Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Le Havre. It's a family with no lack of characters diverse, yet none are as deep or tested in their appearance as the weathered, hand-drawn texture of Le Havre Hand. Tall and lean, the well-aged face carries with it the stories of a thousand miles. Starting with a sans as its origin, this handwritten font's layered structure has been shaped through time and trial, ultimately capturing the simple beauty of a wise, experienced character. This layer-based font family includes style variations and new layering solutions. Le Havre Hand includes 21 font files. It also includes an outline, crosshatched versions and five inline variations, several extruded variants including a unique wireframe options. There are two extruded fonts and two drop shadow fonts. For users that have Opentype programs, such as Adobe Illustrator, Photoshop, InDesign, Microsoft Publisher and Quark, each font also comes with an established set of art deco alternatives. Le Havre Hand's alternate characters come together to exhibit a clear sensitivity to the art deco style. Use them on their own or increase your options by using them with any of the other members of the Le Havre family. Take time to look deep into the soul of Le Havre Hand. It's often the tested, weathered hand that is most reliable to guide you to success.

Motorix is a typeface of alternatives. A versatile and highly flavorful constructivist design in three weights with corresponding italics, and hundreds of variant forms. Motorix’ interchangeable letterforms yield a multitude of combinations that elicit electronic rhythms and at times take on humanistic forms. The name Motorix is a pseudo-feminized variant (the ‘-ix’ suffix being derived from ‘-trix’) of the German word ‘motorik’, which refers to both electronic music and human motor skills. The typeface lives up to its energetic name, synthesizing precise rhythms and alphabetic waveforms into a uniquely upbeat and spunky typeface.

A monospaced companion of the Syke type family. Using the proportional typeface as the reference details are carefully drawn into specially chosen characters to help improve centre alignment, function, and readability. Syke mono has a modern aesthetic style that is distinctive and stands out from the typewriter crowd without being too overpowering making it ideal for computer coding, database applications, ebooks and other screen-based interfaces. Details include five weights and true italics, over 590 characters with an alternative lowercase a, i, l and r. Five variations of numerals, manually edited kerning and Opentype features.

This typeface was inspired by a font used by Henrie Ballard. Ballard operated on Fleet Street at the Signe of the Bear in London, England. He was active in the industry from 1597-1608. The font is meant to capture the feel of the original typeface with the capability of reproducing the many ligatures that are part of what make that era's printing interesting. The Italic version has a dramatic feel that is almost handwritten in appearance. Every Proportional Lime font comes with a complete guide to its Unicode extended character set.

Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect. Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters. Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...

Sinyal is an oblique style condensed font, and in a very different style from the others. Its weight excels in posters, social media, headlines, magazine titles, clothing, large print formats - and anywhere else you want it to be seen. Inspired by design styles that are popular today, and this is the answer to all the needs of every idea that you will pour in this modern era. Sinyal offers you: Sinyal- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Ligatures Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Young Finesse is a light, two-weight, announcement face with a large x-height whose characters contain only a few straight lines. It is based on the titling font that I designed for the dust jacket of my book Fonts & Logos. Its inspiration comes from Hermann Zapf’s Optima, a serifless roman text face, based on Renaissance inscriptions.Young Finesse italic has a set of elaborate swash caps that reference 16th-century writing hands. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

Inspired from block lettering to blockbuster, Mako creates a sense of Sci-Fi, Futuristic, Cyber, Gaming look and feel. Deltatype created a high-quality font that lets you express your imagination with your favorite digital assets. Mako is a large family with 36 fonts included italic and round corner. Mako is designed to use in every size of the artwork, supported more than 30 languages including Thai. With standard Latin-4 glyphs and digital cryptocurrency, multi-currency, old-style figure. With 800 glyphs in fonts, use at your own risk!

Introducing, Breezy Pro Typeface. A classical typeface with a complementary italic version. It's elegant, modern, and stylish. Mix and match them to create eye-catching effects and make every word a masterpiece. Breezy Pro is perfectly suited for fashion and magazine design, Inspirational quote designs, logo designs, simple and classy Logos, web font, branding, product packaging, and much more. This font is PUA-encoded, which means you can easily access all of the glyphs! Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded Hope you enjoy our font!

Titular is a condensed Sans Serif typeface that works well with headings, subheadings, newspapers, magazines as well as with logotypes, brands and posters. This typeface revives the spirit of old Woodtypes, but adding a contemporary flavour and Latin American seasoning. The family comes with 2 subfamilies: one regular and one alternative. Just like many of our faces, every subfamily includes 7 weights plus italics. Titular is a Latinotype’s typeface designed by Bruno Jara, and produced and supervised by Latinotype Team. Latinotype Team comprises: Luciano Vergara, Daniel Hernández, Bruno Jara, César Araya and Rodrigo Fuenzalida.

Introducing A new typeface, “Ruttels“. “Ruttels” is a unique and powerful display font. Inspired by the unique and popular Motter Ombra font designed by Othmar Motter. Ruttels is a custom font, which this font can be applied in various types of design and web-print. the form of a character that seems strong, makes this font can give a prominent impression in every design. Features: – Complete basic characters – Numbers and punctuation marks -Multilingual support -Alternative letters Available in regular, italic, and outline styles Any question? just ask. Free update.

Say hello to the new Magallanes Condensed Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Impact wide was developed from the designer's original drawings for the production of 'Impact' metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled i and j dots of the original. Character maps show some useful alternative characters in both roman and italic. Included are a crossbar numeral 1, mirror quotes and some sorts which were cast in metal but never reproduced in digitized versions of the typeface. There is also a font-specific Euro symbol. (Impact is a trademark of The Type Museum, London).

Say hello to the new Magallanes Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Morenita is a script letter style, very basic geometric construction which refers to the style and the Art Deco glory, designed to provide a highly readable. It comes in two weights, Regular and Bold, italic versions both comes equipped with terminals and final words or tails in ways very easy to apply glue. Ideal for creative banner ads, versatile and readable form makes it’s ideal to creating logos or marks or create modern invitations, children’s publications or interesting or video or film credits. His look goes from vintage to contemporary.

The font accelerates the process of adding inscriptions and eliminates the need to redraw the same letters every time. The lettering is based on a simple felt-tip pen. The lines have minimal contrast and are not meant to be perfect. A simple and uncomplicated design goes great with a happy holiday mood. The font is suitable for small postcard texts, social media images, invitations, branding, mockups, packaging, ads, and captions. The TS Remarker typeface consists of 4 fonts: 2 upright (normal for regular lettering and alternative for a more colorful impression) and 2 italic.

Posey is a vintage display family (All Caps) including Regular (Clean), Textured versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.

JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.

Say hello to Eatboy font. Made with love and joy. Comic look, Bold, Thick, so it will make your design more beautiful, cute, fun, and colorful. It comes In two awesome styles, regular and italic.

Clic is an upgrade with new alternates and improved kerning with an added styles ’Thin and Thin Italic’. Applications include Headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Julmeme-Kun is a fully italic font. This unique characteristic added to its tall and elegant proportions makes it a very dynamic typeface. Applicable for any type of graphic design, especially for posters and logotypes.

These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long s.

Edmund is a vintage display family (All Caps) including Textured, Rough & Clean versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Newtoon is a modern signature font. Perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. This family includes: Newtoon Regular & Newtoon Italic.

Rouge Gorge is a Serif Font (Regular, Italic, Semi-Condensed, Condensed and Variable) The font also has 7 OpenType features : (All access Alternative (aalt) - Fraction (frac) - Numerator (numr) - Denominator (dnom) - Old Style (onum) - Kerning (kern)

Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West, plus Turkish.

G. G. Lange’s expressive italic ‘Derby’ with its calligraphic touch has come to life again. Carefully redrawn and extended for multilingual usage, ‘Turnier’ is an ideal font for ads, posters, book titles and much more.

Ambrosine is a female name, which comes from the Greek. It means ‘immortal’. This handmade didone-ish font may not be immortal, but it is quite divine in appearance. Comes in regular and italic styles.

This SemiBold Italic original Display font GHEA Tamara includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The font looks very nice in large sizes.

Ounce is a didone typeface, a combine of high-contrast and rounded characteristic gives a unique feeling. Ounce comes with various weights from Light to Black and two options for Italic. Especially, headline for display.

Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.