Estefania is based on Retro Bold Script Typeface that could fit any Graphic Project. Using bold and contrast strokes to get eye-catchy and smooth looking, this project is just born and will come with other styles and more glyphs in the future. Drawn manually by hands, and reform into a clean Typeface. Natural stroke from original lettering. It can be used for Titles or even for writing. In this font, you will get : - TTF & OTF files - WOFF & WOFF2 - Over 299 Glyphs - 11 OpenType features - Support Multilingual languages Get Estefania now! It will be best used for any design requirement, many fonts will come with a unique concept. Thank you! Best Regards, FM-STCO.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display.

Albany, from Monotype Imaging, is a typeface family whose fonts have the same metrics as Arial. However, in contrast to Arial or Helvetica, Albany's letterforms are more open, with more generous apertures and counters. Also, punctuation is not square, as in Arial, but round

An image of a vintage, hand-cut metal stencil with just a set of bold numerals inspired the design of Bold Metal Stencil JNL. The typeface is available in both regular and oblique versions.

A bold, energetic, friendly font with a little bounce to it. A good, casual headline font. Works back well with Plz Print or Plz Script.

Bold Display Sans JNL is loosely based on one of the classic alphabets found within a Speedball Lettering Textbook of the 1940s; itself called "Bold Display". The original featured a stippled texture and inline curves placed in random patterns throughout the letters. This more simplified, all-caps version is for titling requirements where a strong, yet casual design is needed.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Cheltenham ExtraCondensed Pro Bold is one of the fonts of the SoftMaker font library.

Enjoy this exclusive set of line vector icons font pack including 3700 icons with a cheat sheet. They are pixel perfect and infinitely scalable. You can use these icons to design websites, apps, blogs prints. Created with taste and passion! Please Send a message to info@howcolour.com with your order code to get a link to Cheatsheets file.

Gojacky Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Agustaf Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version.

Bodoni Classic Bold Ornate is another puzzlestone in my ever growing Bodoni Classic family. This time the letters are ornated within the limits of the letter, this keeps the classic form of the typeface intact and still gives it ample decoration. Please use this font only sparingly to decorate text or use it as initials only. Your Bodonimaniac, Gert Wiescher

Strong Bold Condensed Gothic great for poster and display work.

Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.

Ideal for magazines, posters or flyers, Inlove is a modern take of Ariel Di Lisio’s passion for geometric and very contrasted typefaces. Because the strong influence over his work, Ariel was invited during 2009 to be part of the Herb Lubalin Exhibition at New York. Designed by Ariel Di Lisio and digitized by Ale Paul.