Spaco is a stencil font that has a sci-fi impact. It's a nice choice for headlines, short sentences, signs in movies, games or anything that needs sci-fi effect.

Arrear is a modern sans-serif font family. It includes three weights: regular, medium and bold. Has cut corners for lowercase letters. This is a versatile font that suits any project and is modern and easy to read. With it, you can create websites, logos, use in advertising, packaging, magazines and much more. This font will inspire you to create impressive designs that will amaze everyone! Multilingual support: extended latin and cyrillic.

Composed of compositional groups, with optical adjustments in the curves, Disco Display has been designed with special attention to kerning and tracking, allowing its use in both large and medium sizes, starring in large titles or filling entire covers with color. Inspired by the hippie movement, Disco Display provides sensuality, visual richness and compositional splendor, giving rise to the use of multiple colors or patterns in its forms, or rediscovering its counterforms.

Ostent is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451. This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility. Each of the three weights have been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces. Ostent can be used across a wide range of design mediums (both print and screen).

Sunny Sam is a fun handwritten typeface. It was drawn and created by Måns Grebäck during 2019 and 2020. The movements of this happy script font represents optimism and vivacity. Sunny Sam comes in three high-quality styles: Thin, Medium and Bold. The three weights works great as complements to one another. It has an extensive lingual support, covering European Latin scripts. Sunny Sam contains all characters you'll ever need, including all punctuation and numbers.

Madone is a medium-contrast typeface with unique and reduce stems for terminals in several letters. The modern impression on Typeface is very supportive to perfect a design. Madone comes with 3 text and 5 display weights with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 600+ glyphs supporting all Western, Eastern and Central European languages also Cyrillic (over 20 languages supported).

The Buchen is an excellent combination of smooth shapes and medium weight. It will fit perfectly into any project, both in a modern style and in a vintage style. It can also be classic and more expressive and playful thanks to the alternatives and ligatures that are harmoniously combined in this font and add charm to your project. Making it more versatile to use. This font is easy to use has OpenType features.

Kari is a complete redraw and expansion of the award-winning typeface originally released in 2005. Featuring both upright and ‘italic’ styles, this soft and curvy script is perfect for packaging, expressive headlines, and fun settings. Feature-rich and flexible, Kari is stocked full of alternate characters, swashes, titling options, expanded numeral sets, new dingbats, and a lot more… and for the first time, the much-requested ‘Medium’ weight is now available.

Geulwoll is a Korean word for letters. HU Geulwoll is a handwritten font that conveys a calm feeling by creating a lyrical and old atmosphere. In order to emphasize the feeling of writing with a marker, each end was made to fall diagonally, a characteristic of the marker. It is a highly readable font with a curve applied to the bent part to save the stroke order. There is 1 weight of HU Geulwoll : Medium

The Woodgrit family could originally be found on broadsides (posters, playbills) throughout the midwest on any public announcements. All original letterforms available were incorporated into the set with little modification. Typographic convention was limited to creating three weight to serve the needs of the design community. Woodgrit Heavy is a perfect headline weight; Woodgrit Medium fits nicely in subheads, and Woodgrit Thin enables this chunky font to even work well as body copy.

The Bing family is an experimental series of type designs inspired by classic movie marquees and contemporary fabricated signage. The Bing family consists of a multiple contour Inline, a single contour monoline Script derived from the Inline interior, and a single contour Black derived from the Inline exterior. All Bing fonts can be specified independently at medium and larger point sizes, or all three may complement one another as a type system.

Kanzaki is a display typeface sculpted with special curves inspired by old typography combined with semi-reversed contrast. A semi-serif font that has a classic and elegant feel, yet warm and friendly. To beautify your creations, Kanzaki is equipped with various opentype features such as disrectionary ligatures, alternates, swashes and stylistic sets. Available in 5 weights: Thin, Light, Regular, Medium, Bold and its matching italics. Perfect for branding, packaging, logotypes, labels and posters.

Dempster is a geometric sans serif design by Jim Ford. It is tall, bold and square with interesting details such as the angled terminals on the lowercase letters and friendly-looking punctuation. This typeface could feel at home with Art Deco and Modernism themes, as well as Sci-Fi and high-tech flavored graphics. Medium to large headline sizes work best when using Dempster. Dempster features include Extended Latin, Greek and Cyrillic support.

Suffragette, an all-caps typeface introduced for the branding of the Hermitage Hotel in Nashville, is inspired by the Hotel’s Beaux-Arts architecture injected with a healthy 2020’s aesthetic. This unique roman capital design, with its sans serif-medium contrast shapes and slightly pronounced serifs, is the perfect match for luxury packaging and high-end couture. If your brand wants to project elegance with a playful edge, Suffragette is the font for you!

Norwich Aldine Reverse is a font of “streamer type” (type reversed out of a solid) originally designed around 1872. Norwich Aldine is slightly lighter and more open than Aldine. It features medium stroke contrast, heavy serifs, and large rounded bracketing where the stems meet the serifs. Our version is based on wood type of unknown origin. We created dozens of special ligatures to reduce problematic kerning encountered with a monospaced reversed type.

This font is shaped to exhibit a very compact and characterized design, clearly distinguishable from the mainstream condensed sans-serif fonts. That is why Caliente has a conspicuous modulation and a medium-to-high contrast. Both features are seldom observed among ordinary fonts of its kind. However, Caliente is designed to suit perfectly well in a number of applications—from advertising to business letters—while accurately preserving its strong personality even in very small sizes.

Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

NOh CARBONE is a serif typeface with more than 250 glyphs, including Capitals, Small Letters, Numbers & Special glyphs and Punctuation. Appropriate for medium and large formats, its high contrast, strong features & aggressive and unconventional diagonal endow it with great elegance and give it distinction over other types of the same style. This typeface is adapted to different topics and applications, is easily modifiable and capable of generating a clear and direct message.

Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.

Menoka is an elegant and modern serif typeface inspired by the late renaissance period. Menoka was designed with a very thin hairline and long serifs, this reflects the elegance and sophistication that was evident during the 17th century. With over 90 stylistic ligatures, Menoka is great for headlines and short to medium texts. Menoka is compatible with 93 languages and contains 433 glyphs, including several alternatives. I hope you enjoy using the Menoka typeface.

Introducing Orange Squash - Bold Vintage Serif Font Orange Squash is a classic and elegant font that is perfect for adding a touch of sophistication to any design project. With its bold and prominent serifs, this font stands out and demands attention, making it a great choice for headlines and other large text. The vintage aesthetic gives this font a timeless and nostalgic feel, making it a great choice for projects with a retro or antique theme. Whether you're creating a logo, a website, a poster, or any other design project, the Bold Vintage Serif Font is a versatile and stylish choice. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Kudry is an elegant and noble typeface for extra large sizes. It looks good in cultural projects and exhibitions, logos, book covers, theater posters, wedding invitations, cosmetic and cake packaging,— basically any case in need of a beautiful typeface. It is a type family that consists of the modern serif and the contrasting sans serif, the weird serif and the stencil type. Both serif and sans have three options for different point sizes: Display for extra large sizes (from 72 pt or 96 px), Headline for large sizes (from 36 pt or 48 px) and Text for medium sizes (from 14 pt or from 24 px). Each style has a variety of alternate characters, swashes and ligatures, linear and old style figures, arrows and case-sensitive punctuation. The typeface supports major all European Latin and Cyrillic-based languages and all European Latin scripts. The authors of the typeface are Isabella Chaeva, Alexandra Korolkova and Nikolay Nedashkovsky. The character design of Kudry, details of the letters and alternates are an original contemporary solution based on the proportions and construction of the sans serif by N. N. Kudryashev. Digital versions of this typeface are Kudryashev and Petersburg, which can work in pair with Kudry in case you need a combination of a text serif and a display typeface. ITC Franklin Gothic, PT Root or Ida suit well as a paired text sans serif.

Omerta Blackletter Font Blackletter fonts have letters that are very bold and ornate. It is a Western calligraphy style that was used in Europe from 1100s to the 1600s. Blackletter is also known as Old English or Gothic script. During the 20th century, blackletter type styles were adopted by new audiences and came to be associated with punk, street art, and heavy metal. Omerta Blackletter Font Specifically developed to be suitable for perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects. Omerta Blackletter Font are great for Classic Calligraphic type projects and convey a sense of what’s to come. This font can be used with all software that can read standard fonts.

Maleo is a contemporary display sans with grotesque roots, taking cues from typefaces such as Benton’s Franklin Gothic & Alternate Gothic and contemporaries such as Obviously & Mars Condensed. Designed by Aditya Wiraatmaja as his debut retail typeface, Maleo is primarily designed with large-size usage in mind. Its tiny flare and angled cut terminal lends itself a friendly and approachable presence. With a family of 14 styles that range from thin to black with matching italics, it is a versatile display type that stands out in headlines, yet one that emits a charming personality. Maleo support various languages and is equipped with many Opentype features including; Old Style Figures, Ligature, Fractions, Numerators and Denominators, and Stylistic Alternates.

Metrisch is new sans serif typefamily of seven weights plus seven italics uprights in each weights. The typefaces designed based on traditional geometric construction that have been built with letter size wider, the x-heights taller and short descender that almost proportioned with the basic letter shape. With little details added like clean vertical cuts on the terminals and optimized sharp corners that makes this fonts smooth and refined looks. It was represents the flavor of the most common humanist typefaces style and grotesk feels. The weights comes from extra light to extra bold suitable to make display appearance, and the book and medium weights also works well as small/medium text sizes to accompany your design, such as editorial fashion magazine, solid headline, websites heading, poster, advertising, logo, signage, etc Also, Metrisch type-family fully loaded with OpenType features such as some stylistic alternates, case-sensitive forms, fractions, small capitals,and another most common numerals features such as super & subscript, tabular & oldstyle figures, numerator-denominator, and has more extended latin diacritics characters.

Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques has been created. As Stanley Morison articulated in the early 1920s and 30s, these slanted versions of the regular "roman" faces may even work better when one wishes to emphasize certain words or passages within a text. The Beret family of typefaces is suitable for numerous applications, in both text and display sizes. The following nine fonts make up the family's design: Beret Light, Beret Light Italic, Beret Book, Beret Book Italic, Beret Regular, Beret Medium, Beret Medium Italic, Beret Bold, and Beret Bold Italic. Beret was awarded an Honorable Mention in the 2003 International Type Design Contest, sponsored by the Linotype GmbH."

Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text. Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. The family consists of seven weights & correspondent italics, with a large character set. The Book and Medium weights, relatively close to each other, can both be used as “plain” weight depending on the size of the text, background color or backlighting. Small caps, oldstyle and tabular figure alternates, superiors and inferiors and ligatures are available in all styles through OpenType features. The real italics include unobtrusive swash alternates to emphasise the written feeling. Please find a specimen of Acuta (PDF) in the Gallery section.

Absalon has square letter shapes. It has some characteristics semi-sharp and semi-rounded corners and it has a relatively tall x-height for legible text. To create the perfect typesetting the spaces between individual letter forms has been precisely adjusted. The Absalon font family is perfect for the web as well as for print, for display as well as longer text, for motion graphics, on the side of a van, t-shirts, logotypes and so on. The font family consist of 5 weights or 10 styles and it has 410 glyphs. A total of more than 4000 glyphs. The styles are: Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extra Bold & Extra Bold Italic. It has OpenType features such as automatic fractions, subscript, superscript, numerators, denomerators, ordinals and the “f” ligature set. Absalon has extended language support (most Latin-based scripts are supported). The name of the font family is Absalon and it is a reference to a Danish bishop in the middle ages. He was a key figure in the founding of Copenhagen, the Capital of Denmark.

Elagern is a serif font with an elegant, modern design. It features multiple alternates and ligatures, making it a versatile choice for a wide range of applications. Its elegant serifs and classic proportions make it perfect for everything from body text to headlines, making it a perfect choice for any project. Accessible in the Adobe Illustrator, Adobe Photoshop, Coreldraw, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Thanks so much for checking out my shop!

Brakoda is a delightful sans-serif typeface that effortlessly combines playfulness with a clean and modern aesthetic. Its lively and quirky letterforms exude a sense of fun, making it a perfect choice for projects that aim to capture a youthful and dynamic spirit. With a balanced blend of rounded curves and straight lines, Brakoda maintains readability while infusing a sense of whimsy, making it a versatile choice for a wide range of design applications, from branding and headlines to digital interfaces and creative marketing materials.

“Zouk” is the transformation of the classic blackletter font into the modern world. The blackletter character is very strong and prominent will be the choice for a new style brand. This font consists of 750 glyphs with latin plus diacritics that supports more than 200 languages. We created alternate glyphs in stylistic sets (SS) 01, 02, 03 and 04 for all lowercases including the diacritics. We believe this font style will be a new brand choice that is more prominent and stylish in a classic nostalgic diorama.

Caslon Antique is a decorative American typeface that was designed in 1894 by Berne Nadall. It was originally called "Fifteenth Century", but was renamed "Caslon Antique" by Nadall's foundry, Barnhart Bros. & Spindler, in the mid-1920s. The design of the typeface is meant to evoke the Colonial era. Early printers would reuse metal type over and over again, and the faces would become chipped and damaged from use. Caslon Antique emulates this look. Despite the name, it is not a member of the Caslon family of typefaces. The renaming is believed to have been a marketing maneuver to boost the popularity of a previously unpopular typeface by associating it with the highly popular Caslon types. Caslon Antique is popular today when a "old-fashioned" or "gothic" look is desired. It is used by the musical group The Sisters of Mercy on their albums, for the logo of the musical Les Misérables, and for the covers of the books in A Series of Unfortunate Events. It is also frequently used on historical displays. It was used for the previous edition of the Warhammer Fantasy Role-Play. Most recently, it has been used on promotional material for the smash musical Monty Python's Spamalot on Broadway, the West End, and its tour of the United States. British 80's band The The also used the font in several of their music videos, usually displaying several lyrics from the song in the opening scenes. It used on the cover of Regina Spektor's album, Begin to Hope. This description was sourced (in part) from Wikipedia, the free encyclopedia.