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  1. BigElla - 100% free
  2. Worn Manuscript - Unknown license
  3. Sebaldus-Gotisch - Personal use only
  4. BrokenWoodtypes - Unknown license
  5. Ganz Grobe Gotisch - Personal use only
  6. Durwent - Unknown license
  7. JSL Blackletter - Unknown license
  8. TypographerFraktur Contour - Personal use only
  9. 1492_Quadrata_lim - Unknown license
  10. GF Gesetz - Unknown license
  11. Theodoric - Unknown license
  12. Helldorado - Unknown license
  13. MKBrokenTypes - 100% free
  14. Uberhölme Lazar Condensed - Personal use only
  15. Uberhölme Condensed - Personal use only
  16. Deutschische - Unknown license
  17. Yold Anglican - Unknown license
  18. Wellsley - Unknown license
  19. Trocadero - Personal use only
  20. Durango Western Eroded - Personal use only
  21. Helmswald Post - Personal use only
  22. PL Modern by Monotype, $29.99
    PL Modern Heavy Condensed is based on a design by R.H. Middleton (1936). It has Bodoni-style letterforms, typical of Modern Serif faces. Use the PL Modern Heavy Condensed font for headlines in narrow settings.
  23. Restaurant And Lounge JNL by Jeff Levine, $29.00
    Restaurant and Lounge is a casual, brush-style type face based on hand lettering found on a 1940s matchbook for the Park Avenue Restaurant (a popular dining spot during the golden years of Miami Beach).
  24. PL Davison by Monotype, $29.99
    PL Davidson Americana is an all-capital typeface based on woodcut designs from the nineteenth century. The PL Davidson Americana font was designed by M. Davison in 1965, during the revival of American headline faces.
  25. PL Davison Zip by Monotype, $29.99
    PL Davidson Americana is an all-capital typeface based on woodcut designs from the nineteenth century. The PL Davidson Americana font was designed by M. Davison in 1965, during the revival of American headline faces.
  26. Farthing by Device, $39.00
    "Classy eccentricity" — Farthing evokes elegant traditional serif styles, playful but poised. Farthing is a serif face in five weights, with alternate characters and both lining and old style numerals. Suitable for both headline and short paragraphs of text.
  27. Linotype Really by Linotype, $29.99
    Linotype Really, designed by Gary Munch, is a typeface family of six weights with italics and small capitals that offers a broad palette of expressions to draw from, sensibly light to brightly stentorian. The moderate-to-strong contrast of the vertical to horizontal strokes recalls the Transitional and Modern styles of Baskerville and Bodoni, and the subtly obliqued axis of the stoke weight recalls the old-style faces of Caslon. A strong belt of sturdy serifs completes the Realist sensibility of a clear, readable, no-nonsense text face whose clean details offer the designer a high-impact display face.
  28. Perrywood by Monotype, $29.99
    Loosely based on Bembo and Plantin, the Perrywood font family retains some old style characteristics which give the face a familiar feel, however much attention has been paid to optimizing the design to give good quality output at small point sizes and from low resolution output devices. The consistency of character shapes allows close letter spacing to give compact word shapes, excellent word recognition and an overall economy in text. Perrywood offers good legibility and, coupled with an even text color will be very useful for text setting, in correspondence, for faxes and reports.
  29. Monotype Clearface by Monotype, $29.99
    A rather narrow and compact design, Monotype Clearface combines both old style and antique characteristics. The lowercase letters are tall, the ascenders and descenders quite short. The intention was to produce a typeface that was easy to read in small sizes, hence the name. Monotype Clearface Bold was first cut for mechanical composition in 1922, and was based on the Clearface Gothic design created by Morris Fuller Benton for ATF in 1910. Although designed as a text face, Monotype Clearface is now more commonly used in advertising and display work.
  30. Attic Antique by Three Islands Press, $29.00
    Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.
  31. Aphrosine by ParaType, $30.00
    Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.
  32. Miranda by Tim Rolands, $19.00
    A mysterious beauty hidden away on a secret island by her eccentric wizard father? No: An elegant display face influenced by Aldine old-style letterforms, Miranda brings classic sophistication to any project. The family includes regular and bold weights.
  33. Oksana Std by AndrijType, $25.00
    Oksana Std has only the Western Latin characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, alternative characters -a-g-k-y- and ampersand. German großes Eszett is also included.
  34. Absinette by Greater Albion Typefounders, $8.95
    Absinette takes us straight back to 19th century France. Its a decorative family of Roman faces in three widths as well as a more elaborate inline style, ideal for posters with an Edwardian or Victorian theme.
  35. Forum Titling by Red Rooster Collection, $45.00
    An original design based on the Frederick Goudy design first shown in 1912. Originally a caps only design in one weight. Produced as a foundry face by Lanston Monotype 1924. Featured in: Best Fonts for Tattoos
  36. Snob by Juraj Chrastina, $39.00
    Snob is a high-contrast display face with a touch of luxury. It represents a classy typeface with a fashion magazine style. You can easily combine Snob with Ambassador, which was the base for creating Snob.
  37. Colonna by Monotype, $29.99
    Colonna is an inline roman typeface with some very elegant letterforms, based on artwork obtained by Stanley Morison during 1926 as part of a program to increase the range of display faces in the Monotype library. The letters of the Colonna font have an inscriptional feel about them, figures are non-ranging. Originally developed as an advertising face, Colonna is at its best when used in large sizes.
  38. Editorial Comment JNL by Jeff Levine, $29.00
    Editorial Comment JNL is another wood type in the Grotesk (also spelled Grotesque) style of sans serif faces. Popular in newspaper headlines as well as posters, the slightly irregular stroke widths add an old-fashioned charm to any print project.
  39. Sepian by Laura Worthington, $19.00
    Sepian is a wickedly fresh update on the centuries-old textura blackletter form. Use its razor-sharp “gothic” face and darkly cool character to create tattoos, horror-movie posters, or scary video game text. See what’s included! http://bit.ly/2c5MnNN
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