This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are anything but stuck!

Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of an era gone by. Go on bro, get Fat Albert and get down.

Bitstream developed Ang Thong for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Thai character set, Thai Code Page 874. The font includes Thai glyphs and Latin glyphs from Dutch 801. Ang Thong (basin of gold) is a province in central Thailand which consists mostly of flat agricultural land used for growing rice.

The unusual name for this Deco style typeface comes from the playful and pun-laden 1960s Rocky & Bullwinkle TV show. It is the name of the newspaper in the mythical town of Frostbite Falls, MN, home of the two cartoon stars. The name, Picayune Intelligence, literally means “pretty dumb”, but we don’t think that describes Nick’s competent design at all. It is comforting to know that someone is still watching quality television.

A collaboration based on lettering by Vermont illustrator/artist Mary Trafton and brought to typographic life by Charles Gibbons, the Full Moon Suite is a collection of casual typefaces called after folk names for full moons. A winner of the TDC2 2003 Type Design Competition. Family members include: Falling Leaves, Rustling Branches, Black Cherry, Black Cherry Alternate, Black Cherry Ligatures and Black Cherry Doubles.

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely. News Gothic BT™ font field guide including best practices, font pairings and alternatives.

A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.

Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point sizes. Drescher Grotesk is a classic German geometric design, complete with the original “angled” brackets.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded terminals, and there are some characters with serifs. Notable characters include the upper and lowercase E. There are three weights and each works equally well alone, or together for both display and text. Original design by Ramon Cruz completed in 2002.

Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael Frank. Some of the fonts are actually called Frank-Rühl (or Ruehl) and some are not. It was originally designed in a single weight. Bitstream developed Frank Ruehl for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Hebrew character set, Hebrew Code Page 1255. Within the TrueType fonts, the characters are assigned Unicode character IDs. The font includes Hebrew characters, and Latin glyphs from Dutch 801 bold.

This is a version of the Bergsland Fashion stylized sans serif font family that is very high-waisted and sleek with rounded terminals called Bergsland Round. Round is my favorite out of the group as it is looser and friendlier. This four-font set has a Regular and a Black plus the italics. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

DF Korolev is a 72 weight geometric sans serif family based on lettering by an anonymous Soviet graphic designer from the propaganda displays at the Communist Red Square parade in 1937. It has been named in honor of Sergey Pavlovich Korolyov, or Korolev, considered by many to be the father of practical astronomics. Rational and robust, it is also elegant and refined. Tracings done in Illustrator over a photograph featuring this type pinned down some of the basic character shapes. These were then imported into FontLab, where the full glyph complement was developed. The lower-case has been designed from scratch, and adheres to the structural logic of the uppercase as closely as possible. The complete Korolev super-family includes standard, italic, condensed, and compressed versions, each in five weights. The Alternate families come with a double-story “a”. Authoritative yet friendly, Korolev Rounded is a versatile addition to the Korolev range.

Boxed Round is a rounded version of the popular Boxed font, a typeface whit 18 weights, brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen’s pixels to deliver a crisp, fluid reading rate. The rounded version offers a more warm, sweet, edible appearance that will give more freshness to your texts. Due to its extensive range of weights and subtle difference in thickness, compensating for the stain of characters between different CSS styles is really easy. It offers an extensive set of Latin characters, even the Cyrillic.

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

This is the rounded version of Penta! »Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

This font is especially designed by architects for architect, urban planners, landscape architects, industrial and product designers. It is ideal for the use with line drawings. Because of it's geometric shape it blends in with your drawings. It's adjusted to fit most of the common line width types. It also contains many icons, especially for use in these professions. On top of that you can find many glyphs and icons to create legends and title blocks. More information about kloeg design.

Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime Rounded typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. Its soft edges apply warmth to the otherwise rather technical appearance. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Rounded Type Specimen PDF in the gallery. Realtime Rounded is the soft companion to the standard Realtime Typeface which is available separately. Thanks for visiting!

Kuunari Rounded is the rounded version of Kuunari. it is a structured square sans type family of 42 fonts. It has three widths and seven weights in both upright and italic versions. The base form is a round-cornered rectangle, and this form constructs the glyphs throughout the fonts. Kuunari Rounded is a straightforward sans serif. It doesn't make any fuss about itself; it just does the job proudly and confidently.

Kahlo Rounded is a new version that plays hipster style with a Latin flavor. It was inspired by the strong influence of Mexican decorative elements as you can see in the set of ornaments and patterns. Kahlo Rounded has four weights and italics, initial capital letters, some alternate characters and ending. It works well for magazine headlines, posters, logos, cosmetics packaging, advertising etc. Salud! Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

Decima Round – one more addition to the Decima fonts family. It is a new version of recently released Decima Pro fonts with new content and styles. The main difference in the new version is a visual softer impressions of letter shapes made by the rounding of all glyphs’ corners and terminals. Decima Round is released in OpenType format with some OpenType features and support of most Latin languages as well as Cyrillic.

Rounded Keys is a type font with a smooth, modern feel.

Introducing Round Saetan Typeface The Round Saetan Typeface was created with a modern concept of display font which gives a unique impression because it has a folded shape like a ribbon. The sans serif style adopted by the Round Saetan font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Sans Serif typefaces such as “ Round Saetan typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Round Saetan typeface contains 662 glyphs with many unique and interesting alternative options. In the poster preview all the letters are in the Round Saetan typeface.