A clean, elegant and modern serif that has a strong personality thanks to its soft endings, rounded terminals, inspired from Cheltenham, Belwe and Souvenir. Masantina is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Arista is a soft round font, perfect for 2.0 logos and contemporary headlines.
 Arista 2.0 is the definitive release of Arista, with extra characters and corrected kerning. 
It includes a light version, a extrafilled version for 2.0 style fat borders, and an Alternate version with a lot of style changes.

A minimal rounded typeface inspired by architecture and furniture detail drawings. The idea was to develop a font that would showcase precise radius corners at large formats and would also downsize to produce stylish body text. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

Twogether Sans builds upon the achievements of Twogether Rounded, creating a more comprehensive system and positioning itself as a suitable choice for general text usage. By removing the rounded elements from each character, Twogether Sans gains increased flexibility and a broader range of possibilities for different types of projects. It retains the essential characteristics of its counterpart, such as proportions, x-height, small caps, ligatures, numerals, and the construction of the italic variant. This version also introduces distinctive alternate characters for "T," "Y," "y," and "a." However, in this case, the position of the "a" with an old-style eye has been adjusted to enhance legibility in this context. These details maintain consistency with the Rounded version while reinforcing Twogether Sans' unique personality. It remains an excellent choice for branding, editorial design, promotional materials, packaging, and digital applications.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

British designer David Quay originally created Titus Light in 1984. A serif design, Titus Light is a wide, curvy, and round typeface that is best used in larger point sizes.

Norca is a typeface available in 4 types of styles, regular/clean, round, rough and textured. Available in all caps mode, suitable for designs with classic, vintage, and retro styles.

DC Inflate is an uppercase, bold, rounded display typeface. Ideal for logo design, big, fun and impactful titles. It supports the Western European character set and it contains 215 glyphs.

Magnetron is a thick/thin sans with a rectilinear, round-cornered construction. Reminiscent of early computer games or contemporary dance music festival posters, it has a fashionable retro-futuristic appeal.

History, as it's said, tends to repeat itself. The round-point pen lettering used in the 1920s logo and ads for Dodge Brothers cars (pre-General Motors) is an early predecessor to the techno type styles of the 1980s. Square in shape, with unique stylization to some letters, Jalopy JNL can cross the decades and be used for a 1920s period piece and still look fresh in an ad for computer parts. Rather than round out the inside lines of the characters to fully emulate the strokes of a lettering pen, the inside lines have straight intersections for the contemporary side of this font's design.

Montain is a classic script font with rounded edges and a modern and unique look. This font is also equipped with 90+ stylistic sets, Contextual Alternative, ligatures and also multi-language support which further adds to the creativity in using this font. This font is perfect for your creative projects such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Apparel , Web design, Magazine, Book, etc.

Introducing, Tropica Gardens - Essential Font Trio with Bonus Editable Logo Tropica Gardens is perfect and essential combination between three fonts including bold serif, rounded sans, and authentic signature. This font trio also support multilingual, number and symbol. You can use this font for any purpose. The best part is, you don't need to search for the pairing. Thank you! - Don't hesitate to ask me at saridezra@gmail.com

"Back Wild" is a bold and chubby graffiti font that includes swash characters. Fonts with these attributes generally feature bold and wide letterforms, often with playful and rounded elements. Swash characters add decorative and stylish touches to the font, If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

I added the hollow model of the font he developed by taking an example from the ancient Greek inscriptions found in Turkey to my fonts. Use it in good works.

FuturaClassic is a recut of Paul Renners original Futura. This version was what Mr. Renner wanted the Futura to look like. He had to change his very stringent design because the market wanted a more pleasing typeface. I think the original design is worth saving because it is much more typical and has a personal and distinguished touch. I have also designed Geometra Rounded with rounded endings that looks more interesting than your usual DIN type Yours trying to save the typographical past Gert Wiescher

Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.

Behance Fixiga is a Modern rounded geometric sans with experiment forms to make powerful visual, a combining with the rounded and some sharp cutting edges. Fixga family comes with 8 weights, from ExtraLight to Black upright Italic, In addition Fixga also support OpenType alternate characters, Alternate SS.01 is offer with typewriter look and SS.02 is offer with neutral look with single storey "a" and "g" Fixga also support several OpenType features include: ligatures, tabular figures, fractions, and language support for extended Latin Icons and symbols.

Submariner R24 diving sans serif experience Submariner R24 is a modification of the Submariner type family. It still holds pleasant humanistic construction, but now the letters are easier. Rounded corners enhance the typeface’s sophistication and broaden its usability. It is a remarkable typographic discovery. The letter construction is more open and the corners are rounded. It is suitable for longer texts, information graphics, signalization, headers and decoration. The typeface’s x-height is exactly 70% of its capitals. The italics are designed at a 9° angle.

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners. It is perfect for any kind of short copy with lots of attention guaranteed. Be sure to check other two typefaces of Vin superfamily: Vin Slab Pro and Vin Mono Pro .

Adahi is a sans serif typeface with rounded and pointed corners and a minimalist style. Adahi fonts is a big font family with over 20 different types! Contrast, style, and weight abound in Adahi. This typeface features rounded and pointed corners and is very functional, clean, and modern sans typography. The typeface appears to be clean and geometric, yet it is designed with distinctive stylistic aspects to give the Adahi font a unique and particular feel. The Adahi type family is comprised of 20 weights, each with oblique variations for multifunctional use, particularly in collaborative projects such as websites, magazines, editorial, publishing, and packaging. Use this font right now to create a stunning, elegant, and unique project. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Flax Regular lives in a somewhat unusual space... it is not a normal “handwriting” font, nor is it a formal script, or a rounded italic. Flax is a slightly more formal handwriting script that is extremely legible and useful- it can stretch from invitations to packaging, to menus, to brochures to ads. The rough hand-drawn finish gives Flax some of its unique character. This is almost unnoticeable in smaller point sizes while clearly visible in display sizes. While Flax is slightly formal, it has a very friendly presence - mainly from the unpretentious rounded characters and rough finish. Flax is available in Postscript, Truetype and Opentype for Mac and Windows. You will enjoy putting Flax to work!

Introducing Popwave - a vibrant and playful font pack containing 5 unique fonts that are perfect for adding a touch of modern pop and groovy style to your designs. This versatile font pack includes a boxy font, a boxy rounded font, a script font, a narrow font, and a sans-serif font - providing you with a range of options to choose from. The boxy font has a bold and boxy design that exudes a sense of confidence and strength, while the boxy rounded font features rounded edges that give it a more friendly and approachable feel. The script font is elegant and fancy, perfect for adding a touch of sophistication to your designs. The narrow font is sleek and modern, with a slender design that creates a sense of space and clarity. Lastly, the sans-serif font is simple and clean, making it perfect for adding a modern touch to any design. Each font in the Popwave pack has been carefully designed to create a fun and vibrant style that's perfect for catching the eye. The fonts are playful and modern, with a touch of retro charm that makes them perfect for a variety of projects. The Popwave font pack also supports multiple languages, making it the perfect choice for designers who need to create designs for a global audience. So whether you're designing for print or digital media, the Popwave font pack is the perfect choice for creating modern, fun, and playful designs that are sure to stand out.

Introduction to Monaz – Bubble Font Monaz – Bubble Font, a playful and airy display font, is inspired by the lightness and roundness of bubbles and balloons. Perfect for creating eye-catching headings, logos, and children’s books, this font not only grabs attention but also serves as an ideal choice for fun and whimsical projects. Design and Aesthetics In its design, Monaz – Bubble Font features characters that resemble bubbles, with rounded edges and a bouncy feel. Furthermore, the letters mimic the floating appearance of balloons, thus adding a cheerful and lighthearted touch to any design. Additionally, its rounded forms are easy on the eyes, ensuring readability while preserving its playful charm. Versatility and Usage Monaz – Bubble Font boasts high versatility, fitting a variety of design needs effortlessly. Not only does it shine in party invitations and product packaging, but it also excels in promotional materials. Moreover, its effectiveness extends to educational materials for children, making learning engaging with its friendly appearance. As a result, its readability and unique style make it a top choice for designers seeking to add a fun element to their projects. Accessibility and Appeal Designed for a wide audience, Monaz – Bubble Font features a simple and clear style that is easy to read. It appeals to all ages, capturing the whimsy of childhood while still being sophisticated enough for adult projects. In summary, this font brings a unique joy and playfulness to any design, making it a valuable addition to any font collection.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

Step into the future with my Reminders font! The letters swirl and turn around and into each other with its almost 700 ligatures - that's crazy!!!

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding. Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter. The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825). What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry. Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

Tokga is an articulate rounded linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Auro is a friendly, rounded sans serif that was created as a contemporary typeface solution for branding, editorial use or any other application that requires legibility with a touch of personality.

Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.

Secret Diary is a nice bit of uncomplicated handwriting: it is rounded, feminine, legible and above all - natural in appearance. Secret Diary comes with some ligatures and an overdose of diacritics.

Arco Perpetuo Pro is a sans serif typeface with subtle rounded corners for the display stability on screen. Arco Perpetuo Pro may be used as small text or as big headlines.

The design of Silverspoon reproduces classic antiqua with rounded contours, and is ideal for many uses including headlines, neon signage, and stencil. Silverspoon supports Extended Latin as well as Extended Cyrillic.

Futuristic and spacey, Tannarin is a modular, cap-only typeface. Many letters are constructed of repeated components with the added twist of the round characters being shorter than the square characters.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

Introducing Mountogen Rounded Typeface Style which has a unique and very strong characteristic that makes all designs look unique and have a modern feel. Mountogen Rounded has its own charm, so it will be very suitable to be combined with any style. Has Lots of Alternatives and ligatures to add a great interactive feel to every design. Mountogen Rounded also comes with multilingual support and is very easy to use. Mountogen Rounded is interesting to use in designs such as books, movie posters, logos, branding, business cards, and more that can be combined with Mountogen Rounded. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Nosta is a modern text typeface. It was designed to be easily legible and therefore expressly suitable for setting sizeable lengths of continuous text such as magazine articles, books and essays. It achieves this through, amongst other things, finely balanced proportions, optimal character spacing and an adherence to predictable letter forms. Despite this, however, Nosta manages to retain a contemporary look and feel by using a variety of modern type design devices such as the efficacious wedge serif. The italic avoids using too many of the cursive elements that are often found in traditional italics and has only a modest slant, giving it a modern look that does not overly disrupt the text while still providing emphasis. While designed for continuous text, Nosta can also be used as a display face, making it a good all round typeface, suitable for many applications.