Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft "Bodrum Sweet" is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. "Bodrum Sweet" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. "Bodrum Sweet" some corner is rounded. These nuances aid in legibility and give "Bodrum Sweet" a harmonious and sensible appearance for both texts and headlines. Bodrum Sweet provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sweet 14 Regular” forms the central point. "Bodrum Sweet" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Sweet is the perfect font for web use. You can enjoy using it.

Introducing Logisco - a sleek and versatile display font family that combines modern geometry with a retro-cool vibe. This six-font collection boasts soft, rounded corners that add a dash of playfulness to any project. Logisco Light, Regular, and Bold offer a range of weights to fit any typographic need, while the Stencil variations add a unique edge to your designs. Whether you're creating sleek logos or funky posters, Logisco has you covered with its stylish and versatile letterforms.

St Ryde is a humanistic sans-serif with a slight touch of a script typeface. The most significant aspect of the typeface is the combined sharp and round treatment of the stroke endings. The complete Ryde Family contains five weights including real matching italics, so you can choose from thin, light, regular, medium and bold. St Ryde has a wide range of characters, including small caps, lining proportional and tabular figures plus small caps figures, too.

The Derpache Font is inspired by authentic typefaces in old labels. This font collections contain script and serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Derpache gives more extras nautical and pirate in one pack illustrations. This script font includes some alternates. The Derpache matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Derpache features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font All-caps, numeral, symbol and punctuation in serif font Multilingual PUA Encoded Derpache includes : 9 fonts (script, serif and dingbat) 26 hand-drawn illustrations in dingbat Check out Duhline which is a great pair for Derpache.

Super head Club is a font made with line. The shape of the letters is a sans-serif style round and bold. Works perfectly for vintage artworks.

The tdBastard family is a modern caps-only display typeface with OpenType features. Bastard exists in four bold weights along with a monotype and a rounded version.

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

Georgia was originally designed in 1996 by Matthew Carter and hand-tuned for the screen by Tom Rickner. The Georgia family received a major update in 2011 by Monotype Imaging, The Font Bureau and Matthew Carter. Georgia is the serif companion to the sans serif screen font, Verdana. It was designed specifically to address the challenges of on-screen display with elegant yet sturdy and open forms. If you must have one serif face for reading on a computer, then you've found the best one right here. The original Georgia family included four fonts: regular, italic, bold and bold italic. The new and expanded Georgia Pro family contains 20 fonts in total. The Georgia Pro and Georgia Pro Condensed families each contain 10 fonts: Light, Regular, Semibold, Bold and Black (each with matching italic styles). Georgia Pro includes a variety of advanced typographic features including true small capitals, ligatures, fractions, old style figures, lining tabular figures and lining proportional figures. An OpenType-savvy application is required to access these typographic features.

Calling Code — very nice monospaced font — 1. is a monospaced font family for coding and tabular layout. 2. simply consists of 4 style, Regular, Italic, Bold and Bold Italic. 3. is ready in both OpenType and TrueType formats. 4. has slightly condensed width for more useful space. 5. has good distinguishability and legibility and cute curly tails. 6. brings a fresh sensitivity to boring old existing monospaced fonts. You can try Regular style for free.

Mellow Sans is a soft and friendly rounded sans serif. Its bold styles are great for packages of something tasty, while light and regular ones work well in rather long texts, from a children's book to a reading app, or a family restaurant menu. The typeface was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces. Mellow Sans’s forms are based on humanist sans serifs. The nobility and liveliness of Renaissance calligraphy reads beneath its curves and makes the typeface even friendlier, while helping the eye to move along the line. The typeface supports extended Latin, extended Cyrillic (all major languages of the Russia’s peoples) and Greek. It also has old style figures, arrows and non-alphabetic signs. With Mellow Sans as a heading typeface (in that case bold styles fit the best), calm open sans serifs, f.e. Vast or Fact, are its optimal text companions on the screen. Calm serifs, f. e., Octava, Scientia or Aelita, will work as its companions on paper. And to create expressive typography, for example, in packaging, you can match Mellow Sans with quirky rounded serifs — Cooper or Epice.

CONCEPT/ CHARACTERISTICS »Kon­strukta Humana Sten­cil« aka »Hot Cold« is a modern desi­gned sans serif type­face with huma­nist influ­en­ces and Sten­cil cha­rac­ter. The par­ti­ally strong line thick­ness dif­fe­rence (line con­trast) gives the font a touch of ele­gance and crea­tes ten­sion as fats. The font comes in 3 font styles. From ele­gant warm ten­der­ness »Thin« to the solid, bold, and robust­ness cold »Regular«. APPLICATION AREA The »Thin« font weight would pro­bably dig on fes­tive invi­ta­ti­ons and »Regu­lar« as con­cise pos­ter font. From head­lines in maga­zi­nes or web­sites about pos­ter design and fly­ers to t-shirt design. Just type it. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Sten­cil Font »Kon­structa Humana Sten­cil« Open­Type Font (Mac + Win) with 375 gly­phs & 3 styles (regu­lar, light, thin). With alter­na­tive let­ters, liga­tures, accents & €.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Stone and steel FS Benjamin is a flared serif typeface designed by Stuart de Rozario. Consisting of 12 styles ranging from Light, Book, Regular, Medium, SemiBold and Bold with Italics it has clear, delicate letterforms, punctuated with brutal chiselled angles. With a pure and crafted feel to the forms the typeface has traditional roots but has been designed to work in a contemporary setting. Archetypal proportions in terms of x-height to cap height and ascender to descender ratio, allow the typeface to feel familiar and be legible in all platforms. Delicate brutalism Inspired by the contrasts of London and named after Big Ben, FS Benjamin was designed by Stuart de Rozario and founder, Jason Smith. Walking around London Jason was inspired by the juxtaposition of the old and the new. Glass and steel architecture can often be found amongst traditional signage and coats of arms seen around the City. These surroundings sparked an idea to create a modern design based on an alphabet that would traditionally be carved from stone. “Much of the typography we see today is so similar. I thought what if we created a typeface with traditional roots but modernised it to sit amongst the punk and noise of the streets of London? Old with new. Business with busyness. This is what London is all about.” Jason Smith

The cover of the 1929 sheet music from the First National/Vitaphone picture “The Girl from Woolworth’s” had its title (“Someone”) hand lettered. This single word title was the model for Store Clerk JNL, which is available in both regular and oblique versions as well as solid and solid oblique versions (without an inline). A bold, casual sans serif with rounded ends and an inline, Store Clerk JNL is perfectly suited for projects where a strong, yet playful title is necessary to grab the reader’s attention. For those old enough to remember, Woolworth’s was a leading “Five and Dime” store chain, especially in the days when a nickel or a dime actually could purchase something.

This family is the rounded version of Segaon family. Segaon Soft Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Designed by Olivier Gourvat in December 2015, Univia Pro is a new contemporary OpenType font family with modernity and versatility in mind. Distinctive with its pleasant look and extremely modern, Univia Pro has a lot of personality mostly achieved by smooth curves and round corners that forms a very identical style of the entire family. Univia Pro is perfect both for display and text use and due to its ultra modern look, it is more than excellent for e-books, web-sites, user interface font, mobile apps etc. The Univia Pro font family is heavily equipped with OpenType features: case sensitive, scientific superiors and inferiors, standard ligatures, old style, lining figures, proportional and tabular figures, slashed zeros, stylistic sets. It also provides broad language support. The font family offers 18 variations (9 weights plus italics): Thin, Thin Italic, Ultra Light, Ultra Light Italic, Light, Light Italic Book, Book Italic, Regular, Regular Italic, Bold, Bold Italic, Black, Black Italic, Ultra and Ultra Italic. Univia Pro supports Latin, Extended latin and Cyrillic languages.

Ad Lib designed by Freeman Craw for the American Type Founders (ATF) in 1961. A bold Grotesque with irregular rectangular counters in round characters. This type was designed by cutting the letter images out and thus has some wood-cut character. Some lower case characters have slight inclination. Initially numerous alternative characters were provided. Unusual shapes make this typeface useful for advertising and display work.

The Poster Sans display fonts have the enduring functionality of vintage condensed grotesques. They are loosely based on Ludlow 6-EC, and perfect for signs and posters. The Basic Package includes the Regular and Bold weights, and also a useful Outline version. Poster Sans Extreme may hold the record for the slimmest usable font available. The latest versions of the Regular, Bold and Extreme weights offer improved outlines and now include a full compliment of Latin Extended-A European accented characters.

FG Nadja is bold and beautiful - with a real artistic flair around her.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface

Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions. The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Nearly Brush is bold, stylish and elegant handwritten font with distinctive strokes. Its round letters will add a luxury spark to any design project that you wish to create!

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to find.

Pasture is a display serif in a range of weights. Rounded interior and exterior corners, curvaceous details, and rotund terminals give it a warm, handmade quality. Classic style that is, at the same time, right at home in modern spaces.

A calligraphic roman sans-serif, with large x-height, the Vershen font is available in four weights, plus a series with small capitals and old-style figures, also in four weights, and finally, a four-weight set of universal fraction generators. The fonts are thoroughly pair-kerned, including all accented characters and letter pairs not commonly found in English, but frequent in other western European languages. Each font package includes both TrueType and PostScript versions, and is avialable in either PC/Win or Macintosh format. Numerals and currency symbols in the standard font set are monospaced for orderly columns; but a narrower numeral '1' is also provided, along with an alternate lowercase 'g' and ampersand.

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889]. Clean and timeless, it even had found a resurgence during the rock and roll posters of the 1960s, where vintage wood types and Art Nouveau influences merged with the “Hippie Counterculture”. Wood Gothic JNL is available in both regular and oblique versions.

A bold sans serif with occasional rule-breaking vertical serifs on some characters was found within page examples from the book "100 Alphabets Publicitaires" ("100 Advertising Alphabets"). Although a few of those vertical serifs extended above the cap height in the hand lettering, they were made more uniform to keep a consistency in the digital version known as Peppermill JNL. Available in both regular and oblique versions.

Skizzors is a family designed by Ethan Dunham created by cutting letters out of paper. The fonts have an irregular edge but are clean and legible. The bold version is almost black and complements the regular version nicely.