Cross Stitch Monogram is based on upper case characters 15 stitches tall and contains the upper case characters A-Z, numbers 0-9, ampersand, and a selection of various simple ornaments.

Cross Stitch Simple is based on upper case characters 8 stitches tall and contains upper case characters A-Z, lower case characters a-z, numbers 0-9, ampersand, exclamation and question marks, comma, period, colon, and semi-colon.

Cross Stitch Noble is based on upper case characters 43 stitches tall and contains the characters A-Z and period.

Dimensions is redesigned font family based on Blackout font released as free font in 2005. The original blackout has been used especially for company or brand logo of fashion and music label in the world. In 2011, Blackout had evolved into this Dimensions font family of seven weights with roman and italics. They are one of the most condensed, black and skinny font in the world. All weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature. There is high contrast version called Speedometer.

Cross Stitch Basic is based on upper case characters 7 stitches tall and contains the upper case characters A-Z, lower case characters a-z, numbers 0-9, ampersand, exclamation and question marks, comma, period, colon, and semi-colon.

Examples of Australian brass stencils used for baling form the basis of Farming Stencil JNL. The hand-cut look of this typeface gives a more casual approach to a standard stencil design.

Cross Stitch Delicate is based on upper case characters 21 stitches tall and contains the characters A-Z and numbers 0-9.

Flexion developed out of design philosophy and ambigramatic artwork of John Langdon. Based on the contents in John’s book Wordplay, author Dan Brown hired John to create ambigrams for his forthcoming novel Angels & Demons. Mr. Brown was so impressed with his work he even named the main character Robert Langdon after John. After the success of Angels & Demons, Dan Brown wrote The Da Vinci Code. When the movie adaptation of that book was in the works, Dan suggested that John create titles for the movie based on ambigrams. John contacted Hal Taylor to create a font based on the lettering treatment to be used for the credits at the end of the movie. Unfortunately, it was decided that the film was running long and the original title concept was scrapped. By this time, Hal was well into developing a full type family, including small caps, alternate characters, lining and ranging figures. John was impressed with the way the design was turning out and decided that it had enough merit to be released as Flexion.

LTC Athena brings a somewhat “lost” hot-metal typeface back from obscurity into digital Opentype format. In fall 2012, printing historian Rich Hopkins contacted P22 type foundry regarding some inked type drawings he had just uncovered from his acquisition of the Baltimore-based “Baltotype” company some 20 years ago. It is a rare face whose original matrices were destroyed and thought fully lost. The drawings included a full upper and lower case set, numerals, basic punctuation, and alternate forms of some letters. The design is a narrow deco-flavored design from the 1950s with a curious avoidance of straight lines in the stems and main strokes. The face has been expanded to over 340 characters by Miranda Roth and includes ligatures as well as a full Pan-European character set. It is released through the Lanston division of P22 in consideration of its earlier incarnation as a metal typeface.

Cross Stitch Solid is based on upper case characters 14 stitches tall and contains the characters A-Z, numbers 0-9, and ampersand.

Deco Signage JNL was inspired by the cast metal letters of a German wall sign “Kaspar Stanggasinger-Haus” in an online display of European signage photography - and is available in both regular and oblique versions. Although the original age of the sign is unknown, the tall, thin monoline font it’s based on evokes a definite 1940s Art Deco design influence.

Our Guildford is based on the Stephenson Blake typeface, Guildford Sans. Guildford Sans is identical to Elegant Grotesque, the 1928-29 design by Hans Möhring. Guildford contains all the high-end features expected in a quality OpenType Pro font.

Cross Stitch Classic is based on upper case characters 12 stitches tall and contains uppercase characters A-Z, lowercase characters a-z, numbers and punctuation.

Cross Stitch Discreet is based on upper case characters 16 stitches tall and contains upper case characters A-Z, ampersand, exclamation and question marks, comma, period, colon, and semi-colon. The Gallo foundry now offers 174 font styles.

Hold on to your Hats and Stand in a convenient Door Frame, and be warned that anything you have on your desktop that is not nailed down is going to hit the floor when these characters thunder across your hard drive. Perfect for sound effects like BOOM! THOOM and, er... RUMBLE, this font family is an Earth Shaker!

This typeface is a carefully crafted display-typeface of fairy-tale breadcrumbs and fleeting love messages in the sand: Dusty or sparkly, legible or hard to decipher … but always a little bit magical. DEUTSCH: Hänsel und Grete hätte ihre Freude an diesem magischen Brotkrumen-Font. Ob taubig, sandig oder funkelnd. Dieser mit viel Liebe kreierte Font hat viele Anwendungen…

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

The other day I was at a market with my kids and they had this really retro kind of circus thing. The signs and posters there, were designed in a really sloppy and poor manner - but they all had a lot of naive charm! I was really fascinated by all these uneven letters and I was immediately inspired to do a font like that! And out of the magic hat comes...ta-da-da-da...Cirkus Fantastiko! Planning on throwing a party with a circus theme? Then Cirkus Fantastiko is ready to play the juggling clown while riding the elephant! Play around with the 3 different layers to create that low budget hand painted cirkus posters! :)

A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.

Do you like cats? We love them! Cats do so many crazy things, we thought it was time to design a font for cat lovers and their cat-loving friends. LiebeKitty is just right for greeting cards, birthday invitations and to add pretty details to your photo album. We have spent much time on cat-watching research and included over 50 cats and kittens for a wide range of creative applications. Happy cats, mad cats, bad cats, hungry cats, egyptian walk cats, and more. Plus‚ cats love fish, just like we do. Check out LiebeFish, one of our other popular fonts. And if you're looking for a typeface that perfectly fits the hand-drawn looks of LiebeKitty, check out LiebeErika, #1 Hot New Font in October 2010!

Versals is based on Lombardic style letters which are sufficiently broad to allow for decorated piercing and flourishes. They may also form the basis of illuminated capitals. The face is presented as capitals with reduced copies in the lower case locations. It is a full latin set with, uniquely, a set of roman numerals.

Fledermaus (meaning 'Bat' in German) was a cabaret theater from Vienna. The original Jugendstil decor was designed by Josef Hoffman and several posters, advertising performances, were designed by other members of the Vienna Workshop. Fledermaus font was based on a 1907 poster by Bertold Löffler. Since only a few glyphs were available, I designed the missing ones myself. The lower case consists of small caps and the font comes with extensive language support.

Cross Stitch Gothic is not intended for text use. It was designed for use as fancy monograms or initials. Cross Stitch Gothic is based on upper case characters 28 stitches tall and contains the characters A-Z. Most characters extend above the capital line or below the base line.

When Jim Lee sent us pages of his latest project, DIVINE RIGHT, we knew we had to do something special for him. Something Unique. We knew we had to create a whole new look for his book. We spent weeks holed up in our Colorado mountain retreat, meditating on the true nature of leading and kerning, sketching out ideas and rejecting all but the best of the best. As the dreaded deadline doom rapidly approached, we suddenly knew we had the answer: A line of 'Celebrity' fonts -- digitally remastered lettering based on handwriting samples of the many Artists and Creators we all know and love. Of course, our first font would have to be...the SAMMY DAVIS Jr font! But Jim didn't like that idea and made us create a font based on his handwriting instead. You're no fun, Jim.

Destrod is a modern techno sans serif font. Its futuristic and minimalist style makes it incredibly suitable for all your projects that need a sci-fi touch. Uppercase letters with alternate characters in lower case. Included: Latin base and extended. Cyrillic base and extended. Multilingual support.

Moutarde is French for mustard. At home we don’t eat that much mustard, as it is a condiment that goes well with burgers and hotdogs. We eat Asian food a lot, so our hot sauce of choice usually is sambal. Moutarde is a good name for this fine, handmade font. Moutarde font is a rounded, easy to read, display font that comes with all the condiments - including a set of alternate a’s.

Halley is a modern, funny and casual script with an irregular base line that gives it a unique and modern look. All the glyphs have been carefully painted giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. Halley family pack comes in three styles: regular, italic and Shadow. Each font contains 746 “regular or irregular" glyphs, including up to seven alternatives in upper case and six in lower case, standard and discretionary ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. We have added some useful ornaments that will serve for the most demanding design project! Halley looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more

Liquid Embrace is a rough 'n' ready brush font. It was created using a Chinese calligraphy brush and Royal Blue Ink (I had run out of black...). Liquid Embrace is fat and in your face, making your message stand out all the more. Comes with an ocean of diacritics.

Gens De Baton is based on a charming lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris 1886) under the heading “Amusing Grammar Lessons.” Gens De Baton means simply “Stick People.” The unknown designer turned the bare letter forms into drawings of people for the enjoyment of the children for whom the almanac was intended. The letter forms themselves were based on the French Romain du Roi (King’s Roman), except for the ‘g’ and the ‘j’ -- which were based on Baskerville. The letters ‘w’ and ‘y’ were not included, as they are seldom seen in French. We have left the letters somewhat rough, as they appeared in the Almanach des Enfants , resisting the temptation to clean up all the lines and render them with digital perfection. We have used our HiH Firmin Didot to supply an upper case and auxiliary characters, as Didot was originally a modified version of Romain du Roi. It is interesting to observe the contrast between the polished look of the Didot upper case and the rough, hand-drawn look of the lower case. Purchasers of this font have our permission to use it for the amusement of adults as well as children. We recommend setting Gens De Baton at 24 points or larger.

The Three Degrees had a song called 'Dirty Ol' Man'; Christina Aguilera danced around to the tune of 'Dirrrty' and my three kids leave everything that way after they have finished their meals, so I guess I really had no other option than to call this font: Dirrrty. Dirrrty is a brush font I painted in one go. It is quite dynamic, with some serious grunge in it. Dirrrty is all caps, but upper and lower case differ and can be interchanged. Comes with with a truly disgusting amount of diacritics.

Jalebi font is quite like its namesake, the Indian deep-fried sweet. It is fat(tening), uneven, crunchy and addictive. Jalebi is an all caps font, but upper and lower case glyphs differ slightly and can be mixed. An ideal font for fat headlines, product packaging, signs and posters. Comes loaded with calories and diacritics!

Designed by the swiss Haas'sche Schriftgiesserei, (Haas Type Foundry) Chevalier is a set of shaded capitals and figures, modern face or fat face in design. Ideal for business cards and classical letterheads.

Influenza, whose name means 'the flu' in a number of languages, is a fat, single weight typeface. It's a bastard typeface, each character stands alone as an independent angular structure. Some characters have stylised blackletter features, some are quasi-bitmapped, some are blends between upper and lower case. This also inspired the name since the flu virus changes every time it comes around, it's a new disease every time you have to stay home under the covers drinking hot tea.

This humanistic sans serif design was inspired by a conversation that David Quay had with renowned type designer Hans Meyer, during ATypI in Paris, 1989. Meyer revealed that Sabon, designed by Jan Tschichold, was the inspiration behind his Syntax font. This approach formed the basis for the design development of The Foundry's very first sans serif typeface family; the inspiration for Foundry Sans comes from Stempel Garamond. Foundry Sans was the second typeface to be released for The Foundry typeface library in 1990.

Crowd Funded fonts wasn’t really crowd funded… In fact, all of the funding came from me, as I had to buy paper and a new pen to get this font going! Crowd Funded is an all caps display font, which I based on a recent font of mine called Longreach. Crowd Funded is narrower and rounder than Longreach and, in a way, more delicate. It comes with a generous amount of diacritics and basic Cyrillic as well!

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Grafiker means 'Graphic Designer' in German. This fat, colored, uneven font with a 1001 uses was loosely based on the work of designers Oskar Kokoschka (1886 - 1980) and Jean Carlu (1900 - 1997). The glyphs were hand-drawn with a 0.5 roller ball and colored in with Chinese ink, using a stiff brush. The result is a lively, rather unusual font.