BAMBOLA, Script put out by EdyType. Almost formal script, that gained a little weight. but she is taking care of that. BAMBOLA, a real doll, wants to be loved, she is trying hard to be popular. Is very conscious of her beauty, but trying not to be a show off. She'll be at ease in any place where normal faces gather, unpretentious, yet with a touch of class. Born to be readable, it’s ideal for packaging headlines and editorial work. Not thick, nor thin, just the exact weight, makes a good pattern at large texts, and reduces with no problems, her voluptuous initials makes it stand out always. A real romantic face, it belongs to the fashion world, where she’s come from. A real hip chick, she’s got what it takes!

A heavy serif grunge font with a western feel, great for that extreme look for today..

Mi Amor is a fully cursive monoline handwriting script font. Contains Western and Central European accents.

Inspired by the works of Howard Philips Lovecraft (1890-1936), and the city of Arkham lying abroad the Miskatonic River... witth all those witchcrafts secrecy and the infamous Necronomicon. The Elder Ones and the mighty Cthulhu, who lies and not dies within the dephts of the ocean in R'lyeh he's awaiting... arf, anyway this font will well set for posters, detective stories or horror books, pulps and others... *Full western latin language with most diacritics and numbers* Included in this set: - ARKHAM77 Black (More formal display) 560 glyphes - ARKHAM77 Elegante (for a creepiest rendition) 590 glyphes - ARKHAM77 Titles (as its name do not tells, for credits, or simple text) 560 glyphes - ARKHAM77 Extras (Embellish your work with this cool collection of frames and ornaments) +100 glyphes

Mattiface is a modern handwritten font, perfect for both formal and non-formal designs. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Silver Thread is a hairline thin geometric sans serif font with both art deco and 1970s elements to it. Perfect for any project that needs a typeface which evokes elegance and sophistication. Digitally revived from an older photo-typositing face, Silver Thread is named after a waterfall in eastern Pennsylvania. The font contains alternate versions of B, Q, W, &, a, e, k, n, s, t, u, w, y and 4 for added variety. They can be found under the Stylistic Alternates OT feature. Jukebox fonts are provided in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Mogathe was inspired by the west life era. Mogathe is a slab serif font with a vintage western look and feel. Four varieties are available: Regular, Stamp, Spurs, and Spurs Stamp. The use of this font results in carefully-crafted styles. Mogathe font is ideal for branding projects or packaging that need a vintage western feel.

Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Header includes hybrid glyphs encoded where small caps are normally found.

Adapted from Ronsten to make an acceptable chunky, more normal serif font retaining the serif alignment with the letter curves. An Italic is also available.

Vaquero is a Wild West style font. It is characteristic of a lot of western era signage, with super-narrow characters and unusual decorative spurs and serifs. There are some similarities in Vaquero to some of our other western fonts. It sort of ties together the historic tradition of western era type and the more fanciful tradition of romantic type derived from the era of the wild west. It has the width, height and general letter shapes of Academy, but the decorative elements are similar to more fanciful fonts like Riudoso. The result is very evocative of the old west.

Bill Corporate is a geometric typeface with generous capitals. A modern classic, based on Max Bill’s lettering work, its straightforward and uncompromising construction can be both edgy and sublime. With minimalist letterforms, pointy apexes instead of flat ones, and archetypal proportions, this font family doesn’t follow any trends but strives to achieve a timeless formal vocabulary. The skeleton of its letters is based heavily on the famous primary shapes of the Bauhaus: square, circle, and triangle. This makes for quite wide uppercase and much narrower lowercase letters. The contrast between uppercase and lowercase benefits inexperienced users, who will be able to get appealing results quickly. At the same time, it’s a powerful tool for seasoned designers, who can employ either case selectively to set the desired typographic course. Bill Corporate Medium’s 16 styles (including a set of eight lighter-than-light fonts from “Two” to “ExtraLight”) are an excellent choice for editorial design, branding, headlines, and even short to mid-length copy in a wide range of applications and industries. The uppercase letters in particular—with their varied widths and lavish dimensions—are suitable for cosmopolitan and stylish logotypes and wordmarks. Whenever a timeless, staid, and classy look is demanded, choose Bill Corporate.

Civita is a new 'Modern Type' with a high stroke contrast, distinct formal features, and a strong personality. It has a fluid ductus but nonetheless a solid structure. Civita is well equipped with many OpenType features which make it especially suitable for ambitious typography. The Civita family consists of 12 styles, comes in OpenType format with extended language support for more than 40 languages. All weights contain small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Lordcorps is a simple and casual display font with a military feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

Guillotine is inspired by an uncredited early 1970s film face called Rhythm Bold. While the original film type had plenty of round forms that were uneven and somewhat badly drawn to fit within the overwhelming pop wave of the time, this digital incarnation disposes of all curves, relies on a much sharper grid, and adheres to specific parameters of stroke widths and angles. Guillotine is a thick poster classic, mechanically constructed yet clearly exhibiting the idiosyncratic traits of hand drawing. Its forms embody the amalgamation of a multitude of influences, such as woodcut letters, punch card forms, and the unique art nouveau concepts that were popular in the 1960s and 1970s. The totality of the font is a strong display aesthetic that plays very well anywhere the eye is meant to see a strong but casual, sharp but hand crafted message. This font comes in all popular formats for all common platforms, and includes expanded language support to cover Western, Eastern and Central European Latin languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, and Turkish. A few alternate characters are sprinkled throughout the character map.

Mullen Hand is the fresh digitization and expansion of a Jerry Mullen metal typeface called Repro, originally published by ATF in 1953. The connectivity of certain letters in the original type was limited by metal technology, but this new digital version is updated to resolve those issues with. Two- and three-letter ligatures take care of the r, s, x and z connections. These ligatures are programmed in the 'liga' feature of the OpenType version, so they automatically activate in programs that support advanced typography. Casual, tall, and elegantly friendly, Mullen Hand's even strokes and confident connections embody the spirit of contentedness and reassurance sought by today's appeal designer. It accommodates a variety of applications, from posters and signs, to book and music covers and product packaging. Mullen Hand comes in all popular formats. The TrueType and PostScript versions come with 2 fonts, one of them containing the ligatures and some alternates. The OpenType version combines both fonts into one, and includes programmed features for localization, alternation and intelligent substitution. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

A geometric sans for space saving typography Sofia Pro Condensed is the condensed version of the popular Sofia Pro font family. This typeface was completely drawn with the look of the original normal-width version. Sofia Pro Condensed contains 16 styles from Ultra Light to Black (Ultra Light, Extra Light, Light, Regular, Medium, Semi Bold, Bold and Black) with an alternative glyph set to improve its use in different graphic contexts. This typeface will be suitable for many projects such as titles, subtitles, long editorials, brand building, mobile applications, ebooks, websites or company signage. Its contemporary aspect and its condensed style will also be suitable for editorial projects who needs to save space. Sofia Pro Condensed also has many powerful OpenType features such as case sensitivite forms, old style and tabular figures, ligatures, capital spacing, fractions and alternative characters to give personality to graphic design projects. Designed also for complex editorial content, this typeface has a powerful home kerning system called “Pro Kerning”. With more than 1500 pairs of glyphs in many languages, Pro Kerning optimizes headlines, subtitles, texts as well as long paragraphs in real time. In addition to all the features of its kind, Sofia Pro Condensed is part of a very complete “type system” with style variants such as the normal-width-version (Sofia Pro), the soft version (Sofia Soft) or the rough version (Sofia Rough). With all these typefaces, you have more than 40 styles to make your own vibrant and professional graphics or web creations while maintaining consistency in your creations. The OpenType features of Sofia Pro Condensed have an extended character set to support Central and Eastern European as well as Western European languages, Cyrillic and Greek. For more info about the powerful opentype features and the complete character map of Sofia Pro Condensed, download the PDF specimen to get a detailed view of all features.

K-haus 105 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 205 , featuring a few, more 'daring' characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.

K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105 , featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.

OTC New York is a geometric sans serif font family with support for Latin, Cyrillic and Greek. The display font comes in 18 styles, 9 weights (including italics) and as a variable font which supports two axis variability: weight and italic. It’s ideal for branding, logos, headlines, editorial design, packaging, web and television use. The font family is inspired by the Bauhaus school with its simplified geometric form, balanced layout, harmonious geometric shapes that are simple but strong. OpenType features contain stylistic alternates (for A, a, e & g); old style figures; fraction figures; subscript, superscript, numerator and denominator figure position and tabular figures.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bill was developed from the few letterforms created by Max Bill for a 1949 exhibition poster. All the forms, with the exception of the letter ‘o’, were constructed using only straight lines and triangles on a purely mathematical basis, that showed the continued influence of his earlier Bauhaus training, and the universal alphabet principle.

TOMO Radix gracefully merges the enduring charm of mid-century modernism with the captivating allure of pronounced inktraps. Inspired by the clean lines and geometric aesthetics of the Bauhaus movement, as well as the distinctive lowercase forms of Futura, this typeface embodies a harmonious fusion of classic and contemporary design. Featuring seven (7) weights, Radix showcases an extensive collection of spurless characters that delicately embrace and enhance the inktraps, resulting in a visually captivating and balanced composition. Complementing its versatility, the typeface offers alternate glyphs accessible through opentype stylistic sets, further expanding its expressive potential for any design project.

‘Plaquette’ is a collection of retro typefaces ranging from victorian to bauhaus to the sixties. They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others. Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft A vintage typeface with some sweet discretionary ligatures to make your typography exciting. Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renner’s original Futura. Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and… labels.

Micholas is a simple and casual serif font with an undeniably clean feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.