Note: Only the regular style in font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Aberforth is clean, mixed-case font family. It's mono-height, so it pairs well with other fonts. Family includes regular, rough, outline, tiles, and italic versions.

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

Pipo is a minimalist rounded tubular and stencil font in 5 weights (Thin, Light, Regular, Medium & Bold) — many symbols and cleverly ligatured! language: all latin glyphs

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

Ugaritica is an uppercase typeface. Blocky, sharp, and aggressive. Nice for headlines to catch the attention. Ugaritica is available in two styles - regular and bold. Enjoy!

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Tamarac JNL offers the look of wood type with added serifs. Use Tamarac JNL when you need a change of pace from the "regular" serif fonts.

Mick is a hand-drawn typeface inspired by graffiti works of old style. The family contains Regular and Light styles. Cyrillic and extented latin character sets.

A revival of one of the popular text fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the regular text version.

Mud Creek JNL is based on Tuscan Egyptian – a classic wood type with a decidedly Western feel, and is available in both regular and oblique versions

Stonegert – playful, friendly, Light, pleasant, handwritten typeface - has two weights, regular and boldWell suited for the design of children's products, magazines, instagram posts and design layouts

bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.

Merendina has a geometric construction with an handwritten touch. This family contains regular and slanted and 6 weights. Do not miss all the alternates and swashes.

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

A characteristic feature of the Darbee Legend is its boxy forms and the angled (unpainted) terminals. Regular to bold plus italic and a variable font (upright).

The Sabrina is a modern script font with an elegant style. You can alternate between the regular and swashed letters to get a handwritten, professional look.

Linotype Graphena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It is a handwriting font designed by the Italian artist Giancarlo Barison. Consciously irregular and erratic, the letters dance across a page, large and small, tilted and erect. Linotype Graphena could be described as angular, restless, even mischievous. It should be set in point sizes no smaller than 12 and is best used for headlines and displays.

Linotype Agogo is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by British artist Ed Bugg, the font is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer texts, although when used with swash characters, the texts should be shorter or headlines.

Brewery Factory This is a vintage font collection inspired by old brewery, pubs, bars and the style of their design. This collection includes 16 font styles - Serif and Script has a regular, rough, vintage, halftone style, as well as a regular and rough style for Serif and Script there are shadows in two versions - short and long. The script font includes alternatives for Uppercase and Lowercase, as well as swashes. This font is easy to use has OpenType features.

Ribbonloops is a sans-serif display typeface. The design has a far-reaching appeal by mixing a subtle elegance with clean lines. Perfect for branding, titles, logos, packaging and much more. Ribbonloops is available in Light, Regular and Bold weights. The outline style provides a light and airy alternative. Both Regular and Outline are also available in Oblique. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

EPOXY - A font that exudes the playful and iconic vibes of the y2k era, inspired by the beloved Barbie cartoon style, where all hues are dipped in pretty pink. With 6 captivating styles for each type - Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Features: Epoxy Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Instructions (Access special characters, even in Cricut Design) Simple Installations PUA Encoded Characters Dharmas Studio

Kalinga Regular is a new OpenType font with TrueType outlines from Microsoft that supports the Oriya script. Kalinga is a very legible sans serif font. Oriya is structured in a manner similar to Devanagari fonts, and is used to write the Oriya language in the Indian state of Orissa, and minority languages including Khondi and Santali. The Kalinga Regular font, like other Indic fonts, requires an operating system and application program that supports OpenType features for complex scripts.

Is it blood, melted ice, water or something slimy? Choose yourself, because Bloody Charm can be used for all purposed that needs something either scary or melting. I've added two versions: Regular and Drips. The Drips versions is (you may have guessed it already!) a bit more drippy than the regular version. Both versions uses contextual alternates, which in this case means that there is 3 different versions of all lowercase letters - and these automatically cycles as you type!

We were marveling one day at a colleague's handwriting. We noticed that it managed all at once to be casual and modern looking, yet admirably regular and legible as well. We took a few specimens of their writing as the inspiration for 'Sophie J', a family of two typefaces offered in regular and bold weights. Sophie J is ideal for posters, fun party invitations and anything else where a feeling of friendliness and warmth is required.

P22 Araminta is a new font family from the prolific hand of Ted Staunton. Araminta Regular is a Tuscan style decorative font in the Victorian tradition. The Araminta Caps features a multi-font chromatic type system which allows for layering in colors using optional floral embellishments or simple colorful splashes in drop cap settings. Araminta Regular includes over 390 glyphs for multiple language options, while the multi-layer caps fonts contain only the capital letters A–Z.

With two styles available for each type - Regular and Script, KNEEHOLE is your ideal choice for crafting logos, signboards, or elegant wordmarks. This font draws inspiration from the iconic typography trends of the late 60s and throughout the 70s, adding a touch of nostalgic flair to your creative projects. Features: Kneehole Main File Has 2 Families: Regular and Script Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Enjoy Designing! Dharmas Studio

Rudge is an intentionally rough sans-serif font. It was designed to share the look and feel of many “antique” fonts, although it lacks the standard serif look of those fonts. The corners are slightly rounded, the edges are wobbly, and the kerning is tight. It could be used as a faux “sloppy printing” font or just a more regularized hand-drawn font. It comes in six flavors: Light, Regular, and Bold, with italic versions of each.

Florensans is an all caps display sans serif typeface in elegant & modern style with ligatures, special alternative glyphs and old style figures. The Florensans family contains three weights: Light, Regular and Medium. Florensans is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: 3 Weights - Light, Regular and Medium Basic latin alphabet A-Z 64 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Florensans!

Phonk is a bold and wide sans serif. It's great for logos, packaging, posters, advertising and other tasks requiring strong and bold typography. The font family contains the following 4 styles: Regular, Regular Italic, Contrast, Contrast Italic. Contrast styles are characterized by increased readability in small font sizes. Phonk has very wide language support (80+ languages). The font includes Latin and Cyrillic scripts. I recommend you check out the new and improved version of this font! Phonk Sans

Magenos Soft is the rounded version of Magenos typeface family. It is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos Soft comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

ITC Élan combines a gothic simplicity with elegance in a distinctive yet subtle typeface design. There is also a feeling of architectural strength which is derived primarily from an optically even line-weight and a sense of vertical stress. The small, almost Latin, serifs add distinction at both display and text sizes. The large x-height, minimum stroke variance, and open counters are ideal design traits for typeface legibility. Additional characteristics which distinguish ITC Élan are the splayed M" and bowls which do not quite close in the "a," "b" and several other letters. In contrast to the roman, there is almost a calligraphic playfulness to the italic. ITC Élan is the second ITC typeface from Albert Boton of France, who also designed ITC Eras. ITC Élan comes in four weights, book, medium, bold, and black, each with a corresponding italic."

As a successor of Didots famous font, which marked the beginning of modern typography, the Monceau has inherited the spirit, elegance and sophistication of french style, although in a revamped design, typical for the first years of the 21st century. Liberated from its serifs and with soft and round small letters the Monceau approaches ornamental typography and thus perfectly lends itself to being enlarged: it’s a font that loves to be closely looked at. Its name, lent from the famous parc Monceau in Paris, evokes and reinvents in a modern graphical way all of the Parisian chic at the end of 18th and the beginning of the19th century (the time Didot was born), the French Revolution and Empire, the architecture of this business quarter and notably the arabesques of the monumental gates still present in our times.

Monolisk is a rigid, gothic typeface that draws on inspiration from Eastmodern and Brutalist architecture. It’s monolithic glyphs, resolute and unapologetic in their construction, create a visually striking design that feels bold and arresting. Monolisk delivers a dominant sense of uniformity, to the point of obstinance, while small facets of it’s make up help to create an undertone of rebellion and dissent, allowing for an element of quirk and personality. Available in 5 weights, each with a corresponding oblique, Monolisk comes equipped with over 700 characters across a variety of languages. A large set of stylistic alternate glyphs give Monolisk further diversity of character all of which retain it’s sturdy and powerful nature. Other open type features include a set of vertically stacked fractions, small caps and ligatures. From sports branding to propaganda posters, Monolisk delivers the impact your designs require.

When designing AM Sans One, it was a great challenge for me to develop a modern sans serif, which despite the large number of existing fonts in this sector has its own unique character. Starting point for the design concept was the cap O, designed as a rectangle with rounded corners, and not as usual as a circle or oval. The O should form the basis for the whole alphabet. Another feature are the characters with oblique starting and end strokes such as "A, V, W". These have not exactly straight, diagonal lines, but have a slight curvature. Thus, these letters do not look too geometric. Also the cap K deviates slightly from the usual shape which makes AM Sans One different from other already existing fonts. I could well imagine applying this font for areas such as engineering or architecture.