A highly intrincated decorative capital from the work of Johann Georg Schwandner (1716-1791). An accurate historical revival and interpretation of Iza W, at Intellecta Design. State-of-art to use in headings, chapter initials from books, magazines and other publications. Also use in baroque and renaissance inspired layouts, or modern mixed proposals.

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

This font is designed to be layered as a trendy chalkboard art font. Stack the layers for a 3D, multi-colored look.

Diaria started as a project in Typeface Architecture for Master in Advanced Typograghy at EINA, Centre Universitari de Disseny i Art de Barcelona, a course tutored by Laura Meseguer and Íñigo Jerez Quintana. Later it has developed into Diaria Pro, an extensive typeface including Cyrillic script, small caps, and various OpenType features. Diaria Pro is a low-contrast serif typeface designed as a primary text face for the newspapers. Its large x-height and static exteriors allow comfortable reading in narrow columns, and calligrafic counters as well as dynamic serifs add humanist detail to overall perception and incline contrast axis without affecting interletter counterforms. Besides extensive language support, Diaria Pro includes various OpenType features: ligatures, discretionary ligatures, small caps, 6 sets of digits, superiors, inferiors, fractions, ordinals, upper-case punctuation, and some language-specific features. Diaria Pro also has a sans-serif companion - Diaria Sans Pro. Some of the styles of Diaria Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Add some twinkling lights to a bold Art Deco font such as Art Lesson JNL, and the result is a typeface which truly puts your name (or message) up in lights. Opening Night JNL conjures up images of Broadway plays and Hollywood premiers.

Boulette is a gorgeous pop art-style display font for kids, cartoons, comics and much more.

Southbeach is a 21 century art déco font. The bigger it gets, the better it looks.

Coffee Beans font is curly ended type font, great for strong headings and titles. Comes from all caps. You can use like Instgram posts, in logos for example CoffeeShop logos and designs design projects be it logos, art quotes or art headlines vs. If you want to stand out your design and need personality your projects. You must try Coffee Beans Font and see difference with other fonts.

Dyans Font Family is a type of font that is inspired by vintage handwriting art that is often used in signwood, signpainting and others, usually this font is very suitable for manual hand lettering or hand painting art. This font uses the open type feature so you can explore alternative types in certain letters. Enjoyed This font conssist of: Stylistic Set Alternate Character Multilingual Support Math Symbol Numeral & Punctuation Hope your enjoy using this font Thank You.

The Arthur Cabinet font family offers a most particular range of seven fancy ornamental fonts in the spirit of the Art Deco era. These fonts celebrate the age of elegance, stylishness and refinement to its very best. They give you a unique tool for exquisite designs. The fonts of this family are derivatives from the Arthur Sans series, which you may also want to have a look at. Use this unique typefaces for distinctive personal stationary, outstanding headlines, captivating brochures and invitations; for marvellous logotypes, wonderful menus, hotel leaflets, exciting ads … for brillant designs. Each Arthur Cabinet font features the same comprehensive Euro-Latin encoding for full language support. Additionally, every font includes a small supplementary set of fine ornaments. – For an even more comprehensive range of Arthur embellishments check out the font Arthur Sans Regular or Arthur Ornaments! Have also a look at the sister fonts of the gorgeous Arthur Sans Family, which will offer you yet another wonderful scope of fascinating typographic possibilities. ________________________________________________________________________________ Tip: Set Sample text (see below) manually to [ABCDE…] to view effectively the fonts most relevant parts! ________________________________________________________________________________

Ready to elevate your design? For a dramatic design result, you can take it up a notch with our lovely font, Rivage. It is an elegant sans serif font. This font is quite enigmatic, in that its geometric but also has an open curves. The result is a font that looks friendly and professional at the same time. Also, Rivage is versatile enough to be used on tittle or body text. Features: Stylistic Sets Ligatures Alternates Multilingual Supports Numerals and Punctuation It can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing our premium fonts! Happy Designing!

A 1934 advertisement for the Roney Plaza Hotel at 23rd Street and Collins Avenue on Miami Beach yielded the inspiration for Tropical Tourist JNL. While this wonderful example of Art Deco lettering survived, sadly the original Roney was torn down around 1969 and replaced with a modern apartment house/condos bearing the same name.

A 1940s ad flier for the Los Angeles restaurant “Lucca Paris Inn” had its name hand lettered at the top of the page in a condensed Art Deco slab serif with some stylized characters. Given a more uniform look, the end result became Dining Out JNL and is available in both regular and oblique versions.

The inspiration for this versatile typeface came from both Art Deco and Military sources. It comes with both a clean geometric and hand drawn version so you don't have to get carpal tunnel sketching it out yourself. This typeface is equally at home stenciled with paint on a wall or used on a music poster.

Core Deco is font family inspired by Art Deco posters from 1920s, '30s, and '40s. The font family is anchored by two fonts: Core Deco, an elegant monolinear update of Art Deco lettering, and Core Deco C1, a vivacious weighted counterpart. Both channel the era's affinity for geometry and are accompanied by a host of alternate styles. Three variants of Core Deco (A1–A3) offer drop-shadow options on the monolinear style. Eight variants of C1 (B1–B6 and C2–C3) offer contemporary takes on Art Deco outlining and shading of weighted strokes. One variant (C4) offers a drop-shadow only option that may be layered with any of the weighted fonts. The Core Deco family supports complete Latin 1252, Central European 1250, and Turkish 1254 character sets. If you are looking for an Art Deco–style style font which is modern and immediately usable in various artworks, get this family!

Seuchter Experimental is a product of the fertile Jugendstil period in Austria. Drawn by Bruno Seuchter, about whom little biographical information is available, the design first appeared in Seuchter’s publication, Die Fläche, in 1902. Die Fläche means “surface or expanse,” presumably a reference to a “tabula rasa” or clean slate. The implication is one of starting anew, rejecting the past and searching for fresh, different modes of visual expression — which is exactly what Art Nouveau attempted to do. Seuchter Experimental is a quirky and light-hearted font. Ligatures include AT, AV, CH, CK, FJ, LO and ST. Although basically an all-cap font, several of the accented letters in the lower case position represent the oft-seen desire to keep the accents below cap-height. The a-umlaut at 228 and u-umlaut at 252 reflect Seuchter’s original design. For a discussion of the difference between a diaresis and an umlaut, see Appendix B of Bringhurst’s The Elements of Typographical Style. In the meantime, give this font room to breathe.

INDUSTRIAL-STRENGTH UTILITY. Designed for function. Cutmark fonts features common 45˚ chamfered corners, flattened ink traps and wide apex forms. Customize the look with alternates including an Angled Set, Straight Set, Beam I, single-story a, and hooked l. The OpenType version includes 10 weights in 3 widths with matching italics. Variable Font Cutmark Variable contains the full family of styles in a single file! Select variations along width, weight and slant axes. Test and explore at jfoundry.com. Cutmark Variable is included in the complete package at no additional cost. Use which ever font format you prefer! Please email hello@jfoundry.com for any questions. Variable Fonts require MacOS 10.14 or higher. For browser and software support visit: v-fonts.com/support

I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for such sketches, but I must say that they were kind of rough and clumsy; it was an experimental and limited-use typeface. It took a long time, but thanks to my learning about type design gained over the years, I have finally been able to complete my project. I have made sure to preserve the Latin American spirit of my original designs in order to give my final typeface an expressively handmade, highly humanist look. Brocha is a display sans with friendly design ideal for high-impact headlines, logotypes or use on cookies packaging designs. Brocha consists of 2 subfamilies: one basic and one alternative. Each subfamily comes in 8 weights plus italics. The Alt version is highly recommended for those art directors who look for more varied fonts when designing.

Art Deco inspired font in 4 different versions with multi language support as well as contextual alternates!

Conthey™ is a highly customisable unicase sans serif family designed for headlines and display use. Its modern, sharp and friendly character will add a fresh, positive vibe to your projects. Conthey customization options include weight variants from hairline to extra bold, width variants from narrow to normal, as well as style variants - possibility to change the mood of the font - from normal unicase, which is already a little cheerful in character, to even more playful, neo-deco proportioned unicase. Conthey feels at home when used for modern branding, magazine layout, headlines and posters. Variable fonts, broad choice of styles and additional alternative stylistic set give the family a great versatility and uniqueness. Conthey consists of 126 fonts in 3 width variants and 3 style variants - 63 uprights and their corresponding italics. Conthey family contains also 2 variable 3-axis fonts, with axes: weight, width and style (that changes internal proportions of some letters, like A H a e g and more). The family has extended language support as well as broad number of OpenType features, such as alternative stylistic set, discretionary ligatures, titling alternates, contextual alternates, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Introducing Kampione - Vintage Bold Type, created by ikiiko Kampione is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font. Bold, geometric letterforms that are frequently rounded or squared off at the corners define this style. The font's overall appearance frequently has a significant visual impact and is reminiscent of an old advertisement or poster. This typeface is perfect for an vintage poster, movie title, elegant logo, packaging, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Amanzinc Graffiti is an awesome display font that features the street art vibe. Take your designs to the next level with this stunning font!

Cliffhanger's top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but we begged him, we pleaded with him and, eventually, we took photographs of him (in compromising positions with his "models") and he relented. Now, at long last we are making this slick and stylish font available as a part of our catalog, and you no longer need be a stranger to danger. See these families related to J Scott Campbell: J Scott Campbell Lower & J Scott Campbell Sketchbook .

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

A Lost Art Deco Style Reborn and Multiplied Rhumba began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Barrio Lined". Originally only a single typeface, represented by our Rhumba Lined style, it was fun and offered more diversity to expand out the styles of this gem. Playing off the stylings of fonts like Prisma, Rhumba fills in gaps between the various lines of the original to offer 3 alternate looks. The Rhumba family contains 382 characters per font. A comprehensive character map preview is at the end of the poster graphics collection.

Jugendstil Flowers are a collection of dingbats fonts with ornaments, leitmotivs and fleurons, free inspired in the visual style from the golden age of the Art-Nouveau graphic movement. A beautiful work with and organic forms and sensibility with the taste of the vegetal world, by Chyrllene K, who brings you a extra gift : Buying the three fonts (family pack) you get a special free bonus: the Victorian Advertising EPS PACK with ten amazing artworks (in eps) inspired in the Victorian ages magazine advertisings (see the banners). See all the glyphs from Jugendstil Flowers in the pdf brochure at the gallery section.

The Artnoova typeface combines the inimitable mastery of the great styles of the early twentieth century and at the same time looks organic among modern ones. Like the famous Art Deco typeface, Artnoova is designed for a strong yet elegant typography. In addition, a balanced set of capital letters allows you to type large sections of text. All this allows the Artnoova font to be used in almost any area of ​​design, such as corporate identity, typography, posters, web design and other design areas.

The Fountainhead - is an elegant serif font family that combines Art Nouveau motifs, but at the same time has strict verified forms that will help emphasize the style and sophistication of your project. There is multilingual support, which will allow you not to be limited to English only. Refined, sophisticated, made with attention to detail - a great choice for business cards, brand, wedding invitations and much more. Distinctive characteristics: - more than 80 ligatures - multilingual support - two styles (extra light and regular) - kerning is present

Inspired by a wide range of sources and styles, Ahsing is a single weight typeface that aims to explore new design solutions. With a bold form, a strong contrast and pronounced diagonal axis, this design hints both at past typeface styles while being unique and original in its appearance. Thanks a large range of OpenType features and an expanded character set, this single font provides a versatile and distinctive solution for setting titles or any large text that need to catch your viewers attention.

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Semiramis is based on lettering from the Roycroft movement, but has a Science Fiction/Fantasy feel to it, drawing on elements from antique scripts and the Art Nouveau period to produce a result which is modern and ancient at the same time. There are two different shapes for each character, accessed with the upper and lower case keys.

Andreis is a typeface inspired by the art nouveau shapes that appear in the letters of a metal box, made at the beginning of the 20th century by the company G. De Adréis from Badalona in Spain. Its organic and feminine forms evoke the aesthetics of those years and add elegance to the projects where it is used.

The Typeface «Mixcoatl» by Elia Salvisberg was developed as a part of a course at the Lucerne School of Design and Art in 2016. Based on the book «The Empire of the Inca», a display-font has been created, which is inspired by the graphic language of the South American Empire of the Incas. At the beginning, only capital letters were designed but there was the desire for a complete typeface – which is why the missing signs were added. The font is based on a grid, so the characters are constructed equivalently and a uniform geometric font arose. The name was adopted from the god of hunting who plays an important role in the mythology of the Aztecs and appears in various forms. The uppercase letters can also be represented and combined in two alternative character-sets, so there are a lot of opportunities to combine uppercase words in different forms.

Typefaces don't simply appear fully formed to a designer, even with a clear concept in mind, they evolve naturally during the design & development process. Out of the current 'Artytype' collection, Omni has evolved the most, being a stripped back off-spring from several exploratory exercises. At first glance and particularly at small scale, you'd be forgiven for thinking the basic characteristics have a conventional outlook; but on closer inspection, it's own distinctive, clean cut, subtle styling becomes apparent, revealing enough personality to stand alone or complement a wide variety of projects; subsequently, it's a font that won't go out of style quickly and may even become a modern classic in time. The Omni family has 2 distinct styles, sans and serif, each style being available in 4 weights; all 8 fonts have slanted options to match making a total of 16 fonts. Dictionary definition of OMNI: Combining form - Of all things, in all ways or places. Quite an apt name for a font with ubiquitous aspirations.

Typefaces don't simply appear fully formed to a designer, even with a clear concept in mind, they evolve naturally during the design & development process. Out of the current 'Artytype' collection, Omni has evolved the most, being a stripped back off-spring from several exploratory exercises. At first glance and particularly at small scale, you'd be forgiven for thinking the basic characteristics have a conventional outlook; but on closer inspection, it's own distinctive, clean cut, subtle styling becomes apparent, revealing enough personality to stand alone or complement a wide variety of projects; subsequently, it's a font that won't go out of style quickly and may even become a modern classic in time. The Omni family has 2 distinct styles, sans and serif, each style being available in 4 weights; all 8 fonts have slanted options to match making a total of 16 fonts. Dictionary definition of OMNI: Combining form - Of all things, in all ways or places. Quite an apt name for a font with ubiquitous aspirations.