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  1. Racon by Ahmet Altun, $17.00
    Racon Font Family comes in two weights as regular and bold with seven styles. You can create unique and great designs with its classy, legible, elegant look and most preferred texture and clean styles. You can enrich your designs by using Racon Fonts with its clean and old styled extra figures. You can reach the keyboard codes of the extras as a pdf file from the "Gallery". It would be a perfect choice for designing posters, affiches, logos, invitation cards, t-shirt and magazine prints, eye-pleasing typographic designs and more. Enjoy!
  2. CushingTwo by Hackberry Font Foundry, $13.77
    CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.
  3. Nouveau Techno JNL by Jeff Levine, $29.00
    The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.
  4. Killarney by Fontdation, $15.00
    Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D
  5. Gazeta by Vanarchiv, $21.00
    This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.
  6. Banret by Ryzhychenko Olga, $12.00
    Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.
  7. Almighton by Uncurve, $20.00
    Almighton is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Almighton comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.
  8. SF Collegiate Solid - Unknown license
  9. SF Movie Poster - Unknown license
  10. Krystal - Unknown license
  11. Green Mountain 3 - Unknown license
  12. SF Big Whiskey - Unknown license
  13. ModernGradate - Unknown license
  14. SF New Republic - Unknown license
  15. SF Technodelight - Unknown license
  16. SF Tattle Tales - Unknown license
  17. Snott - Unknown license
  18. SF Quartzite - Unknown license
  19. Gr-Memories - Unknown license
  20. SF Juggernaut Condensed - Unknown license
  21. 612Koshey - Unknown license
  22. SF Juggernaut - Unknown license
  23. 612KosheyLine - Unknown license
  24. SF Americana Dreams Upright - Unknown license
  25. 612KosheyPL - Unknown license
  26. SF Americana Dreams SC - Unknown license
  27. SF Atarian System - Unknown license
  28. SF Technodelight NS - Unknown license
  29. SF Solar Sailer - Unknown license
  30. SF Fortune Wheel - Unknown license
  31. Lemon Twist by Art Grootfontein, $20.00
    Modern and bold, LemonTwist gives your designs a little zest of fresh feeling...
  32. Linear Gothic by BA Graphics, $45.00
    A great headline face very bold and graphic. Not recommended for small sizes!
  33. Rahel MF by Masterfont, $59.00
    This bold and high contrast typeface is mainly used for extreme outstanding headlines.
  34. Ringa by Melvastype, $25.00
    Ringa is extra bold slab serif typeface with a fun and sympathetic feel.
  35. Geo by BA Graphics, $45.00
    A Bold Powerful Geometric design. Great headline face; works well in many applications.
  36. FG Nadja by YOFF, $13.95
    FG Nadja is bold and beautiful - with a real artistic flair around her.
  37. Supernational 264 by Fonts of Chaos, $10.00
    Grand brother of Super National in extra bold. Looks nice in all size.
  38. Pigama MF by Masterfont, $59.00
    The bold presence is in every weight you choose - for packaging, signage etc.
  39. Xaltid by Ingrimayne Type, $9.95
    Xaltid is a somewhat odd, decorative, calligraphic typeface in plain and bold weights.
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