Imagine words and letters, all caps, cut out of 35mm film. Then imagine Filmstrip BF —a font of film and movie-related catchphrases. They’re all ordered in more or less alphabetical order as seen in a glyph palette, beginning with “A”, which is accessible by typing a number (#) symbol. Numerals zero through nine, however, are mapped to their usual keyboard locations. For a better fit between numbers, be sure to enable the Ligature feature in an OpenType-capable application. All catchwords contained in this font are listed as shown, across the three posters in the slide carousel above. For future reference, you might select and copy all of the glyphs indicated below, paste into your application document, then convert them to Filmstrip BF. This would display all content. #$%&’()*+,./0123456789:;=>?@ABCDEFHIJKLNOPQRSTUVWXYZ[\]^_`abdefghijklmnopqrstuvwxyz{|}~ÄÅÇÉÑÖÜáàâäãåçéèêëíìîïñóòôöõúùûü†°¢£§•ß®©™´¨≠ÆØ∞±≤≥¥∂∑∏πªºæø¿¡¬√≈«»…ÀÃÕŒœ–—“”‘’÷ÿŸ⁄€‹›fifl‡·‚„‰ÂÊÁËÈÍÎÏÌÓÔÒÚÛÙıˆ˜¯˘˙˚¸˝˛ˇÐðŁ¹¼łŠš³¾² When used in a creative way, Filmstrip BF can be successfully incorporated into a variety of projects such as product packaging, logos, posters, signage, headlines and more.

Say hello to EARLY QUAKE! Inspire some retro fun with bubbly swash and alternates, 70's inspired font complete with groovy bellbottoms! Early Quake comes in three versions - Regular, Outline, and Extrude version. With three different style fonts, you can easily create eye-catching designs without any extra effort This font is perfect for a retro 80s theme, and can be used for cover magazine, brochure, logo, headline or quotes, stand alone display, and short paragraphs or content. Each font in the family is dynamic and authoritative on its own, making it perfect for any display project. What you get? Early Quake Early Quake Outline Early Quake Extrude Alternates and Ligatures Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation No special software is required to use this typeface even work in Canva Multilingual Support Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Give your design projects that fun, playful edge with EARLY QUAKE! Enjoy your day! Dharmas Studio

Introducing “Hefuma Font” – Where Playfulness Meets Typography! Dive into the world of creativity with Hefuma Font, a playful display font that’s set to infuse charm and imagination into your designs. Hefuma Font adds a delightful twist to your projects, making it ideal for anything from children’s books to eye-catching posters. Its whimsical style captures attention and brings a sense of joy to your work. Crafted with meticulous detail, Hefuma Font’s unique design invites readers to explore your content with curiosity. Its playful appearance radiates creativity, making it the perfect choice for projects that aim to stand out. With Hefuma Font, the possibilities are endless. Use it to inject a sense of fun into your designs and watch as your creations come to life with personality and flair. No matter the creative endeavor, Hefuma Font is your trusted companion for adding a playful touch to your work. Embrace the world of creativity, and let Hefuma Font elevate your designs to new heights. – PUA Encoded Characters – Fully accessible without additional design software.

Onimusha - Serif font family - 6 Styles - Multilingual supports. Onimusha is an elegant serif font family with different alternative character designs. It has a unique emblem.The inspiration for the characters is based on ancient Japan, samurai philosophy and Far Eastern mysticism. Hard and pointed ends represent a Katana, and elegant soft turns represent the aesthetic understanding. This font provides flexibility in all your projects with the alternatives it offers you with its multiple language options, 6 styles and rich glyph options. You will have the opportunity to enrich the content of your projects with alternative characters. According to the purpose of use in typographic compositions that you will create with the aesthetic structure of alternative characters; You can enrich your titles in books or magazines, and your logos in branding. Especially for editorials, magazines, books, branding, packaging, logo design, web design, headlines, movie and game titles etc. If you're looking for a font with stylistic alternatives, Onimusha serif font might meet your needs. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Flexion developed out of design philosophy and ambigramatic artwork of John Langdon. Based on the contents in John’s book Wordplay, author Dan Brown hired John to create ambigrams for his forthcoming novel Angels & Demons. Mr. Brown was so impressed with his work he even named the main character Robert Langdon after John. After the success of Angels & Demons, Dan Brown wrote The Da Vinci Code. When the movie adaptation of that book was in the works, Dan suggested that John create titles for the movie based on ambigrams. John contacted Hal Taylor to create a font based on the lettering treatment to be used for the credits at the end of the movie. Unfortunately, it was decided that the film was running long and the original title concept was scrapped. By this time, Hal was well into developing a full type family, including small caps, alternate characters, lining and ranging figures. John was impressed with the way the design was turning out and decided that it had enough merit to be released as Flexion.

stajn-type.com — Stajn Pro Type Family Website where you can get DEMO version of Stajn Pro Book Stajn Pro was designed upon a main goal of using this typeface to set larger amount of text. The slightly condensed proportion allows for more content per page while large x height with its larger counters improves legibility and readability while used on smaller sizes. Despite the fact that Stajn Pro was designed as a body text Type Family, it works as well as a display too. Wide variety of weights as well as interesting, strong and at the same time beautiful character along with some stylistic alternate makes Stajn Pro a useful typeface in a field of editorial, magazine and promotional materials design. The Stajn Pro character includes some humanistic typeface characteristics, which add some softness and elegance in its strong and stable presence. More information about development, usage and characteristics of a Stajn Pro Type Family at stajn-type.com If you have any other questions please do not hesitate to write me at info@stajn-type.com

Introducing Baedar – Bold Rounded Sans Serif Font Baedar – Bold Rounded Sans Serif, a font designed to captivate your attention, is both inviting and approachable. Its rounded corners create a warm and friendly vibe that instantly draws in readers. Eye-Catching Appeal Baedar’s boldness immediately grabs your eye, making it perfect for headlines and attention-grabbing text. Whether it’s a poster, website, or marketing material, this font ensures your message unequivocally stands out. Versatile Usage Furthermore, with its rounded edges, Baedar exudes friendliness. Consequently, it suits a wide range of projects, from branding to social media posts, adding a touch of approachability to your content. Readability and Impact Moreover, Baedar combines readability with visual impact, making it ideal for conveying important messages with flair. Its boldness ensures crystal-clear clarity, while the rounded corners gently soften the overall look. In Conclusion Baedar – Bold Rounded Sans Serif Font strikes the perfect balance between eye-catching design and friendliness, making it an excellent choice for various creative endeavors. Therefore, seize your audience’s attention and convey your message effectively with this versatile font.

“The modest Rose puts forth a Thorn. The humble Sheep a threat’ning Horn. While Lily white shall in love delight. Nor a Thorn nor a threat stain her beauty bright.” ― William Blake Are you looking for a way to enhance your copy? Introducing Lilium Star - A Modern Handwritten Font. With every hand-drawn stroke and curve, Lilium Star will delight and add brightness, modernity and elegance to wherever it is placed. Impress your wedding guests with gorgeous invitations using Lilium Star. Why not create more engaging content and inspire your audience and clients? This Modern Handwritten font is also perfect for headings, logos, business cards, printed quotes, cards, packaging, and your website or social media branding. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work.

Diad was born on 2000 in order to design posters about second World War. The original idea was obtained by breaking, burning and getting wet a bunch of written copies with an old writing machine. Today, Diad is a small typographic system useful for bringing relevance to any content with a grunge look. Each and every detail passed through a strict experimentation process. Its outrageous and unconventional spirit travels from high leveled corrosion, up to a delicate visual neglect. Diad 2 and 3 work for designing words. Diad 1 is ideal for long phrases and titles. Diad dingbats includes 26 illustrations about motocross. In total, adding Diad 1,2 and 3, it has around 260 glyphs. Diad will make your design shine providing different graphic atmospheres, optimizing time and work to its users. Diad is perfect for graphic design on contexts such as death metal, drum and bass, films, war and horror video games. It could work also for logos, words, titles and short texts in covers, tags, clothes, wraps, cards, stickers, toys, bicycles, surf boards, etc.

Magus - Serif font family - 6 Styles - Multilingual supports. Magus is a stylistic and powerful serif font family with different alternative character designs. You will have the opportunity to enrich the content of your projects with alternative characters.This font comes with Multilingual options, 6 styles and rich glyph options. It has a stylist structure that can be effective in the development of your projects. While you can easily use standard characters in plain texts, you can also create aesthetic styles with alternative characters. According to the purpose of use in the typographic compositions you will create; you can also create stylish looks for your titles in books or magazines in creating a brand identity. This font provides flexibility in all your projects with the alternatives it offers. Especially for editorials, magazines, books, branding, identity, packaging, logo design, web design, headlines, movie titles etc. If you're looking for a font with stylistic alternatives, Magus serif font might meet your needs. With this font you can create your unique designs. Have a good time.

Hinnual เป็นฟอนต์ที่ผสมผสานระหว่างรูปทรงสี่เหลี่ยมและทรงกลมเพื่อสร้างสไตล์ที่ไม่เหมือนใคร ชื่อมาจากคำไทย 2 คำ คือ Hin แปลว่า หิน และ Nual แปลว่า อ่อน ผสมผสานองค์ประกอบที่แข็งและอ่อนนี้สะท้อนให้เห็นในแบบอักษร ซึ่งมีเส้นที่สะอาดตาและเส้นคมซึ่งถูกทำให้อ่อนลงด้วยมุมโค้งมน ฟอนต์มีให้เลือกถึง 18 แบบ มีตัวเลือกหลากหลายให้คุณได้เลือกใช้ Hinnual เหมาะอย่างยิ่งสำหรับใช้ในพาดหัวและพาดหัวย่อย ซึ่งลักษณะที่โดดเด่นสามารถช่วยดึงดูดความสนใจของผู้อ่านได้ เส้นสายที่สะอาดตาและสไตล์ที่เป็นเอกลักษณ์ยังทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับแบรนด์ โลโก้ และงานออกแบบอื่นๆ ที่ต้องการภาพลักษณ์ที่น่าจดจำ โดยรวมแล้ว Hinnual เป็นฟอนต์อเนกประสงค์และสะดุดตาที่ผสมผสานองค์ประกอบทั้งความแข็งแกร่งและความนุ่มนวล การออกแบบที่เป็นเอกลักษณ์ทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับนักออกแบบที่ต้องการสร้างผลงานที่น่าจดจำ Hinnual is a font that combines the square and rounded shapes to create a unique visual style. Its name comes from two Thai words - Hin, which means stone, and Nual, which means soft. This juxtaposition of hard and soft elements is reflected in the font's design, which features clean, sharp lines softened by rounded corners. The font comes in 18 styles, providing a range of options for designers to choose from. Hinnual is particularly well-suited for use in headlines and sub-headlines, where its bold and distinctive appearance can help to grab the reader's attention. Its clean lines and unique style also make it a great choice for branding projects, logos, and other design elements that require a memorable. Overall, Hinnual is a versatile and eye-catching font that combines elements of both strength and softness. Its unique design make it an excellent choice for designers looking to create impactful visual content.

Akira Rosty is a very unique handwriting, the shape is modern but pleasing to the eye and the style is very natural. This modern calligraphy font includes a modern Love font which can be varied with the Normal font, This font is designed to have the potential to take your every creative idea to the highest level! These designs are used for branding, web and editorial design, print, crafts, quotes, It's great for logos, wedding invitations, romantic cards, labels, packaging, name spelling and more. Akira Rosty includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative,you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Akira Rosty is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Linotype Ergo was designed by American Gary Munch, and was a winner in Linotype's Second International Digital Design Contest in 1997. Conceived as a blend of traditional and modern type concepts, it works as a legible text family as well as a lively display or headline font. The word ergo means consequently," but it also comes from the Greek word "ergon" for "work." Consequently, Munch sees this family as full of energy -- an ideal font for working hard to make a point, and able to get it across with friendly vigor. The strokes of the characters are carefully designed to accommodate the tendency of the eye to enlarge horizontals and perceive verticals as lighter. The lowercase forms have open, friendly counters and are enhanced by small quirks, such as the slightly leaning s and the wide t. The deep branching of curves from main strokes helps this humanist sans to be very readable at smaller sizes. Linotype Ergo has four normal-width weights, five condensed weights, and two compressed weights - all with companion Italics! The family also includes a clever "Sketch" font for use in headlines, bringing the total number of font styles to 23. Ergo is available with Greek and Cyrillic and as W2G fonts with Hebrew."

Grand Atlantic is a powerful display package by Fenotype. It’s a genuine Brush script packed with features and Swoosh extras and it’s a striking condensed flared serif in two weights, designed with the same sharp edges on the flares as the Brush. Together they make stunning logotypes, posters or headlines. On top of that there’s a “Printed” version of each. Printed versions are the same but with rugged outlines and a print texture. Grand Atlantic is great for creating powerful identities for artisanal coffee brands, craft beer, organic juice or a sports teams. Grand Atlantic Brush is equipped with Standard Ligatures and Contextual alternates that help keeping the connections between letters smooth. They’re automatically on as you should normally keep them. On top of that Grand Atlantic Brush has Stylistic, Titling and Swash Alternates for standard characters if you need more ornamental letters and if you want to break up the rectangular word shapes. There’s even more alternates in the glyph palette, making it total more than 600 glyphs. Grand Atlantic Swoosh contains 52 shapes designed to go with the Brush. There’s many “terminal swashes” that you can put in the end of a word and it will connect to the last letter, and swirl under the word from there.

Freundschafts-Antiqua AR is based on a 20th-century German type design. Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für Grafik und Buchkunst at Leipzig in 1960. It was cast in 1964 by VEB Typoart, Dresden, in 9-pt and 28-pt (Didot). The design combines the best German traditions with the Chinese bamboo pen. It is a unique, wholly modern, yet quiet and dignified typeface which is well suited for text-setting in many sizes. The original design was carefully crafted with all non-kerning letters (none of the letters overhangs its side-bearings); the lower-case f was designed so that no ligatures were needed. The AR fonts include the type's ch and ck logotypes, monetary signs and all the standard accents. The letterfit of the original design is retained and, as can be seen in the attached printable .pdf, text composed at normal sizes is very agreeable indeed. Freundschafts-Kursiv AR A features old-style (non-lining) figures and 'kerning' letters; Freundschafts-Kursiv AR B contains lining (cap-height) figures and all non-kerning letters following the original design of the face.

Linotype Ergo was designed by American Gary Munch, and was a winner in Linotype's Second International Digital Design Contest in 1997. Conceived as a blend of traditional and modern type concepts, it works as a legible text family as well as a lively display or headline font. The word ergo means consequently," but it also comes from the Greek word "ergon" for "work." Consequently, Munch sees this family as full of energy -- an ideal font for working hard to make a point, and able to get it across with friendly vigor. The strokes of the characters are carefully designed to accommodate the tendency of the eye to enlarge horizontals and perceive verticals as lighter. The lowercase forms have open, friendly counters and are enhanced by small quirks, such as the slightly leaning s and the wide t. The deep branching of curves from main strokes helps this humanist sans to be very readable at smaller sizes. Linotype Ergo has four normal-width weights, five condensed weights, and two compressed weights - all with companion Italics! The family also includes a clever "Sketch" font for use in headlines, bringing the total number of font styles to 23. Ergo is available with Greek and Cyrillic and as W2G fonts with Hebrew."

The Handasi type family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Handasi employs variable x-height values. Its design uses straight lines only but with variable distributed weight. Handasi fonts include all required Lam-Alif ligatures and use ligature substitutions and selected marks positioning but they do not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. It employs our "natural Arabic input" method where first glyph is displayed in its non-isolated form. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Handasi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

The Mehdi type family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Mehdi employs variable x-height values. Its design uses full curves with variable distributed weights. Mehdi family includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. The family employs our "natural Arabic input" method where first glyph is displayed in its non-isolated form. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Mehdi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Seriguela is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, each with 9 weights, as well as italics and reverse italics totaling 54 fonts. Seriguela is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. Seriguela followed a very distinctive recipe to design its alphabet: it started with a grotesque base and applied movement and joy in a very original way. The blacker and more contrasted, the tastier. The contrast in its display version is one of the most important features of Seriguela: the unconventional relationship between thick and thin lines, as it does not strictly follow any historical model of contrast construction and makes it noticeable. Its high contrast is not present in every single character and it is often in the “wrong” places. The original charm of Seriguela is maintained throughout all its styles. With peculiar details: the verticality and its proportions, as well as terminals that resemble hooks in some curves, a characteristic that breaks with the vertical modular rhythm. Seriguela is a versatile font system, designed primarily for display uses with a need of visual impact.

Quayside is a deliciously thick and bulbous baseball script, with a wealth of OpenType features. Features include: Contextual alternates - I would suggest having these on by default; they make letters connect more smoothly (uppercase letters like M and H, which are normally non-connecting for all-caps purposes, connect to lowercase letters. The swash variant of J, and all o and b characters connect to any e character at a lower junction for a smoother join). Contextual alternates also make sure special end-forms of lowercase letters are used at the ends of words. Ligatures - A nice collection of useful ligatures which make the text flow smoother. Swash - Gives you more exuberant capitals. Not recommended for all-caps usage! The swash function also gives a variation of the ampersand and turns # into a nice numero symbol. Oldstyle Figures - lining figures are default but with the flick of a switch in OpenType savvy applications, you get expressive oldstyle figures. Quayside is a versatile typeface. Depending on the mood you're after, it can easily be retro or modern, fun or (fairly) serious. I'm often pleasantly surprised by the wide variety of uses my fonts get put to, and I can't wait to see what you do with this one!

In 2007-8, Carolyn Puzzovio developed this OpenType typeface: Lagoon which is based on an Armenian model from the Mechitarist monastery, Venice, 1810. This project was supported by a grant from the AHRC (Arts & Humanities Research Council, UK) and won a first prize in the Granshan 08 type design competition. Oſten, Armenian digital types are designed to match the forms of Latin type characters and ‘Latinized’, by uprighting the forms; truncating ascenders and descenders and raising the x-height – but in this case the Latin characters in the OpenType font have been designed to blend in with the traditional Armenian proportions which are based on cursive forms – also incorporating some of the quirky shapes from the original model. Faithfully following the original created difficulties of ‘clashing’ characters, particularly those with long descenders, so the font contains over 100 alternative characters in the Armenian part, which will normally substitute automatically where necessary. The sloping lower case characters and upright capitals are traditional in Armenian – capitals are used less in the Armenian language. Three new characters for the Armenian unicode range are included: the Armenian dram (currency) symbol; the eternity symbol; and the index number symbol. This font which will be one of the first OpenType fonts to incorporate these newly unicoded characters.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! When you have a project that needs a fun, unique font to make it pop, you can’t go wrong with Funtrude. Funtrude comes in three styles: Basic, Extrude, and Hole. Each style has more than 350 of the most beautiful glyphs you could ever dream of seeing. The Extrude style is great for titles, headings, and any other text where you want to use a bold font but don’t want it to be overly bold; the Basic style will work great for things like product names or subheadings; and the Hole style is perfect for anything else! Each individual style comes with its own swashes—so your fonts can look just as beautiful when they’re all capitalized as they do when they’re in normal text. What makes us so excited about this product is how much we love to use it ourselves. When we saw Funtrude for the first time, we couldn’t believe our eyes—it was everything we had ever wanted in a font, plus it was super affordable. GET IT NOW....!!! A Million Thanks Colllab Studio www.colllabstudio.com

Senlot Didone enchants with this fresh and cutting-edge sequel. It’s a modern interpretation of Senlot that says glamor and seduction. The typeface adds to the original high contrast sans serif with it’s modern high contrast shape, and features a new beauty with the distinctive sinuosity of contrasting forms. Senlot Didone is the sleek, serifed, high contrast follow-up to Senlot, and it's low contrast sequel, Senlot Sans. A serif typeface suitable for text and display work joined in 2019. Senlot Didone includes a wide range of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures. Senlot Didone is composed of 3 widths: Condensed, Normal, and Extended, with 9 weights and their italics for a total of 54 fonts with more than 800 glyphs. Senlot Didone is a great display typeface for logos, branding, packaging, and advertising. With its broad palate of options, the font covers over 72 Latin-based languages. Dress your text in any of nine separate styles from Thin to Bold. With Senlot Didone, there's no need to compromise on another font with fewer features. Simple, elegant, and versatile, Senlot Didone now makes perfect more possible. Take the show by storm with this high contrast serif. The seductive figure of Senlot Didone is here to entice your viewer.

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to the Dutch Fell types, presumed to be the work of Dutch punchcutter Dirck Voskens. Colonial Press harkens to the look and feel of newspapers in Colonial North America around the mid 1700s without the rough edges commonly associated with colonial printing and many reconstructions. The rough quality of the American typeface is believed to be the result of oxidation from the exposure to seawater during the long voyage from England to the Americas. Colonial Press is a heavy font that retains some of the handcut quality of these fonts while smoothing out the irregularities that make many of these fonts so visually distracting at larger point sizes. For the italic version of this font, I chose to emulate the more ornate letterforms that I have encountered, giving the italic characters a more ornamental feel. Colonial Press comes with full punctuation and a 362 glyph character set for most Western European-based Latin alphabet languages. It is a font that is designed both for normal typing and for larger, decorative display.

Distorted fonts are great but are mostly not very practical - 360 is an attempt to create a simple distorted font that can be used far beyond a few logos or headlines. Each 360 character averages roughly half the number of sharp angles of a regular sans serif. This gives it an unusually fresh and timeless appeal and creates a dynamic presence across body text that is very legible and compact without looking overly condensed. 360 was chosen as a name because it can be used as an everyday font, all year round, and because 360 has so many unusual angles that don't conform to normal font conventions. 360 also happens to be a cool number: 360 makes a highly composite number. 360 is also a superior highly composite number and a colossally abundant number. A circle is divided into 360 degrees for the purpose of angular measurement. 360° is also called round angle. 360 is a convenient standard since, 360 being highly composite, it allows a circle to be divided into equal segments with each segment measured in integer degrees rather than fractional degrees. 360 is the sum of a twin prime (179 + 181). A year is roughly calculated as 360 days.

Lopsickles is a family in which the letters are based on lopsided, distorted ellipses. The family has four sets of letters that are combined in six different ways, yielding six fonts. Four of these fonts (styles AB, Ad, Bc, and cd) use the OpenType feature Contextual Alternatives (calt) to alternate letter sets so that top-heavy characters alternate with bottom-heavy characters. The spacing in these fonts is designed for alternating characters and will result in overlap if the characters do not alternate. The other two styles (Ac and Bd) are spaced normally. Style Ac contains the two character sets that are top heavy and style Bd has the two character sets that are bottom heavy. The Ac and Bd fonts have italics and backslanted styles that may be useful to suggest speed. Each of these ten fonts has an inset style designed to be used in a layer above the base font. This layering can be used to give the effect of hollow letters or to add a colored interior. Lopsickles joins several other alternating-characters families in the IngrimayneType library including Snuggels, CloseTogether, and Caltic, but is visually very different from them. It is a strange, unusual family that will get noticed.

The peculiarity of this alphabet is already its origin: the basic drawing was created by narrowing Roman capitals with corresponding lowercase letters. The goal was to create a monumental font for architecture and book covers. Surprisingly, however, Amor Sans has found its way into corporate identity, offices, magazines and packaging design. Its slightly narrowed, economical design predestines it for quick reading of shorter texts, which is why it is also excellent for theater posters and programs. Its moderate width proportions and rich selection of arrows and pointers are excellently used in public spaces. Amor Sans has a neutral expression that works harmoniously in any architectural style. It will serve as an orientation system in a medieval monastery as well as in a modern building, while remaining distinctive even in the dark. The family consists of ten cuts with many functions, such as small capitals, Cyrillic, several types of numerals, a number of ligatures and stylistic alternatives.

Spiraltwists is a family of 2 fonts giving assorted spiral shapes. In each font they're grouped in fours - the same basic spiral in 4 different orientations (N S E W almost), and Spiraltwists has solid lines making up the spirals, Spiraltwists Antique has dotted lines making up the spirals, giving them an antique or rustic appearance. Spiraltwists has heavier spirals on Upper Case, lighter spirals on lower case; plus a group of spirals with a straightened outer end and connecting lines so you get two spiral scrolls joined together by a long line at the top or bottom. (inputting UVWXYZ into the text-box on this webpage will show it). The big example on the webpage shows it all more clearly than any explanation. A fuller description, plus the above example, are included in the zipfile. Please note: for the avoidance of doubt, the font does not contain any letters, the text in these 2 examples is not Spiraltwists but Luzaine.

I am a coffee person, but two years ago, just before the whole Covid-thing happened, I came down with what I assumed to be the flu. It was a really nasty flu as well: I was down for 10 days or so and when I sort of recovered, nothing tasted the same. Coffee tasted like cardboard and I couldn't stand the taste of it, so I decided to drink tea instead. The 'supermarket tea' we have in Holland is quite bad and tasteless, so I ordered some proper strong English tea online and I have been drinking it ever since. Of course I was thinking of this when I created Imperial Tea font. Imperial Tea font was made with... yes, you've guessed it: Chinese ink and a brush. Imperial Tea is a nice, 'oriental-ish' looking font that comes with a set of alternate glyphs and an impressive language support, including Vietnamese and Greek.

Started during 2012, LCT Palissade is a letter type belonging to the Didone classification. It takes over the Italian characters from the XVII century. Century affected by a huge artistic and industrial mutation, we assist to the eruption of the railroad network and Turner’s paintings. In typography, the Didones(XVIIe) begins to concede the place to the Egyptians XIXe. We noticed an evolution to rectangular drawings, that were heavier and darker. LCT Palissade is in fact the study of a history flow, crossing through the industrial revolution and romanticism; the result of a strong letter type, solid, strict the drawing is orientated towards very dark, reminiscent of the characters beginning XIXe. The serifs are the summary between the British characters from the end of (XVIe) and the Italian ones beginning of (XVIIe). In order to spread out the romanticism, they are very fine to allow a largest contrast and keep the elegance of the global shape.