A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.

Wrecked Ship is a serif display font, inspired by broken and old iron. Wrecked Ship will perfect design for poster, cover, tittle, merchandise and many more

Magnificent Ornaments was inspired by the ornamental styles produced during the Victorian era. There is an assortment of 47 ornaments all located under the character keys.

Introducing vintage and classy display serif with a little touch of 3D to make your work more real so that readers are hypnotized by your work.

Ayalda is a classy and elegant handwritten font with beautiful swashes. Get inspired by its unique look, and turn any design idea into a true standout!

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

A revival of one of the popular English Antique styles of the 19th century. The slab serif style was also used by American wood type manufacturers.

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

AZ Claire was inspired by hand scripts, but with the necessity for a bolder look. This font was designed for use as a fun bold headline.

Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

Looking similar to a Deco-era classic typeface, Van Alt JNL has slightly different character shapes, but pays due respect to its inspiration by the original...

Phyllis was designed by Heinrich Wienyk in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

Chalk Board is a handmade textured brush font, inspired by the chalk. This unique script will add a serious and sincere feel to any design idea!

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Inspired by hand-painted signage found in ”Little Haiti” Miami, Florida. Sirena’s quirky curls, dynamic slant, and organic nuances capture the essence of Latino street vernacular.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.

Mick is a hand-drawn typeface inspired by graffiti works of old style. The family contains Regular and Light styles. Cyrillic and extented latin character sets.

Browny Joy is lovely modern calligraphy font inspired by beauty natural handwriting What's included: - Browny Joy.otf - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.

Yma is inspired by 80's neonlight with an hand-written - brushpen style. Elegant & dynamic with a vintage look. There are also some interesting alternates glyphs.

Exogenetic is a monoline, sans-serif typeface suitable for display/headline purposes. It was influenced by circuit boards and robotics. Exogenetic is available in OpenType format.

Bochill is a sweet and charming script font that’s perfect for adding a sweet vibe to your next design idea. Get inspired by its unique style!

Relax and take time to see the benefits of purchasing this neon style font, low weight file, fast and easy run Designed by Pedro Alexandre Teixeira

A unique and hand painted font collection by Cultivated Mind. The Azaelia Family comes with a beautiful font, handmade frames, page dividers, ribbons and fancy flourishes.

Based on a font design by Les Usherwood called Eldorado, we had to change the name because Linotype has a dissimilar typeface of the same name!

The Arta font family was designed by David Quay in 1991. Its hand lettered appearance makes Arty a good choice for advertising and other promotional materials.

Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.

A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.

Richy unique chic font with any beauty shape and fancy ligature suitable for brand and logo design. Crafted by graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with a classy shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, chic, and certainly unique logos with this font. To make it look more unique, here we prepared some ligatures: ab ah cb ch eb eh ak am ck cm ek em an ap cn cp en ep ar cr er ca ea ss ob oh ub uh ib ih ok om uk um ik im on op un up in ip or ur ir ka at ga Richy-font is also included full set of: uppercase and lowercase letters multilingual support numerals punctuation Wish you enjoy our font. :)

POWERPLAY a monospace lowercase alphabet with a 3D twist. Designed by André Toet in 1976 (during his study at Central School of Art & Design, London, UK) and he redesigned this in 2011. The name Powerplay is based on the Battersea Power Station, London. The remarkable architecture of the building is also used as a decor for films and for one of the covers by Pink Floyd (Animals, the flying pig). Concept/Art Direction/ Design: André Toet © 2017

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.