Bokis is a sans serif family that has simple and strong characters. This font will provide a confident and impressive base headline to any of your designs. Balance on each side is well maintained. It's ideal for headlines, titles, posters, branding, and logotypes that require big impact.

Boiling looks elegant and is very cool to use to support your current design. Because bold font style like this has become a trend in 2020 now. Besides you get thick series, you also get many more font styles to thin styles. All letter characters are very easy to combine with modern minimalist design concepts. In addition to the alternative swash until (ss05), there are also many discretionary ligature choices that are unique and easy to read. Boiling contains 11 families from Thin to Black all of which can be applied to design concepts that are at work or become your unique serif font collection. In the future, alternatives, swash, ligature or a new style of Boiling will be developed. Besides this font already contains Unicode and PUA so it can be used in design or non-design applications.

Koi is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. The result is something of a hybrid, sitting somewhere between an outline and an inline style, and with an asymmetrical look — something quite rare in a typeface. Many of the characters look like ready made logotypes. Further customisation is easily achieved by extending the end strokes of characters, possibly aligning them and joining them to others to create bespoke arrangements.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

The name of this typeface comes from the surname of James (Jim) Bowie, American pioneer and inventor of the famous Bowie knife. This is exactly what inspired English rockstar David Jones to change his stage name to David Bowie. Bowie is thenew font by Bercz and Latinotype Team. The typeface is a type system that reflects a strong personality, an urban feel and an unprejudiced style. Bowieis well-suited for publishing projects, branding and packaging. This font family is composed of three sections: a group of sharp-shaped uppercase fonts (smallcaps and all caps) in 5 weights, each with matching regular/back slant italics,providing users with 15 different styles for multiple combinations; a set of script catchwords and eclectic sets of dingbats and flags that communicate the blue-sky thinking and feel of the project. Bowie —a collaborative project between Bercz and Latinotype Team—was developed by Leonidas Loyola, Valentina Vega, Rodrigo Fuenzalida, César Araya and Bruno Jara, under the supervision of Dany Berczeller, Daniel Hernández y Luciano Vergara.. Bowie consists of 5 weights, ranging from Thin toBlack, and comes with a 439-character set that supports 206 languages.

Sometimes you just want to have fun, and "Boys on mopeds" will take you there! Boys on mopeds are a simple-minded serif font with a fun and loose twist. I've added several versions of each lowercase letter: you have 4 different versions to choose from. Enough to make your invitations, diary, posters, postcards, novels, stickers ... ahhh ... the list is long - and the use of Boys on mopeds is almost endless! Comes with a bunch of international letters, so fun is available in many languages! :)

Authentic 30s style art deco typeface.

Wrong Boys is a spectacular Display font with a Fatty and Thick graffiti style for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more! If you find some problem please chat me Have A Nice Day

I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself - really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little Boy Blue. Little Boy Blue is a very legible, easy-on-the-eye font for texts, books, covers and packaging. Comes with 50 shades of diacritics.

A bouncing offbeat latin poster font.

Pardon me boy, is that the Chattanooga Choo-choo? Well, not quite, but "Pardon Me Boy!" is a set of silhouette based ornaments capturing railway locomotives and rolling stock from around the world. Use it to form up trains to make suitable themed rules and borders, or just for fun anywhere a bit of locomotive power will add life and movement!

Romantic font with ligatures for double letters

City Boys Soft is a fashionable contrasted sans-serif that can be used in almost any situation. City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage. The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression. The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–. City Boys consists of 7 weights and their matching Italics for a wide range of usages. Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. City Boys is a normal corner version of this City Boys Soft.

Hello! Introducing a creative all caps font named Old Fat Boy. It's a vintage shape smooth typeface with authentique 90's style look. This font includes lots of multilingual characters (check out a screenshot with available letters and signs).

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

Boo Boo Kitty is a blocky font with a halftone style gradient texture. One of the big inspirations for this font was retro comic printing so I tried to keep the background slightly messy to capture that look. It was originally released in 1997 as an all-caps font with mixed plain and textured characters but was recently updated it to include lowercase letters and full versions of both background options.

The grandeur of what was Miami Beach had its golden years peak in the 1940s. One of the grande dame hotels that stood at Collins Avenue and 23rd Street was the Roney Plaza; built in the 1920s and demolished around 1969. An online auction offered a pair of gummed labels provided by the hotel to be used by their guests for shipping souvenir packages back home, thus also giving the hotel a promotional plug. Jeff Levine not only created two typefaces from this hand-lettered label - Old Miami Beach JNL and Old Miami Beach Nights JNL (a solid black version), but painstakingly recreated the look of the label for the promotional flag and banner for the fonts.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Peach Daisy-A Sans Serif Font Peach Daisy is a new modern sans serif font. This font was carefully crafted and inspired by luxury fashion in the world. It creates a luxurious, rich, exclusive and elegant look in design. It’s thin brush strokes and imperfect baseline give it a fun and stylish. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more. Features: Ligatures Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Honey Beachy is a retro display serif font that exudes a classic charm and bold character. With its design inspired by retro styles, this font brings an elegant touch and evokes a sense of the past. Each letter is meticulously crafted with careful attention to detail and proportion, resulting in a visually appealing and unique appearance. Honey Beachy is perfect for projects that require a vintage feel, such as posters, logos, packaging, and promotional materials that aim to capture a nostalgic and sophisticated atmosphere. This font will add a special touch to your designs and captivate viewers with its retro allure and distinctiveness. Honey Beachy Features: - Regular And Outline - Uppercase And Lowercase - Alternates And Ligature - Numerals & Punctuation - Accented characters - Multilingual Support - Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Peaches and Cream is a bold brush style script family of three weights, ornament set and an all caps font. Peaches and Cream is equipped with plenty of OpenType features: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Combine Peaches and Cream with Peaches and Cream Ornaments and Peaches and Cream Caps to complete your designs. Peaches and Cream is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling. For the best price purchase the complete Peaches and Cream.

The "Nostalgia" font is a dark, vintage style that includes all the basic characters (letters, numbers, and punctuation) and is very simple to read. "Nostalgia" was inspired by inky handwriting with a natural flow and has fantastic starting and ending lowercase swashes. It works well for a wide range of projects, from wedding stationery to Instagram quotes to contemporary logos to packaging to websites. Consequently, these top-notch, traditionally-styled hand-drawn characters would be an excellent and priceless resource for those who want to write by hand. The headlines and titles you create will look fantastic with this font.

BiBi font family is designed by Naghi Naghashian. This font family is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. BiBi supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. BiBi Font family is available in five weights: Light, Regular, Demi, Bold and Heavy; each of them in two diferent styles including normal and extended. BiBi designs fulfill the following needs: A Explicitly crafted for use in electronic media fulfils the demands of electronic communication. BiBi is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today’s technology in mind. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. BiBi's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BiBi was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

In the early years of the 20th Century, singer-dancer-actor-composer-playwright George M. Cohan was known as "The Man Who Owned Broadway". In 1904, Cohan was enjoying success with his latest creation, "Little Johnny Jones". Cohan gave America what would become a number of iconic songs, and both he and his compositions were immortalized in the 1942 biographical film "Yankee Doodle Dandy" starring James Cagney. The Art Nouveau-influenced hand lettering of the title on the cover of the sheet music for "The Yankee Doodle Boy" was the model for its namesake digital typeface design and is available in both regular and oblique versions.