Relax. Deep breath. And step away to font nirvana with Cabrito Semi. Like its Cabrito relatives, Semi’s handwriting-inspired feel is mellow and care-free. But don’t misunderstand us. Even with its fun-loving peculiarities, this free spirit will command whatever party you invite it to. It’s a perfect blend of unique and functional. So what’s the secret of this little one’s strength? It’s pure balance. Cabrito Semi’s energy surges from deep within the relaxed, balanced tones of its humanist structure and calligraphic crafting. The 36 fonts of this well-crafted semi serif originate from the popular Cabrito, an insigne design slab serif developed for the kid’s book, The Clothes Letters Wear. Along with its other amigos, Inverto and Sans, Cabrito Semi rounds out this easy-going household of fonts. The four fonts play well together on anything from meals and candy to toys and cars. With the support of the other three, Semi makes a great choice for titles and moderately long text like you would use for websites, flyers, and packaging. Semi’s complete pack of alternates is accessible in any OpenType-enabled system. This kiddo has loads of alternates, swashes, and alternate titling caps to add a bit of sweetener to the balance. Also bundled are swash alternates, old style figures, and compact caps. Preview any and all of these features in the interactive PDF brochure. This font members of the family also consists of your glyphs for 72 languages. So who says you can’t love quirky? Take a look at Cabrito Semi--and any of the other members of the Cabrito family. You’re bound to find yourself loving fun all over again.

Kevin King says: "When I started this font it was called Pestle... It didn't run - it didn't even walk. At some point I thought, Hmm! Looks a bit like Liquorice! And now... Voila! I remember being able to buy about a yard of Liquorice rolled round a central comfit - how fab! Tuppence worth of sticky afternoon! You could also buy bundles of Liquorice root - which looked like black twigs with bright yellow wood - they left my teeth full of black twiggy bits... The past is a strange Lady - Bless her! This was almost Kingthings Leechy... just another one of my bulbous shiny things - I have always liked letter-shapes with 'bottom', probably a 70's thing, as many a seventies thing did indeed possess it - including the fabulous Chaka Kahn... Oooh, Diva!" ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Preta, portuguese for a very pure kind of black, has its name very related to its concept: I wanted to make the fattest/darkest script ever. People who follow my work may notice its forms are very related to works of my past (1) but this time the challenge was to be very cautious with the white spaces between letters. Not only I followed some rules and ductus of the copperplate style of calligraphy but also I took a lot of inspiration in posters of the early Art Nouveau (specially in Alfred Roller of the Vienna Secession) where letters forms looked like black squares if not looked from a close distance. With Preta, I wanted to achieve that same idea of “darkness” and thanks to the always welcomed question -what if?- the font grew a lot. The result is a very fat font, that looks delicious. Due to possible customer needs, I designed Preta Small, so it can be used in smaller sizes. Preta Ao Sol (which literally means under the sun!) is a style with those lovely tiny details to give the sensation of bright. Preta Ao Sol Solo was made to be used as a layered font with Preta. Finally, Preta Capitals serves as a company for Preta. Hope you enjoy the font as much as I did when designing it: The fact that it’s full of alternates, swashes, ligatures and swirls makes it really pleasurable at the moment of using it. Give it a try and dance with Preta! TIPS For better results, use Preta with the ‘standard ligatures’ feature activated. NOTES (1) Beatle in 2014. Seventies in 2015.

Introducing Bubble Brown, an exciting and playful bubble display font that will add a touch of whimsy to your designs. This font features a unique alternate ligature style that combines bubbles and letters, creating a fun and engaging visual experience. With its lively appearance, Bubble Brown is perfect for various design projects, especially those aimed at children, toys, games, or anything that requires a cheerful and vibrant aesthetic. This font is carefully crafted with 710 characters, ensuring versatility and multilingual support. Whether you're designing in English, French, Spanish, German, or any other language, Bubble Brown has got you covered. The font includes special characters, punctuation marks, numerals, and a wide range of glyphs, allowing you to express your creativity without limitations. One of the standout features of Bubble Brown is its support for PUA Unicode. This means that you can access the font's extensive character set through private use area codes, giving you even more freedom to customize and personalize your designs. Let your imagination run wild as you combine different characters and ligatures to create captivating typographic compositions. Bubble Brown will bring joy and excitement to any project it graces. Whether you're designing posters, logos, packaging, websites, or any other creative endeavor, this bubble display font is bound to make a lasting impression. Its alternate ligature style adds a touch of uniqueness and flair, setting your designs apart from the crowd. So why wait? Get your hands on Bubble Brown today and unlock a world of creativity, fun, and boundless possibilities. Let this font take your designs to new heights and bring smiles to the faces of your audience.

The new sans-serif Franzi typeface family – as neutral as can be, but at the same time individual and striking. Its unmistakable character lies in the detail, with no effect pushing itself to the fore. As a wide-running typeface with a relatively large x-height, the typeface family is perfectly suited to small text sizes but, with its elegant details, it leaves nothing to be desired in display applications either. Originally designed with constructed, often rectangular elements, Franzi has gradually been rounded during the development process and is now less hard in order to guarantee optimal legibility. Franzi Variable is designed alongside the italic and the weight axes. The italics are softly and elegantly drawn, while the upright characters appear much more severe. The design appeal reveals itself in the two-storey ‘a’ – a tribute to legibility in body copy; however, for those who prefer the geometric in applications, an alternative single-storey ‘a’ is also available. All styles have small caps, superscript and subscript lowercase letters, lining, non-lining and small caps figures, fractions as well as several ligatures, alternative fonts, symbols and arrows. The Latin uppercase letters are also available as discreet swash variants. In addition to the extended Latin alphabet, the typeface family also includes the complete Greek, Cyrillic and International Phonetic Alphabet IPA. Franzi was created as a further development of an order to produce a sign for a therapy practice in Vienna’s Franz-Hochedlinger-Gasse – hence the name, which is more common as an abbreviation for Franziska than as a diminutive for the male name Franz: Franzi is therefore a hybrid typeface name which has female tendencies.

VAROGE SARO NOEST arrives on your computer with OpenType replacement features standard, along with extended language support for Central European, Greek, Cyrillic and Extended Cyrillic. We've even included some nice character options for our German-speaking customers with the uppercase Eszett and a number of alternatives to the standard lowercase eszett. Also included is the new Turkish Lira. VAROGE SARO NOEST is a font with a very funny name. Sometimes it can be a funny font. Or a font that is fun. It looks kinda casual, but also a little bit handwritten--freeform and freehand. Or a form of block lettering with a rough edge. Not too rough. Just enough to break up the visual rigidity. But this is not a face in distress. It's mostly at ease in its surroundings. If it's in text mode, it handles the job comfortably. In headline mode it does well too. It's quite flexible and looking for a home. Give this font a home. See if you can figure out what to use it for. See if you see what we saw when we made it. We saw a font that's cool and elegant with a bit of a tantrum driving the node count. We also found it's impossible to look away from it. Anyone can see that. That's why you're here. That's why you're reading this. And VAROGE will do you a favor if you let it. Revisit your typographic beliefs and head over to the one persistent constant in life: your font list. Is VAROGE SARO NOEST on it? If it were to set up headquarters there, you might discover something ideal. That's the favor I was promising.

Introducing Salsbury—the typeface that takes you back to the days of vintage carnivals and county fairs. With its distinct retro aesthetic, Salsbury captures the playful energy of old-timey posters and advertisements. But what sets Salsbury apart is its handmade feel. Instead of being computer-generated, it was crafted to resemble a hand-cut screen print, adding an extra layer of authenticity to your designs. Whether you’re looking to create eye-catching headlines or add a touch of whimsy to your branding, Salsbury has got you covered. Its vibrant colors and bold lines demand attention, drawing the eye and leaving a lasting impression. And with a range of glyphs and alternate characters, you can customize your designs to fit your vision. So why settle for a run-of-the-mill typeface when you can evoke the nostalgic charm of vintage carnivals with Salsbury? Give your designs that extra oomph and let Salsbury transport you to a bygone era of fun and adventure. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Basque is a delicate nineteenth-century upright typeface of angular appearance, reminiscent of Black Letter scripts. The letterforms of the Basque font do not flow, but are made up of straight lines joined to form a rigid shape.

Abigail is a font designed by Ethan Dunham that looks like it is made of ribbons. It comes in two versions, plain and dots. This whimsical font is perfect for headlines that need a contemporary but informal feel.

Apla Clare comes from the love of my wife.. She's 'Simply' Clare. It's a straihght forward sans, but with a little bit of play, and a friendliness that ensures it moves away from sterile, serious sans. PLease enjoy!

Something Weird is a playful handwritten font, written with fun and relaxation. Something Weird comes with six styles, and 400+ glyphs, which also include multilingual languages. Something Weird is perfect for headlines, branding, packaging, quotes, and many more.

This is a fun font playful that is perfect for creating your project, it can be used to create a beautiful inscription for t-shirts, children's books, branding, small business, book magazine, stationery, marketing, blog, invitation and more.

Outscript is a "groovy script font" which has alternative to already ones. The most popular of this category has a disrepute for commercial uses. Outscript is a better way to use for amusing commercial purposes or just fun.

Munc is the uncial version of Magma. It has been designed with the same stroke weights and cap heights. Characters from the two families can be mixed. Uncial letterforms are ancient, but familiar. Their history remains somewhat mysterious.

Fun, little illustrations of baby toys, baby clothes and baby stuff. 27 darling doodle-like baby illustrations and 3 script and printed baby titles. This font is another of the many picture and doodles fonts from this foundry.

"Classy eccentricity" — Farthing evokes elegant traditional serif styles, playful but poised. Farthing is a serif face in five weights, with alternate characters and both lining and old style numerals. Suitable for both headline and short paragraphs of text.

Here is a Guideline for you: Use this font if you want fun, unpredictable, legible and handmade text with influences from both comics and graffiti. Each letter has 5 different versions, and they automatically cycles as you type!

Claire News is a clear choice for text, especially for newspapers and books. The Claire News font family has a resemblance to New Clarendon but there is a greater contrast in strokes and serifs have more defined brackets.

Cashews is a handwritten, happy and fun handwritten monoline script. It features an incredibly classic style, while still keeping a friendly feel. Perfect for titles, headings and logotypes for blog, products and lifestyle imagery like quotes and stuff.

Boomville is a bouncy and upright script font. It is fun and lively with a lot of personality. This script is sketched with quite quick brush strokes with a pointed brush to achieve this casual and playful feeling.

This vintage font set named Anise Seeds includes two versions — textured rough and smooth clean. This capital decorative typeface is perfect for label design and lettering compositions. West European languages support is available. Thank you and have fun!

Good Eatin' was inspired by a range of kids cartoons, comic books, and toy packaging. Easy to read, fun to look at, it is a perfect typeface for use on children's books, advertisements, and playful designs to boot!

An elegant new design with just a slight bit of flare. A face which will work for both headlines and text. Its delicate serif gives a bit of class while its swash 's' adds a touch of fun.

Ross, named after Harold Ross, is also available as part of the Algonquin Collection at a special price. Six font families inspired by the great wits of the Algonquin Round Table. Buy all six and get two free!

This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.

Zarrow is a novelty or letterbat font made up of arrows and other items from archery. It is caps only, but some of the characters on the lower-case keys alternatives to those on the upper-case keys.

Honey Milky font is a handwritten font designed to look cute, bright, and fun. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Poool is a fun and wobbly display font. Perfect for pasta branding or spa posters, sweet factories or samba classes. It comes in four styles to help you get in Ibiza villa vibes. Just jump into the Poool!

King Rabbit is a cute and bubbly display font, ready to make your designs look great and fun! Use it with confidence on your project designs such as quotes, greeting cards, invitations, posters, business cards, presentations, and more!

Halloween School is a font family with various types in it, you can choose according to your needs, with several characters to suit the latest design trends experience, make this your choice and have fun with each character.

Albion Seventies is a display typeface from that fun era of psychedelic wallpaper, bright colours and bright orange everything! It's a splendid face for posters and banners, and did we mention, it works really well with orange backgrounds?

Peace, love, togetherness and a fun font from Jeff Levine called Groovy Summer JNL harkens back to the long summer days of the 60's or 70's when life was just a little bit slower and happier...

flawless is a experimental typographic that combines san serif and groovy fonts, with the liquify technique, to create an elastic and fun impression, can be combined with sans serif, fixed width, script fonts, suit for branding, titles, clothing.