Scarious is perfectly made to be applied for logos, logotype, magazines, book, branding, packaging, fashion, stationary, novel, display use and more. if you have any other question feel free to hit us on rillatype@gmail.com

Penny Pincher is here to deliver a great fun and fancy at a super value. Penny Pincher is perfect for childrens books, cereal boxes and board games. Makes you wish you were a kid again.

Clanso Buttler urban stylish display font, fun character with a bit of ligatures. To give you an extra creative work. Clanso Buttler urban stylish display font support multilingual more than 100+ language. Cheers, Maulana Creative

Shaircut Forman handmade display font, fun character with a bit of ligatures. To give you an extra creative work. Shaircut Forman handmade display font support multilingual more than 100+ language. -Uppercase Many Thanks, Maulana Creative

Introducing of our new product the name is Bomber Squad Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Introducing, Karline! Karline is a reversed contrast font that will fit perfectly into any of your design such as branding, packaging, headline, tshirt, branding, etc. This font also support multilingual support and PUA encoded already.

The main challenge with Shirah Joie was how not to design just another monoline font, and how to add liveliness while condensing the letters a little bit. Shirah Joie is an OpenType/TTF Unicode font.

The world of graphic design is a vast and diverse space, with an array of tools, techniques, and resources at the disposal of a designer. However, one crucial aspect of any designer’s arsenal is their choice of typography. The right typeface can elevate a design from mediocre to magnificent, and Neuropolitical is a prime example of just that. Neuropolitical is an ultramodern display typeface that exudes a technical appearance, making it the perfect choice for designs that require an industrial edge. The wide, square curves and sharp ends of the letterforms give your message a voice of efficiency, making it ideal for conveying complex concepts and ideas. Inspired by the iconic 1990s techno typeface, Neuropol, Neuropolitical takes things to the next level. With seven weights and italics, this typeface offers a versatile range of options to fit a multitude of design scenarios. The typeface’s wider design allows for a greater emphasis on the individual characters and the space they occupy, enabling designers to create impactful and memorable designs with ease. But Neuropolitical is not just a tool for the masses, it is a statement of its own. Its wider design embodies the spirit of industrialism and precision, giving designers a new level of control over their designs. The carefully crafted letterforms of Neuropolitical are a testament to the dedication and skill of its designers, resulting in a typeface that is both visually stunning and highly functional. So, whether you’re looking to create a poster, a logo, or a website, Neuropolitical is the typeface for you. It will give your message the power and presence it deserves, leaving a lasting impression on your audience. In a world where first impressions are everything, Neuropolitical is the perfect choice for designers looking to make an impact. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

I come from a family of educators- my mom, husband, stepmom, brother-in-law, and sister are all currently teaching and I have taught in the past. This font was created after speaking to several elementary school teachers who were struggling to find just the right font to use on worksheets and projects in their classroom. They liked many features of other fonts, but needed small things altered in order to make a "perfect fit" for their class. Hand-drawn by me, this font hopefully addresses several of those issues. As penmanship styles vary across the globe, I am sure this font will not work in every classroom. But hopefully this style will work for many teachers to give their early readers a highly legible, neat, accurate font. It is best used with kerning turned on to allow for accurate letter spacing.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Say hello to New Stylish Script, Grandiose! This font combines stylish letter shapes with contemporary twist. It's the perfect fit for all luxury projects, such as elegant logos, printed quotes, lovely wedding invitation cards, social media headers, product packaging and a lot more! It includes full set of elegant uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques+you can do embroidery, laser cut, gold foil etc. What's Included? - Grandiose OTF - More than 100 of glyphs - Ligatures - Works on PC & Mac - Simple Installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. - Multilingual Support Let me know if you have any other questions. Thanks and have a wonderful day, dharmas

Ark is a combination monogram set based on the ATF Virkotype design. By combining variously shaped characters, you can produce initials within an oval frame. Just select a left-hand letter, a center letter, and a right-hand letter. Then place all three on an oval frame of your choice. Great for stationery and company logos. The Ark Monogram Set comes with easy-to-read instructions and a useful character map. Additional alternate characters have been provided for better identification and letter fitting within each font. Ark Monogram is now available in the OpenType Std format. Some new stylistic alternates have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Brda originally designed by the Polish designer Franciszek Otto for the Powiat weekly newspaper. Powiat needed a new, dynamically drawn sans serif for its headlines, and Otto's Brda fit the bill. Combining traditional Grotesk letterforms with witty subtleties, like the notched-joint seen in the capital G, Brda displays a novel design that works best when set large. The typeface is named after the Brda river, which runs through Bydgoszcz, Poland, the city where Powiat is published. The Brda family includes three weights, each with a companion italic: Regular, Bold, and Extra Bold. The Brda family's Extra Bold weight was one of the winners selected in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Franciszek Otto also teaches graphic design at the Secondary Art School in Bydgoszcz, where his typefaces rank among the students' favorites.

The "Dashie" font is a captivating modern display typeface with a strong feminine touch. Designed with a blend of retro and vintage elements, this font carries an elegant and alluring vibe. Dashie boasts smooth lines while still exuding gracefulness. Each letter possesses a unique form, with soft contours and slightly curved angles, delivering a sense of sophistication and timelessness. This font is exceptionally fitting for creating feminine branding logos due to its gentle yet powerful characteristics. When integrated into designs, Dashie has the ability to infuse a classic touch of retro or vintage, emanating an aura reminiscent of the past yet maintaining a fresh and modern feel. Dashie is the perfect choice for crafting a visually captivating and memorable identity for brands seeking to stand out with an elegant, feminine style, while incorporating retro or vintage nuances into their brand.

Robson is a fluid, condensed, uppercase font made up of eight weights, as well as a variable, that will provide instant visual impact to your projects. The font is made up of 486 glyphs which features extensive language support & stylistic alternates to give your designs the versatility they require. The font has a retro edge to it by using rounded structures on the A, M, N, W and Y glyphs that are reminiscent of posters and promos from the 70s and 80s. The ultra tight thin weight is made to be used at super sizes to bring a focal point to your designs. Robson is meant to be seen big (well, he's a bit of a show-off) Robson is perfect for your digital, print or branding projects. Or, for a poster on your fridge that says "You rock".

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals, provide a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics, in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Housewife Font that has a distinctive character that is very thick and elegant to use Housewife is a relaxed and flowing Calligraphy Font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

UXB Stencil and its companion UXB Spray contain both the stencil and the sprayed letters in two fonts. The font is a headline display uppercase only character set, which is duplicated in the lowercase keys, identical in form (except for an alternate “Z”). No need to remember to hit the caps lock, the font will work with lowercase key strokes. UXB Spray is also a headline display uppercase only character set but, includes a few “drip” characters (find them in the lowercase key positions) these apply when you have held the spraycan over the stencil too long and made a mess. Use separately or together for a maximum design explosion. The fonts used together with color can create many nice design effects- by offsetting characters and putting one font in front of the other for a second effect. UXB it’s an emergency.

Ageo is a soft geometric sans serif font family. Contain 8 weights from Thin to Heavy with matching Italics. It's a compromise of bauhaus and modern styles with a soft, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Ageo was created to satisfy reading experience, it's compatible for text and also display, fit for headers, titles, posters, websites, brands, apps and other various design or creative projects. It contains several OpenType features: Standard ligature, figures variation (old style, fraction, numerator, denominator), and also broad latin language support. Ageo has been trusted by large enterprises and is still one of our best selling works. This latest update version 2.0 provides some fixes to the letterforms, spacing, and additional 2 variable font files, also new fonts format to support broad reading experiences.

Akira Kobayashi's ITC Seven Treasures is a symbol font for use in patterns and textures. The interlocking patterns, usually circular or oval, are taken primarily from motifs used in Japanese textiles. Most of these designs are known as komon, or tiny patterns," and they are often applied to kimono and other textiles, although their use is not limited to fabrics. They also appear carved in wood in traditional architecture, and painted in pictures as background patterns. Each of the individual designs in ITC Seven Treasures Ornaments is carefully sized and spaced so that it will fit together into a continuous pattern. Most overlap slightly but precisely, so that when you type a row of them you can't tell where one leaves off and the next begins. They may be combined or alternated to vary the texture of a background pattern."

Initially released in 2013 Corbert was a big hit and was named one of the most popular fonts of the year by MyFonts. Following on from its success the design is updated and remastered to meet the latest standards of The Northern Block and to satisfy critical issues put forward by the most demanding of users. A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications. Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

A new vintage display typeface by Ilham Herry. Started from the passion of collecting the old tin packaging with classic labels on it, the layout and composition make Ilham pretty inspired and the urge of crafting the letters is getting bigger since that day. That's what comes first as a motivation in making this Ephemera Kingsford typeface.Adapted and referencing from the real physical collectible old tins and cans to a single pack of digital fonts asset. Packed up with 9 layered fonts, 1 font as a pair, and of course ornaments and vintage panels as a vector file.Perfectly fit for display printing, handcrafted product, screen printing industry such as apparel, packaging, labels, and also sign painting, scrapbook, glass gilding, et cetera. Not every visual can go vintage but if you want to, there's no other choice, oldsport. check Ephemera Kingsford type specimen here

For decades, cereal companies have included premiums [promotional gifts] inside their packages, printed on the cartons or to send for with a special coupon and redemption instructions. During the 1940s, Pep cereal [a long-discontinued Kellogg's brand] offered a series of water-applied decals within its boxes. Most likely made by the Meyercord Company (one of America's largest transfer decal manufacturers at the time), one decal in particular had an alphabet in gold letters with black outlines. (One can only presume the marketing strategy was to have kids bug their parents to buy more Pep cereal if the child needed more than one letter of the alphabet for his or her initials!) Those decal letters have inspired a digital version as the outline character font Toy Decals JNL, which is available in regular oblique, solid and solid oblique styles.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals provides a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central European characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Plenty of swashes, ligatures, beginning and ending shapes, Wishes is a wit option for invitations, cards, stationery, fashion and apparel, among a wide range of uses. The curves of the cursive style are neither too solemn or pompous, its grace and playfulness are more 1950s than 1750s. This family offers the designer an additional decorative toolkit full of frames, ribbons, hearts, flowers and ornaments, plus a collection of caps and small caps. Wishes Script Pro includes the complete set of Script characters plus Ornaments and Caps. The family offers optically optimized Display and Text styles for each of the weights: Light, Regular and Bold. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide Use Wishes to express your greetings!

Aeroblades is futuristic display typeface inspired by aerodynamic designs. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Old Buddy is an elegant handwritten script font. Get inspired by its unique shape and character! Great and It will turn any design project stand-out!

Lelet Script is a TrueType font inspired by my mother’s exquisite handwriting. It has a graceful, smooth look that makes it very legible for any project.