif face. This font is among the first in a series of alphabets I am creating that are dignified and sophisticated. I wish these fonts had been available when I was designing wine labels. These fonts are rooted in "old world" tradition, but are more utilitarian. Some of the funky aspects are downplayed, some are enhanced and updated. Any job that requires understated sophistication is perfect for this face. The name comes from the French for wine, "Vin", and "Go" from gothic-wine gothic or Vingo.

Fonts can make or break a design, so why not use the best? The ideal Gothic font is QIUBA! You should use this professional-grade font to create labels, retro, stamps, badges, Oktoberfest posters, and other things. It’s ideal for any project that calls for a little gothic flair. Plus, it comes in a variety of beautiful, harmonious forms so you can use the perfect word for your project. This Blackletter font is the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie!

The Alitun incanor font is inspired by Gothic style typography and calligraphy. It has clean, sharp lines making it easier to read by combining old and new. If you are looking for a font with these features, Alitun incanor can meet your needs. This font is equipped with natural calligraphy - characteristic of gothic synthesis and multilingual support.Font; ideas for headlines, flayers, greeting cards, product packaging, book and magazine covers, logo types, clothing designs, tattoo designs, album covers. With this font you can create your own unique design. Have a good time.

Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

In the March 16, 1936 edition of “The Film Daily” (a trade publication for the film industry) the magazine ran an ad for its Year Book. The ad was set in a slab serif typeface similar to popular designs such as Karnak, Stymie, Beton and the like. Redrawn digitally as Trade Paper JNL, it is available in both regular and oblique versions.

Tremendo is a gothic sans serif superfamily with a large number of widths and weights that make it a great choice for versatility, clarity, and dynamism. Built with both grotesque and geometric principles in mind, it's remarkably useful for everything from print copy to the largest display applications. If you're looking for a family that will serve your needs, and be noticed Tremendo is it! A note on the name: "Tremendo" is Italian for "too much, insufferable, awful." It's a tongue-in-cheek moniker for a family that's rather monstrous in size and forceful in impact. Give it a try and you'll see that it's much more of a workhorse than it may at first seem to be!

Tuff began with Magma. Set as text, they appear to be similar and are quite comfortable as typographic companions. The child-safe softness of Tuff owes something to the letterforms of the earliest extant Greek Manuscript, The Persae by Timotheos in the 4th Century BC. It is beholden to Morris Fuller Benton's original Souvenir, and its revival by Ed Benguiat. My own Stone Informal was also an influence.

Another William H. Page classic, Gothic Dotted, provided the pattern for this bold and brassy typeface. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs.

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

This rather modern versions of a Gothic style blackletter were originally drawn by Georg Trump in 1936 and 1937 respectively. To access all ligatures, I recommend to activate both OT features, standard and discretionary ligatures.

Black beer, strong Gothic. It is designed for logos, prints, headlines and more. The font has 4 styles, base, blurred, outlined, and aged. Contains basic characters and punctuation marks as well as extended multilingual characters.

Progreso is a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s. Supports most European languages, including modern Greek and most languages that use the Cyrillic alphabet.

Sinkwitz Gotisch is a new release of the font of the same name originally designed by Paul Sinkwitz in 1942. The Sinkwitz Gotisch was 1942 by Schriftguss AG Dresden font cast first cast and later supplied by the East German firm VEB Typoart. Paul Sinkwitz (1899-1981) has created them. This font displays not the characteristics of a chunky Gothic, which have influenced the image of national socialism. Paul Sinkwitz was a painter, graphic artist, wood engraver, was interested in religious topics, which he had presented in numerous graphics. But also his interpretation of his Gothic font is modern, without having the font this is ugly. In addition to the GOTISCH he created Roman Uppercase letters, which perfectly harmonize with the lowercase letters. This extra font is called BASTARD. The digital version of Sinkwitz is a beneficial addition to a Gothic with calligraphic character and should be in any historically interested graphic design.

Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e.""

Corogh Gorge is a Blackletter Font. It has gothic, mysterious, brave, classic. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Corogh Gorge is a Blackletter Font. It has gothic, mysterious, brave, classic. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

The Livingstone is an unique blackletter decorative font. It’s suitable for use in various projects such as gothic lettering, tattoo, headlines, posters, magazines, newspapers, t-shirts, labels, and every other design which needs a striking typeface.

Pindunk is a typeface inspired from gothic style. The Pindunk typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

Gothamburg is a blackletter or square gothic face. The shapes of many of the letters were inspired by sets of letters in Oscar Ogg’s The 26 Letters (Thomas Y. Crowell Company, 1963, 1948) illustrating the gothic style of the middle ages. The Plain and Bold versions differ not just in pen width, but also in pen angle. The Plain version has less contrast between the thin and thick strokes. The ShadowedInside style has the letter shapes of the plain style but the spacing of the shadowed style. It can be layered with the shadowed style to easily create two-color lettering.