Awwam refers to the region of Awwam which is now thought by most scholars to be Ma'rib or the famous temple of Awwam otherwise known as Mahram Bilqis. The Awwam temple—Arabic Haram Bilqis or Mahram Bilqis—is a Sabaean temple near Ma'rib in today's Yemen. It was built by Mukarrib ‘Yada'il Dharih I’ between the 7th and 5th century B.C. Also, one of the most frequent titles of the God ‘Almaqah’ was the Lord of Awwam. Almaqah was the main God of the ancient Yemeni kingdom of Saba' and also the kingdoms of D’mt and Aksum in Eritrea and Northern Ethiopia. Different members of the ruling dynasties of Saba' regarded themselves as Almaqah’s children. Awwam is a wide and headline Arabic display typeface. The main trait of this typeface is the wide, curved, and streamlined design of its wide kashida, letters, and ligatures. This feature renders it as one of the modern stylish typefaces used for headlines, titles, headers, banners, and captions. Among the distinguished letters of Awwam typeface are the “Alef”, “Qaaf”, “Waaw”, “Yaa”, “Gheen”, and others. Moreover, Awwam typeface has a character set which supports Arabic, Persian, Urdu, and simple Latin letters/numerals with a limited range of specific Arabic and Latin ligatures. This typefac comes in two styles (i.e., Awwam, and Awwam-Pro) with a single weight (i.e., regular) and nearly 650 distinctive glyphs for each style. Due to its ultra-wide design, Awwam typeface is mostly appropriate for headings and titles in Arabic, Persian, and Urdu. It can be graphically and visually exploited in books, novels, magazines, newsletters, pamphlets, posters, and interfaces of other objects such as clothes and equipment. Moreover, it can be pleasingly used for signs, books’ covers, advertisement light boards, and titles of flyers, and books of children and adults. In brief, Awwam typeface is one of the new wide Arabic typefaces which can be utilized efficiently in diverse graphic, typographic, and artistic works for different languages and cultures.

Syntax was developed by Hans Eduard Meier in 1968 and presented by the font foundry D. Stempel AG. Its figures are based on Old Face characters but have a distinctive, modern design. The inclination to the right lends the font a dynamic feel.

Olivera has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures and includes uppercase and lowercase letters, numbers and punctuation marks. Multilingual Support OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A total of 462 Glyphs: Ligatures: Ju Ct ff Cl all gh of ck tt ut nt ak ll pp il rt it ot st at rr om mm ar ss as or ox ow on tt ut ut Ct st at ot rt it Cl Swashes access: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 7 alternative sets access: a b c d e f g h i j k l m n o p q r s t u v w x y z

Multilingual font includes more than five languages, including (Arabic, Latin, Persian and Urdu) with a solid base characterized by simplicity and letters with a geometric Kufic character The line has 18 weights for both types (normal, exbanded) The font also has the properties of OpenType, variable letters, and most of the symbols

The vintage sheet music for "Between the Devil and the Deep Blue Sea" yielded another bit of Art Deco-era lettering perfect for developing into a digital font. This time it wasn't the song title, but rather the name of the show it was from serving as the type inspiration - the Cotton Club's 1931 revue "Rhythm-Mania". Harlem's Cotton Club was an "exclusive, whites only" club; both famous for its talent and shows, yet infamous for hiring black acts but not allowing black patronage. On the sheet music, the show title was hand lettered in a bold, slightly stylized fashion which became the basis for Rhythmic Revue JNL; available in both regular and oblique versions.

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

The Arabetic Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.

HS Almohandis is an Arabic display typeface. It is useful for book titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of modern and simplified Kufi calligraphy, that support Arabic, Persian and Urdu. This font was created in the beginning as regular weight with the font HS Alhandasi in 2007 for use in technical and engineering company. The company tends to follow the geometrical shape with equal dimensions in both vertical and horizontal storks. There is also a tendency to make all characters to be similar to oval shape with the impression that they are all geometrical and clear. I followed that with Bold weight in 2011. The difference between this font and HS Almohandis is that its characters have a sharp baseline.

Introducing Seribu Bulan - Arabic Type, created by ikiiko. Seribu Bulan is inspired by term in the Islamic world about the night of Lailatul Qadr in the month of Ramadan. Seribu Bulan is a display type adapted from the form of a slab serif style. This typeface has a wide selection of alternative styles to choose from. From hooked letters, to the typical symbols of arabic letters, you can play around by using various stylistic sets to form the character you want. This typeface is perfect for an logo, magazine layout, header & headline design, food & beverages product, packaging, poster, quotes, or simply as a stylish text overlay to any background image that need an a middle east vibes. What's included? Uppercase & Lowercase Number & Punctuation Complete Stylistic Set Complete Alternates Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

The Core Sans R Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D. and G. This font family has closed and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans R Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans R supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

A set of rounded Art Deco initials set inside circular borders was found amongst the pages of the vintage French lettering book "Modèles de Lettres Modernes par Georges Léculier”. Now made into a digital font called Deco Spot Initials JNL, these classic letter forms are available in both the original white-on-black version and as a black-on-white alternate design.

Kofin is arabic style display font that looks stylish, elegant and futuristic. Kofin will perfect for your latest project. Kofin is perfect for many your projects like logo branding, photography, watermarks, invitations, visiting cards, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.

I started making this font with a few days left at work before my 4 weeks vacation. I managed to finish the font on the day my vacation started - but with no stress. Now I can look forward to 4 good weeks at the summerhouse, and look back at the release of this laid back, handmade and somewhat quirky font. Personally I’d use it for anything that needs an organic handmade look - perhaps packaging, posters, flyers or maybe even clothes or toys for kids!

A modern geometric typeface influenced by architectural reproduction drawings such as blueprints and dyelines. The concept was to create a font that displays a simple elegance at large scale and would also be able to produce great legibility for body text. Details include 5 weights, a complete character set, manually edited kerning and Euro symbol.

Black Ornaments is a family of ornament/dingbat fonts, inspired by the CalligraphiaLatina font series. Is excellent for use in editorial works of art and publishing, as the cover of books, headpieces, packaging, magazines and many other solutions.

Foda Slab is a powerful Arabic slab typeface that has two styles : Regular and Hollow. With 886 glyphs Foda Slab has many ligatures which makes it suitable for headlines and other different graphic contexts.

Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Use Cigar to get attention. Use it for headlines, advertisements, magazines, brochures, book covers, corporate design, presentations, websites, signs, event announcements, and for other things that need attention. For more information about Cigar, download the PDF Specimen Manual.

Luxury Ramadan is a meticulously designed font that pays homage to the timeless elegance of Arabic calligraphy. With Luxury Ramadan, you have a font that's more than just a typeface; it's a bridge between heritage and contemporary design. It's a versatile tool that allows you to infuse your projects with the timeless beauty and clarity of Arabic calligraphy. The characters in Luxury Ramadan are thoughtfully crafted with precision, each letter displaying an elegant and sophisticated aesthetic. The sharp and defined shapes add an air of modernity and clear legibility to the font. In addition, you can also enjoy the features here. Features: Alternates Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Luxury Ramadan fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Antidote is a grungy 3-D font. It is hand drawn and has been given a 'cracked' look. Looks great in headlines, titles and on packaging, but I wouldn't set a text in it as it is quite heavy.

Sultan is a font family for print and web. It includes four coordinated weights: Light, Regular, Medium, and Bold. Sultan supports Arabic, Latin, Persian, Urdu, and Kurdish. Graphic designers can use the variable Sultan font to reach wider options in working with the text, such as changing the weight, width, and slant of the font to create different effects.

Introducing Arabic font in the regular and bound style named Kebagh. Our display fonts are perfect for your various projects, magazine covers, packaging, and many other design projects. You’ll find designs ranging from traditional to modern with a variety of different styles in between. Check out our collection and start creating amazing projects with this font!

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Nagham was designed using uniform glyph thickness throughout and exaggerated letter heights to offer a vertical look and feel. It supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. This font family includes two letter spacing flavors: isolated for small text and overlapped for large or display text. The two flavors come with two weights, regular and bold, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Nagham includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

Martoni font has two styles, namely clean and rough. It's a work that is purely a result of handwriting and has natural characteristics. It is perfect for invitations, signatures, blogs, social media, business cards, product brands. Martoni has Stylistic standard, Stylistic Initial, Stylistic Terminal and ligatures, and includes uppercase and lowercase letters, numbers and punctuation marks. Accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. - Ligatures: st nt ult ot ul th at ff el fl ut ll al sl et nl ct cl rt rl tt ft of ss an rr on mm - Swash: A B C D E - Initial and terminal: a b c d e f g h i j k l m n o p q r s t u v w x y z

Characterized by flowing curves, intricate ligatures, and graceful strokes, Zaenudin - the Arabic decorative fonts are a testament to the inherent beauty of the written language. Each letter is meticulously crafted to harmonize with its counterparts, creating a seamless and harmonious visual experience. The script's cursive nature adds a sense of fluidity, allowing the eye to effortlessly traverse the characters in a rhythmic dance. Whether used in print or digital media, Zaenudin possess a unique ability to evoke a sense of identity, connecting the viewer to the rich history and diverse cultures of the Arabic-speaking world. We're proud and honored if Zaenudin can be the part of your special projects. Thank you :)

Manchette is an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .