Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

Paz, a squarish 4-weight industrial family, ranging from extreme hairline to black. It is ideal for editorial headlines where type plays a major role in the overall design. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Hors is name of Arian God, also it is an ancient name of Mercury. Hors is display font font family with 6 styles, including filled, outline, shadowed and others. Hors is a handmade type. Here are more than 500 glyphs and opentype features.

The pages of the Speedball® Lettering Textbook have yielded a number of classic typefaces for digital designers. Frontiersman JNL and Frontiersman Black JNL have the wonderful hand-lettered look that adds just the right touch of nostalgia to any layout.

Express® is based on the lettershapes of Express typeface designed for Ludwig & Mayer in 1957 by Walter Hoehnisch. A tall, bold script with even inclination. Cyrillic version developed in 2001 by Natalia Vasilyeva. For use in advertising and display typography.

Jumbled Display. This font is PUA encoded which means you can access all the glyphs and sweeps easily Features: All Uppercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_abcdefghijklmnopqrstuvwxyz{|}~ ¡¢£¤¥§©ª«­®°±²³¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿŒœŠšŸž–—‘’“”†‹›€−

YomTov is a whimsical hebrew font. Traditional in design with a free spirit and slightly bounced. Hebrew alphabets contain 22 Hebrew letters along with five final letters which are automatically activated when used in Applications such as Apple Pages® and MicroSoft Word®. The Hebrew Letters do not contain cantillation marks very much used in everyday modern Hebrew. Designed with acomplete latin font that mirror the Hebrew letterforms. Latin lower-case letters have been replaced with smaller caps. You may also be interested in my other Hebrew fonts, NEWMARK Hebrew, HEBRON Hebrew, PAGEANTRY Hebrew and a Hebrew Script font KOMUNIDAD Script. YomTov requires OpenType-aware software.

Proudly present Mrs. Santhi, a fancy Signature Font. This font is very unique. I designed it for you who want something different from the others. It is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and much more! I created 194 ligatures to keep this font look natural: aa ab ah ak al am an at ant all amm ann att bh bt cc ch ct dd eb ee ek em en et enn ent ett ff gh hh ii ib ik in it inn int itt ix ixx kh ll mm mt nt nn oo oh on ob ok ol oll om ot ont ott oot onn ox oxx ph pt and more as you can see on the presentation pictures. Mrs. Santhi also features punctuations and multilingual support. Hope you love it!

My name is Teruyoshi Matsui. I am a Brush Art Designer. My foundry ‘Brush Art Design Office’ is situated at the foot of an active volcano ‘ Mt. Aso ’ in the Kumamoto Prefecture, the southern part of Japan. I design the letters of the alphabet with a Japanese brush. I have created the brush font named ‘ Lethal Fake ’ in my unique brush style. At the beginning of making the font I was going to name it ‘BrushType Lethal’ and tell you, “ Be careful using it. That’s because it ’s Lethal ”. But actually I was very disappointed when it was finished. I tried to make it lethal, but it was not. So I changed the font name into ‘ Lethal Fake ’. This time I have to say to you, “ Be careful using it. That’s because it’s not Lethal ”. Thank you.

Young, playful, loopy, flirty. Flirt Script® carves out a niche for itself by concentrating on natural writing tendencies and not the simplified mechanics of script-to-font type design. A free-flowing monoline, the two weight typeface exploits the common letter-to-letter transitions of the typical cursive hand by utilizing three variable-height strike points controlled within the machinations of OpenType Contextual Alternates. The ease of writing (and the decisions made from letter to letter) is reflected as the structure and cadence of the writing evolves as the user types. To see it in action, click here USE CONTEXTUAL ALTS Flirt Script® is equipped for complex, conscientious, professional typography. As an exclusively OpenType release, these fonts feature over 2700 glyphs and an extended character set to support Central and Eastern European as well as Western European languages. So, to really let the font perform for you, be sure to have Contextual Alternates activated. Flirt Script® received the “Certificate of Excellence in Type Design” at the TDC2 (2014).

Teksi Teksi I saw you everywhere, I just had to have you. Teksi is a marker felt style font, I’ve seen various hand drawn styles of this typeface or something similar on taxis and vans all over the island of Penang.This hand drawn style is slowly being replaced with boring Arials and other Serif printed fonts, so I wanted to capture the charm of the original. A heavily weighted font which could work for comic styles and headlines. I hope you like it.

Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text with normal versions, without losing reading clarity. Try the heavier versions and add a nice impact to your titles! The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega Text downloading the free trial font in Semibold version (TT only). This trial file supports only Western languages.

Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ http://www.typographica.org/typeface-reviews/scriptonah-and-casual-brush/ Click the Gallery above for the .pdf. Suitable for posters, titles, book covers, greeting cards, signs, packaging, invitations, ads, headlines and captions.

Bubble Honey Font is a cute and fun display font. This will add a cheerful, happy touch to your design. Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{}~ ¡¢£¤¥§¨©ª«­®°±²³´¸¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýÿıŒœŠšŸžˆˇ˚˜–—‘’“”†•‹›€−

Art Department JNL is a fun, casual serif typeface which fits perfectly with any number of visual projects. This is one of the many hand-lettered alphabets found in various Speedball® lettering textbooks that has been re-drawn digitally by Jeff Levine.

Bubbly Kids Font is a cute and fun display font. This will add a cheerful, happy touch to your design. Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_abcdefghijklmnopqrstuvwxyz{|}~ ¡¢£¤¥§©ª«­®°±²³¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿıŒœŠšŸž–—‘’“”†‹›€−…·•/‚„