The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged. The font family contains 8 styles The font is equipped with a Variable file with two axes (weight and slope) Supports languages ​​of central Europe and some languages ​​of eastern Europe Contains small uppercase letters Contains tabular figures There are several alternates in the font The font has more than 1700 kerning pairs

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography. The font family includes 15 styles. The font family has a variable font with two axes of weight and width. The font contains a set of alternative characters that will allow you to create different moods. The font contains Western European Latin and standard Cyrillic. The font has more than 3,600 kerning pairs configured. The font contains beautiful ampersand.

Introducing the New Icon Font Duo. This luxury script and timeless serif are perfectly designed for one another-not only are they strong standalone fonts, but will pair beautifully when placed side by side. Feeling creative? They can even be mixed together within the same word for a more eye-catching layout, giving you a versatile set of fonts which can be used & loved across a range of design projects. Included in this family; New Icon Serif • A classic, all caps serif font with nostalgic notes. Contains alternate large-width O,G,Q,C characters in the ‘uppercase’ set. New Icon Serif Condensed • A thinner version of the New Icon Serif. New Icon Script • A luxury, cursive script font containing upper & lowercase characters. A beautiful letter set inspired by traditional calligraphy, which can be used on it’s own or paired effortlessly with the serif font. Contains alternate lowercase y & g with elongated tails, accessible by turning on ‘Stylistic Alternates’ or via a Glyphs panel. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Drop Caps happen. They started off life as decorated initials way back when in the days of illuminated manuscripts. Then printing came and they became the work of the rubricators and then somewhere soon after printing began, at least by the 1490’s, they were printed directly into the text. This then is a collection of over a hundred glyphs from that closing decade of the Incunabula period. All of them are based on examples found in the works printed by Michael Wenssler in Basel. This font also contains a few useful pointing hands and a set of spacing characters.

Sherika is a cool and authentic sans serif font family. Seven weights plus matching italics. Simple geometry with nuance that adds warmth. t’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc. 14 styles: 7 uprights and matching italics. 232 glyphs. Latin based languages. OpenType features, including ligatures. Variable Font Includes. If you need help or advice, please contact me by e-mail "seniorsstudio@gmail.com" Thank you!

Visum means Visa in Dutch. The name was inspired by Dutch soccer club Vitesse's rather sad decision to leave Israeli player Dan Mori behind, after he was refused a UAE visa because of his nationality. Visum font is a tall and proud all caps typeface. It comes with alternates for the lower case letters, some ligatures and an impressive language support. Of course, upper and lower case glyphs can be freely interchanged.

Brittany Signature Script consists of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. This font is perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events, or anything that needs handwriting taste. Thanks for checking it out, and feel free to message me if you have any questions! say hello by e-mail: creatypestudioco@gmail.com

The 52 characters assembled by this Gothic font, Prince of Darkness, were once interred in coffins onboard the Russian cargo ship Demeter, when it set sail for the sleepy shores of Whitby, Northern England ages ago. Hunted down by Vampire Hunters for century after century, this noble Transylvanian set has hidden for years in England and Eastern Europe. Now, Prince of Darkness is available as a font with more Layers than Dracula has Lairs.

Postman is a typeface inspired by old documents, banknotes and leading product brands. It has cursive and elegant capital letters and its lowercase letters are actually small caps of geometric shapes as if they were made of metal and nailed with bolts. It is ideal for classic products that consider nobility and tradition among their virtues. It evokes classic products that lasted over time. Includes OpenType features, like ligatures, alternates, and more.

Lodgepole is a hand illustrated font family created by Zach Minard of Tall Trees Design Co. Inspired by timeless legibility and worn National Park signage. Lodgepole Regular and Book are designed to pair perfectly together, while both of these styles are available as Solid (With no internal texture) or Grit. Lodgepole Grit uses the strokes from the original pen-to-paper illustration for all texture, creating an authentic one-of-a-kind texture.

John Sigvard ‘Ole’ Olsen and Harold Ogden ‘Chic’ Johnson were musicians-turned-comedians who rose to fame in the zany 1938 Broadway musical review “Hellzapoppin'”. They reprised their roles in the 1941 film adaptation of the show, and the opening title card of the film has “Hellzapoppin'” hand lettered in a tall, condensed sans serif design with an inline. This is now available as Wild Comedy JNL in both regular and oblique versions.

BR Segma is a geometric sans-serif type family of 8 weights plus matching italics. Geometric precision and modern utility create a contemporary modern aesthetic, while open apertures, and low contrast strokes provide a comfortable reading experience. Segma builds upon geometric traditions but remains firmly in the present. BR Segma provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets. For custom enquiries please contact: mail@brinktype.com

Hanthing Script consists of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. This font is perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events, or anything that needs handwriting taste. Thanks for checking it out, and feel free to message me if you have any questions! say hello by e-mail: irflabstudio@gmail.com

Prepare to make a bold statement with Moirt, an uppercase serif display font that commands attention. Each uppercase letter stands tall and robust, making a commanding presence on any canvas. The spacious layout enhances legibility and gives the font a contemporary, open feel. Delicate lines run parallel to the edges of the letters, adding a unique and captivating visual element. Moirt fits in headlines, logos, branding materials, print media, editorial layouts, and many more.

Eh, what's up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType Stylistic Alternates for b, h, h, k and l, which feature very tall ascenders with a "bunny ear" vibe. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

A highly functional geometric type family of 16 finely crafted styles. BR Omega is a clear and contemporary family. Accurately drawn and tested to transmit a clean and modern aesthetic. Slightly open apertures and well balanced letterforms result in a highly legible and versatile sans serif. BR Omega provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets. For custom enquiries please contact: mail@brinktype.com

Black Bolder uses a font with a solid and strong impression. These letters are usually tall, bold, and easy to read considering that they are very suitable to be placed as titles, logos, labels, brands, advertisements, magazines or pamphlets. This font is easy to use to complement your work solutions. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Cross Stitch Carefree is based on upper case characters 10 stitches tall and contains the characters A-Z and period. Several characters extend above the capital line or below the base line.

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

Maple Peachy, is a stylish and modern retro font perfect for making a statement! Featuring elegant tail swashes, this stunning font is versatile and perfect for creating graphic designs, branding materials, and more. Whether you're looking to create eye-catching logos, monograms, or headlines, this modern retro font will be the perfect addition to your design arsenal. With its unique vintage character, Maple Peachy offers a timeless look that won't go unnoticed. For DIYers, Maple Peachy is compatible with many popular programs including Cricut, Silhouette, Canva, and more! It's easy to install and use, so you can get to creating amazing projects quickly. From beautiful wedding invitations to logos and other branding materials, Maple Peachy can help you make your projects stand out with its modern retro font. Bring a unique flair to your creations with this elegant font with its distinctive swashes — your creativity will know no bounds! Make a statement and bring your creative visions to life with Maple Peachy! This modern retro font is the perfect blend of vintage elegance and modern charm. Get started today and add a timeless touch to your projects with Maple Peachy!

Secca Soft is the rounded sister of Secca font family. With its workhorse qualities, Secca Soft is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. It comes with a wide language support and many typographic features and extras. The family comes in nine weights from Thin to Ultra Black - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca Soft offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called "weight duplexing" and is a time saver for designers of annual reports and other figure-heavy texts.

Addressotype is based on lettering from a vintage ad for the Addressograph-Multigraph Corporation, manufacturers of the Addressograph addressing machine. In days when the U.S. postal service delivered everything, mailing addresses were as important as email addresses are today. The Addressograph machines stamped out dog-tag-like plates that were used to print mailing labels at high volume. Embodying the company’s work ethic and durability, Addressotype recalls the gaspipe form of lettering popular in the 30s and 40s, updated to reflect the “streamlining” trend popular during the period.

Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of 2 widths (Condensed, Normal), 4 weights (Light, Regular, Medium, Bold), and Italics for each format. Coben provides a Central European character set. Each font includes support for Tabular numbers, Old-style Figures and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Signque is a contemporary sans serif typeface based on geometric shapes. The persistent tension between precise lines and accurate curves as well as the ongoing contrast between open and closed contours constitute the main characteristics of this fresh and modern font family. While unconventional letterforms make up signque’s distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability. With its unique look and feel, signque will perform outstanding for headlines as well as for almost any other type of analogue and digital application. The signque font family comes in nine weights and includes unique letterforms as well as extensive ligatures, fractions, and figures.

Koch Original is a revival of the original cut of Rudolf Koch's classic sans serif, Kabel , retaining its tall ascenders and art deco flavor. It is suitable for both text and display setting.

Handlettering discovered on a 1937 brochure for the Dutch Mails Shipping Company provided guidance in developing this rather unusual but commanding typeface, marked by strong geometric shapes and a very large x-height.

Nurture Happiness is a tall, adaptable, and smart-looking display font. Add it to each of your party invitations, gathering, or pretty much any design that requires a touch of youth and joy.

Tlidia is a modern sans serif font, tall, thin and elegant. Talidia will work perfect for business card design, cover design, advertisement and many more Talidia have 10 families will make great combination

Norwich Aldine ML is a all-cap typeface with enlarged serifs, designed and produced in wood by William Hamilton Page of Norwich, Connecticut in 1872. Norwich Aldine ML is a fine example of the strength of decorative wood types: large, simple type forms that provide the visual boldness sought by advertisers of the Victorian period. While our marketing has gotten so very sophisticated, there is always a place for a simple, visually strong typeface. Although about 14 miles inland, Norwich, Connecticut lies at the head of the Thames River. The river is both wide and deep, and therefore was not bridged in the early 20th century. Until then, if you wanted to get from Groton on the west bank to the whaling port of New London on the east bank by land, you had to go by way of Norwich. Because of its size, the Thames is navigable all the way from Norwich to New London. Docks were built in Norwich around 1685 and the city became Connecticut’s 2nd largest port by 1800. With the construction of the Norwich & Worcester Railroad in 1835, Page could easily ship his wood type north by rail or south by coastal schooner. Included with our font, Norwich Aldine ML, are two 19th century printer’s ornaments of sailing ships similar to those that sailed up the Thames to Norwich. Reference: Moon’s Handbooks, Connecticut 2nd Edition (Emeryville CA 2004) The family has expanded from one to four fonts: 1. Norwich Aldine ML: the concept font, computer-sharp corners and smooth curves, as we imagine it was designed. 336 Glyphs including some reduced-width alternatives for better letter spacing. 2. Norwich Aldine Worn ML: the way actual wooden type would look after have been used for a while. 332 Glyphs 3. Norwich Aldine Distressed ML: the way the wooden type would look after it had really been used, perhaps abused. Alternatives to the more popular letters reflect the damage that typically occurs on a well-wormn font, with nicks, cuts and scratches and the overall wear that reduces the overall height and leads to uneven inking due to varying heights in the chase. A couple of bullets look like bullet holes. 345 glyphs. 4. Norwich Aldine Cyrillic: Cyrillic includes alll English and Cyrillic letters for MS Windows Code Page 1251, ISO 8859-5 and MacOS Cyrillic. 235 glyphs. We did Cyrillic because is was fun and we felt the basic design cried out for Cyrillic. While obviously subjective, we hope you will agree.