Bertoni is a high contrast Didone family of twenty faces, which combines extreme legibility with distinctive character. It is able to hold its own in modern usage while having features rooted in a deep period charm. The family includes two widths as well as two weights. Bertoni regular, bold and wide are small capitals faces ideal for posters, book covers, packaging and signage. The text faces are body faces which form the ideal accompaniment. For more distinctive features, the Title, Capitals (all capitals, but in two forms) and Flamboyant faces are ideal. Bertoni offers a blend of the modern with classical revivalist charm which makes it up to the minute and never out of place. The family is extensive enough to form the foundation of a commercial house style, but can also lend an element of character in single usage.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Eroded, skeletal and gaunt, Obsessed was one of Zang-O-Fonts first typefaces, and is loosely based on a couple of Art Deco faces.

OldHaroldRee is a modification of PhederFrack, a calligraphic fraktur face. It keeps the lower case letters and inserts a completely different set of upper-case letters, which is in the “Old English” rather than the “Old German” or fraktur style. It comes in two weights, a bit unusual for an Old-English style typeface.

One of the more elegant script fonts available, this design is based on calligraphic handwriting called "Copperplate" because of the copper plates that it was etched into for reproduction. This face is not related to Copperplate [Gothic] by the American type designer, F.W. Goudy. The name Copperplate comes from the fact that writing masters used to hand-write their books and then send them to an engraver who recreated all the subtle details onto copper plates, which where then used to print the handwriting books.

Windevere is a family of display faces designed for easily readible headings and titles that convey a sense of speed and motion. The family includes three faces: Windevere Regular, Windevere Bold and Windevere Rounded.

Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.

A great headline face very bold and graphic. Not recommended for small sizes!

A Bold Powerful Geometric design. Great headline face; works well in many applications.

DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. The fonts contain a full complement of Latin Extended-A characters, and now include Greek capitals and small caps.

PT Quadrat Grotesk™ was designed for ParaType in 2001 by Vladimir Pavlikov. An expanded sans serif with square letterforms due to what the face was named. Based on the shapes of one of old Russian wooden types. Wooden types were used for placard display composition at large sizes. Their printouts retained wooden texture and traces of handling. These features are reflected in the shapes of Quadrat Grotesk. It is a good typeface for display and advertising typography.

Poliphilus is a facsimile of the text of the 'Hypnerotomachia Poliphili', after which it is named, published by Aldus Manutius in Venice in 1499, using a type that had been cut by Francesco Griffo. As a design, Poliphilus is related to Bembo, but whereas Bembo was redrawn, with the intention of making a new face based on an old design, Poliphilus is an exact copy of fifteenth century printing on hand made paper. So exact in fact that even the original ink spread is reproduced. This may not seem like a very sound idea for a typeface, but the letterforms are good and the design is functionally successful. Blado, the italic for use with Poliphilus, was used by Antonio Blado in 1539, and designed by the calligrapher Ludovico degli Arrighi. The Poliphilus type is used mainly for book and text work."

Serif Nouveau JNL is a condensed type face based on the hand lettered title of a 1920s-era piece of sheet music for the song "Naturally".

This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the co-founders—with Pablo Picasso—of the Cubist Movement. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Venetian 301 is the Bitstream version of the Centaur type family. Centaur was designed by the American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde who was an American calligrapher and typography researcher was added as Italic to Centaur. Adapted for mechanical composition by English Monotype in 1929. Its lettershapes owe much to pen-drawn letters of Italian humanist minuscule and cursive. This elegant humanist face is useful for the finest typography both for book text and display matter. Cyrillic version included small caps was developed for ParaType in 2003 by Dmitry Kirsanov.

A bold new look great for magazines and paperbacks a strong yet beautiful headline face.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

Master Flo is a freestyle script based on handwriting. The face inspired by flat-nib felted pen or brush calligraphy. For use in short texts and informal headlines.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.