Devin is designed mainly for the benefit of the advertising industry, and it surely is a nice typeface for headings, isn't it? And you should see what a nice body type it makes! I had no other typeface in mind when working with it, but I can now find several typefaces it is related to. It reminds of the egyptienne group, but I did't really plan that. The name Devin is taken from my birth region. There is a castle with that name on the northern Adriatic coast (known even from Rilke's Duino elegies - Duino is another name of the same castle). A castle ruin called Devin, too, can be found on a height above the Danube in Slovakia, not far away from its capital Bratislava. Devin was released in 1994.

Omnibus is one of my absolute favourites. My intention was to design a typeface as easy to read as Baskerville, without being a copy of it. It is easy to see that I was influenced by Baskerville, e.g. in the open lowercase g. I had in mind to design a Baskerville with the looks of the Baskervilles used in earlier typesetting. I put aside those plans for a while (but fulfilled them later on) and dedicated myself to Omnibus. In both cases my aim was to achieve a typeface with darker looks than the most used Baskerville. The name has nothing to do with buses, it is Latin with the meaning of for all". It is also in the name of Omnibus Typografi. Omnibus was released in 1993.

The inspiration source for Peony Monogram was a unique stackable monogram design with floral accents from a vintage embroidery publication. Originally intended to adorn handkerchiefs, this simple pattern has so many design possibilities, from colorizing to formatting options. You can really play around with this monogram font! Peony Monogram can create one, two, or three letter monograms, even basic titling due to its unique design. Because of Peony's unique stackable monogram formatting, make certain that the point size of the font is the same as the leading being applied to the font in order to minimize gapping between stacked forms. While we've adjusted this within the font, your program may override these settings. Download and view the MFC Peony Monogram Guidebook if you would like to learn a little more.

Our Pardner font finds its inspiration from the title screens of the 1965 film “West and Soda”, an animated Italian film that was a parody on American Westerns. Director Bruno Bozetto claimed in an interview that he was in fact the originator of the Spaghetti Western, not Sergio Leone. This offbeat and animated serif typeface has characters of varying width and weighting incorporated into opentype scripting as well as numerous alternates to give a lot of fun and frolicking play in typesetting. You can type with just as much diversity as the titling themselves. Opentype features include: - 6 Stylistic Alternate Sets. - A collection of ligatures as well as programming to automatically alternates between Caps and Lowercase. - Full set of Inferiors and Superiors for limitless fractions. - 731 characters of pure joy.

Larisa Script is a smooth, elegant, and flowing handwritten font. It has as many characters to play as you want, readable and incredibly versatile. will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Larisa Script - includes many alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by turning on the "Alternative Style" and "Ligature" buttons on the Photoshop Character panel, or through any software with the glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape.

The first Grippo sketches were done in the 1980s, but only now does it see the light of day as a complete series of interchangeable, layerable fonts. The original single-font concept was simple enough: Double the stems so they become sturdy handles. But then we elected to add more playfulness and versatility to the idea. By separating the main idea’s layers and producing them as individual fonts, layerability is achieved, and endless possibilities of play and variation arise. In 2D or 3D, colourful or demure, in titling or as initials, Grippo is a great eye-catcher that emphasizes the big fun aspect of your design. Each font of the Grippo suite comes with a few built-in alternates, a glyphset of over 385 characters, and support for the majority of Latin-based languages.

Partially inspired by the mid XIX century german condensed serif typefaces –and a clear connection to Italian classics– Magari extrapolates that idea of fusion to a new level, getting a unique variable font file, or 9 specific weights. With that in hand the user is able to find the perfect match for any design. From an ultra compressed thin to an extended black style, Magari is a perfect font for display use. It’s jazzy vibes and wide range of weights make it incredibly perform in advertising, packaging or editorial design, assuring great impact whether it’s thin and tall, or big and bold. The addition of three kinds of endings for the lowercase –from a serif to two tailed strokes– and two different swash sets for the capitals, Magari lets the user play with infinite results.

This font is inspired by two typographic styles, incorporating (both) geometry and humanism. It combines the rhythm of such typefaces as Meta Pro and The Sans, as well as terminations and structures from fonts like Din and Futura. This results in a font that plays with condensation and a parallel rhythm, simple and functional. Fuse is perfectly equipped with Opentype, it contains alternative glyphs, fractions, modern and old numbers, superscripts and subscripts, ligatures and Small Caps. We always kept the idea of having Fuse be humanistic, rational and universal, which makes it ideal for graphic design, printed publications, web design, motion graphics, interaction design and branding. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Type Foundry On facebook W Type Foundry wtypefoundry.com

Squared is a Geometric Display typeface with a box like sharped edge feel to pass the message of being Trendy but also candid in sending the desired message. It can be used to create a range of design projects like posters, advertising and marketing flyers and even to printed items. It just requires you to use your imaginative strength and your design projects will look more Bold and trendy and even better pass your message. With this typeface you can create a party poster, movie flyer, advertising and marketing posters, it can also be used on branding items, Advert Posters, book covers, music cover arts, or any purpose of your choice to make your designs look Sharp and a bit trendy, feel free to play with this typeface.

How should an authentic baudelairean type look like? Aesthetically beautiful, that’s for sure. Intellectual, neurotic. Uptight — oh, the conventions of the time. Easily readable — still 20 years to go until the age of art nouveau with its outrage of typefaces. It may have a vibe of a Paris salon - salute to the Parnassiens. Such a modern-class (don’t mix it with the modern-styled) pharmaceutical Antiqua. Contrasts, thin serifs, the integrity of the operating theatre. But Baudelaire is not Heredia. «Une charogne» is not that much a vivid metaphor as a drawing from nature. The baudelairean typeface should have its cavern, flow, dark side. Not to demonstrate the fragile romantic profile of a cursed poet, as Baudelaire was seen 130 years ago, but to express the real pain. A true, unattractive, egoistic, suicidal passion.

TOUCHDOWN! This is not a Hoax, not a What If, not an Imaginary Font! The Eagle has Landed... Comicraft's latest manned mission: Space Age Faces for Space Age Spaces! Our Apollo Modules have settled in the moondust and our Astronauts are buckled up in the Rover collecting little rocks and looking for suitable spots to play golf. We invested billions and billions of dollars to send these fonts into space using the largest and most powerful rockets ever built, and rest assured, our Orbiter is coated with a phenolic epoxy resin ablative heatshield to protect you for your journey back to Earth. Features: Six fonts (Modular, Modular-Bold, Orbiter, Orbiter-Bold, Rover, Rover-Bold) with upper and lower case characters. Opentype version of Orbiter also includes 52 auto-ligatures.

Inspired on posters by the extraordinary polish artist Leszek Żebrowski, Polygraph is a highly unusual face. Packed with eccentric alternates, it is an all-caps font with four exchangeable variations for each letter. These alternates are programmed to cycle when the font is used in OpenType-savvy programs, creating a random effect on glyphs distribution. The resulting pieces are truly outstanding, with an audacious handmade twist. To achieve this, just turn on the contextual alternates feature and play – you can easily try different glyphs sequences by adding spaces before words. When you need a more well-behaved look, but still with a subtle hand-drawn flair, turn off the contextual alternates and set text in uppercase. Polygraph comes in two weights, for added flexibility. But be warned: it’s quite addictive!

Point™ Soft is more than the rounded edges version of Point™, it is a reinterpretation of what a geometric soft font should look like. Clean, simple, and above all: huggable. Point™ Soft conveys that warm and soft feeling. With 20 styles it gives you a lot of versatility (From Hairline to Black), plus it comes with two FREE styles for you to play with before commit yourself to buy it. It has Extended Latin and Cyrillic support, old style, lining and tabular figures and much more. It has a wide range of use possibilities. Since it is a very readable font in small font sizes and the details really pop out in display sizes. Be it on small or large font sizes, Point will make its point.

Fs ornaments are unique modular sets of ornaments that are based on ancient patterns and medieval woodcuts. They work very well on modern layouts as well. What is more You can use them not only as ornaments but also as borders. This complexity gives you a carefully planned tool with high decorative qualities. All this depends only on your imagination! With it you can add a genuine touch of distinction to every sophisticated layout but use them carefully. The basic set is Fs ornament 1 while Fs ornament 2 is a distorted version of it. Fs ornament 3 is a woodcut underlying that could be applied underneath ornaments or without them. The usage is very simple-You type them as you normally type letters but instead you get those great decoration! Easy isn't it?

Edith is a handmade serif typeface that can be used for long texts. To make it even better suitable, it is equipped with all the major features you’d expect from a traditional text-font, such as case sensitive forms, old style figures (lining figures are accessible via an opentype feature), fractions and good kerning. To keep up the handwritten appearance, two versions of each letter (A-Z & a-z with diacritics) and number are available and substituted automatically if the same ones meet. Edith is also nice to look at in larger sizes and therefore a great fit for any packaging, advertisement or headline. Edith is for you, if you plan on doing childish things, DIY things, traditional things, illustrated things, nautical things, grungy things or any handmade related things.

Introducing Daily Sans, a complete sans serif font family with 10-weights, plus italics (20-fonts total). Daily Sans was designed to be an everyday-use geometric typeface with excellent legibility and a neutral tone. It's a perfect go-to for branding, web, and print design projects and can stand out on its own or play a supporting role in font pairings. It’s great for body/paragraph type as well as for larger display type. Because the goal was to create a font you can truly use for any project, purpose, or occasion, Daily Sans includes a wide range of weights starting from the very thin Hairline all the way through to the very bold Heavy. This means that you’re always able to find just the right weight for your needs, and it makes creating type hierarchies a breeze. Daily Sans comprises 20 fonts, each with approximately 450 glyphs - including 16 standard and discretionary ligatures, three ampersand variants, a full set of arrows, and more - and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.) PLEASE ENJOY! I can't wait to see what you make with Daily Sans. Feel free to use the #upupcreative and #dailysansfont tags to show me what you've been up to.

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat. Vinila is Flora de Carvalho's take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques. Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album. Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more. Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!). Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family. Vinila pairs happily with our cheerful Manteiga , elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia . What other matches can you think of?

When Patricia Lillie was growing up, she thought the coolest thing in the world would be finding her own name listed in a library catalog. The fantasy came true in 1986 when her first children's book was published. Five more followed. The thrill of seeing her work on library shelves hasn't abated, but today, Lillie is just as likely to see one of her typefaces on the cover of a book. She has created several display faces and image fonts. My first typeface designs were based on lettering I'd done while working for a library, doing graphics work for the children's section," she explains. "I currently do a lot of web design, but type is my favorite thing." The Tickles (ITC Tickle and ITC Tickle Too) are Lillie's first ITC typeface releases. "I was playing around with a Sharpie marker one day and liked the way the letters looked," she recalls. "I started redoing the letters from scratch in Fontographer to see what developed, and liked those letters too." ITC Tickle is a bi-form font (with both cap and lowercase letters of the same size) that clearly breaks a typographic rule or two. ITC Tickle Too has the same basic lettershapes, but they've grown clusters of stipples that give a three-dimensional quality to the design. The result is a friendly, offbeat display family that's guaranteed to add a giggle to your work."

Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

Camper is an original font collection of sixteen display fonts and extras. Camper’s core is a low-contrast connected script with three weights. In addition there are Sans, Serif and Slab fonts. All Camper fonts have a coherent style of solid forms with soft edges. They all play well together but work as themselves too. Camper’s Print is the same family with rugged “printed” edges and print texture. Camper Script is packed with several OpenType features: Contextual Alternates and Standard Ligatures help to maintain smooth flow while typing and they’re normally on. If you need more flashy characters try Swash, Stylistic or Titling Alternates or seek for even more Alternates from the Glyph Palette. Camper Script is PUA encoded and you can access extra characters in most graphic design softwares even without OpenType support. From Discretionary Ligatures you will find several flashier ligatures and a set of Catchwords: Access them by typing “The”, “And” or “With” with Discretionary Ligatures turned on. Camper Extras is a pack of strokes and swashes designed to go with the script. Many strokes can also be directly combined with a letter to make a custom “swash letter”. Check out posters for more inspiration. All Camper’s fonts have a wide language support — even Cyrillic. Camper is a recognizable and sturdy display pack with smooth and friendly outfit. It’s great for any display project from posters to identities and from online to print.

Lust Didone’s character set was expanded as well during the redraw and update, the Italics were separated and reimagined anew from the universal italics in the original offering. Lust Didone also includes the new Fine optical size with complementing Italics for each size as well. And, yes, more swashes. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Lust’s original masters were completely redrawn, expanded, with a new optical size added based on customer requests. Lust now sports 6 fonts, instead of the original 4: Standard, Display, Fine, and complementing Italics. The character set has been expanded as well to include more OpenType features and more swashes. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Zira is a playful hand-drawn font family designed by Daniel Bak (Artcity). It is available in three handy weights: regular, bold and screaming. It contains international language accent marks and diacriticals, including Greek and Cyrillic. Zira can be considered as smoothed serif version of Cornelius font. Zira as Cornelius as well is a chimpanzee character in the novel and movie series Planet of the Apes. Dr. Zira is a chimpanzee psychologist and veterinarian, who specializes in the study of humans, in the novel and subsequent movie series Planet of the Apes. Zira was played in the first three Apes movies by actress Kim Hunter. Unique among the Apes characters, Zira has blue eyes. Zira is the fiancée (later wife) of Cornelius, and both are ultimately responsible to the Minister of Science, Dr. Zaius. Zira's character and role are essentially the same in both the novel and the movies, though some story details differ. Her work in each involves both working with humans under laboratory conditions (e.g. learning and behavioural experiments), and working on them physically (lobotomy and other brain surgeries, vivisection, physical endurance and tolerance experiments, and subsequent autopsies). Zira is an outspoken liberal by nature, deploring war and militancy (and despising the gorillas, who seem to make both a way of life), and eager to seek and develop intelligence anywhere it can be found. Zira literally stands for her principles - or refuses to stand, as the case may be.

DESCRIPTION With Skill I wanted to create something wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play. Throughout the years as a type-designer I've met and become fan of many calligraphers. My belief that only a good calligrapher can make good typography (1) has become even stronger. I'm now absolutely sure that only practice improves the skill, especially in this field. So, with this in mind, I started a font which was a challenge for me because sometimes the gap between paper and screen can be gigantic. Skill is another of my attemps (2) to capture the spirit of the pointed brush, its expressiveness, the passions and fears of the artist. This font is about freedom. Freedom everywhere. Movement, velocity, passion. To achieve this, many alternates and ligatures per glyph were designed. Use it on magazines, posters, book covers, music albums, t-shirts, skates, tattoos. NOTES (1) This is mostly referred to script fonts, though text fonts made by designers with a deep calligraphic background have at least to me, an extra charm. (2) See my fonts Live and Indie. TIPS Thanks to Open-Type, the font gives the user the chance to play and get many wonderful results: In example, using the font with “discretionary ligatures” activated will give more life to the written word. Some letters will jump of the base, while others will ligate or not with the following (typical of gestural calligraphy). Adobe Illustrator is recommended. STYLES Skill is the most complete style. It has all the alternates and ligatures that can be seen in the posters and more! Skill Standard is a variant with no decorative glyphs. It has the basic alphabet and some ligatures for better legibility.

Gambler is a characteristic display type collection of 7 font styles with both clean and textured -making it total 14 fonts designed to play together. Gambler strikes with witty and elegant appeal combining vintage and modern elements. Gambler is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, prints on garments, restaurant menus, beer labels and so on, both offline and online. Gambler Script is a smooth contrasted script that comes in two weights and it is packed with plenty of OpenType features: Standard Ligatures and Contextual Alternates are automatically on and they help to keep the flow and connections smooth. From Stylistic Alternates you’ll find characters with pointed endings and some other small variations. For extra flair try Swash or Titling Alternates. Gambler Script is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Brush is a soft brush script with low contrast and large x-height. Gambler Brush comes with following OpenType features: Standard Ligatures and Contextual Alternates that are automatically on and that keep the connections smooth. For less uneven word picture try Stylistic or Swash Alternates. Gambler Brush is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Flare is a flared serif with sharp edges and wide characters Gambler Flare comes in two weights. Gambler Gothic is a rigid condensed sans serif that comes in two styles: Regular and Shadow. Gambler Gothic Shadow has a narrow lining giving a three dimensional expression to the font. Gambler fonts are designed to play together, in pairs, or all together but they also work great as themselves or combined with other Fenotype Fonts.

Gluck family is based on sans serif font. It fits to product design, any commercial and decorations. Glück family supports european languages. It includes 5 styles: • regular • stroked • bold • bold stroked • stripes

Riipale is a font family with two sets of hand-drawn characters. Quality picture fonts are also included in the family of Riipale. Riipale Lined and Riipale Black support most European languages.

Tilda Script Family is a clean and lining script with regular and non-connect versions in four weights. With this family you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Tilda Script is a versatile family with extensive language support and advanced typographic features including:Ligatures, Stylistic Alternates, Stylistic Sets.

Matita Informal is part of a larger type family developed from 2005-2019 with handwriting in mind. A humanistic informal sans serif in five weights containing swashes, alternative characters, old style, lining, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Informal is a very friendly typeface suitable for many purposes.

Alexer Pro is a modern font family based on Alexer font family. Language support: Latin (including Vietnamese), Cyrillic, and Greek. It comes in 12 weights, 6 uprights, and matching italics. Each weight includes 1300 glyphs, alternates (G,I,t), and OpenType features. This family is ideally suited for packaging, headlines, advertising, and corporate identities. Perfectly for web, signage, and editorial design.

Stengkol Font Family of 20 fonts and 1 font cowboy illustration. Slab serif with various font styles with layered fonts. It's easy to use various fonts in one design and combined with cowboy illustrations. Stengkol Font Family comes with: - Uppercase. - Lowercase. - Numerals. - Punctuation. - Multilingual. Stengkol Font Family is perfect for t-shirt designs, merchandise, posters, qoute, tickets, logotype and other designs. Thanks.

Mimic is a font family of several typefaces, that are based upon the physical structure of the mouth, depicted while speaking of corresponding letters occurred. It is primarily created as an accidental font family, and thus contains the very basic glyph set, which includes: punctuation, numbers, and letters. Mimic font family is made up of: Mimic Regular, Mimic Medium, and Mimic Bold.

Introducing the Nura Font Family is the modern Display sans serif family. The Nura Font family comes in various sizes from Thin to Black, giving you the freedom to get creative with this font. With strong characters in the size of Black, it is very suitable for use for sign displays. and other sizes you can use as needed for your project

This modern slab serif typeface expands on the phola type family and complements it's siblings with style. Phola is a geometric san-serif display type family. It consists of 64 fonts and includes an extensive character set and multilingual support. Crafted with love this font family offers a numerous styles (Regular, Solid, Square, Diablo, Oblique, Outline, Clean) the family allows for extensive use cases. This OpenType font offer a fantastic options for users to create some unique artwork. Perfect for branding, Logos, displays, posters and other related projects.

These letters were developed to decorate the font Bowling and then were also used in the fonts Coffeemug and Teapot. For many years the InsideLetters family had only one family member, InsideLetters. An upgrade in early 2019 added two more family members, InsideLettersHalloween and InsideLettersXmas. The first puts the letters from InsideLetters on pumpkins and the second puts them on Christmas tree ornaments. In 2022 and oblique stye was added to the family. Inside letters is caps-only. It is a casual and playful handwritten sans-serif font.

Phola is a brand new geometric san-serif display type family. It consists of 64 fonts and includes an extensive character set and multilingual support. Crafted with love this font family offers a numerous styles (Regular, Solid, Square, Diablo, Oblique, Outline, Clean) the family allows for extensive use cases. This OpenType font offer a fantastic options for users to create some unique artwork. Perfect for branding, Logos, web design, headers, titles, displays, posters and other related projects. Family is mostly rectangular in shaped with either sharp or diagonal corners.

Introducing a new Tropical Display Font Family called Tropika Island, inspired from my previous typeface (Dreadful Font Family & Saturday Night Font Family) combined with Midcentury Tiki Art Signage. The special features on Tropika Island is Tropika Interlock that comes with 3224 pair of ligatures, Stylistic Alternate, & Stylistic Set 01-03. Tropika Casual is complementary and contains OpenType features as ligatures, Terminal forms, Initial forms, Stylistic Alternates. Tropika Island Font Family is best used for headings, logo types, apparel design, invitations, posters, flyers, greeting cards, packaging, book covers, printed quotes, cover album, movie, and more.

Geminian is a set of fonts that started as a simple idea based on a theoretical level and developed during a long time, to be able to take shape under a creative impulse inspired by the need to communicate, today more than ever. From an astrological point of view, it celebrates and contributes to this practice, the study of stars position and movement and their influence on people's destiny. As a good Gemini, this set revives the main features of the opposite twins sign. Gemini is associated with thoughts, creativity, and communication. Its ruler Mercury (Hermes for the ancient Greeks), messenger of the Gods, and spokesman of the divine word, gives the natives of this sign intelligence, wit, eloquence and poetry. Geminian aims to be a medium to carry different messages from one end to the other. And this is because when using words, Geminis always surprise. Thanks to this gitf (and language and communication), they are able to bring up the most ingenious ideas, to solve any problem and to contribute new perspectives. These qualities may be the secret of its magnetism. The Geminian set comes in 5 styles including a script with multiple ligatures and alternates, 3 sets of caps and dingbats. In addition the complete font family supports a wide variety of Latin alphabet-based languages.

Introducing our stunning Goodfood Font Family, a versatile and delicious sans serif display typeface that is perfect for your most tasteful design projects. With a total of five different weights, this font family offers you ultimate flexibility in creating captivating and impactful designs. Whether you're working on a logo, branding materials, product packaging, or editorial projects, this font family will enhance the overall aesthetic and make your designs stand out. To further enhance creativity, Goodfood Font Family includes alternates and ligatures. These additional characters provide you with ample possibilities to customize and stylize your typography, creating unique and eye-catching designs. By utilizing alternates and ligatures, you can bring a distinctive touch to your headers, titles, headlines, and other important elements of your design. Here's what you can expect from this font family: Five Weights: The font family offers five weights, ranging from Light to Bold. This wide range allows you to experiment with different typographic hierarchies and create visually appealing compositions. Alternates: The inclusion of alternates expands the versatility of this font family. By simply swapping characters, you can create different stylistic variations, giving your designs a fresh and creative look. Ligatures: The font family also includes ligatures, which are special characters that combine two or more letters into a single unique glyph. Ligatures ensure smooth and visually pleasing connections between characters, resulting in a harmonious and cohesive typography. Superior Legibility: While the Goodfood Font Family features elegant and decorative serifs, it doesn't compromise on legibility. The carefully crafted characters and balanced letterforms ensure readability across various sizes and mediums. Extensive Language Support: This font family supports a wide range of languages, allowing you to create designs for global audiences with ease. Whether you're a professional designer looking to elevate your creative projects or an individual seeking a unique font for personal use, the Display Serif Font Family offers an impressive array of options. Add sophistication, versatility, and a touch of uniqueness to your designs with this remarkable font family.

Annuario is a sans serif multi-weight font family initially designed for a calendar. 48 fonts with 2 axes, a flexible family for many purposes. More About Opentype Features: https://bit.ly/opentype-rsz