The Sideshadow family has 4 weights, Regular, Bold, Light and Half Light (which is intermediate between Regular and Light). The distinguishing feature of the font (you don't actually need me to explain this, do you?) is the partial shadow to the side of the main character, giving it a distinct and eye-grabbing look. The zip files contain both OTF and TTF versions of the font - install one version only.

Qidung Swara is a heritage typeface. Inspired by Aksara Jawa, character that has its own uniqueness and privilege. Qidung Swara was created to support use in all designs, such as branding, magazines, advertising brochures, music album covers and other uses. Qidung Swara also support multilingual language. Available in 2 styles: Regular and Italic. Grab this exclusive and awesome font fast. Don't miss it. Any question? Jusk Ask. Free update Thank You

Just call me CHAKIE. I'm born from the old natural brush chalk look from the 60's and 70's. Use meto create very bold and strong design! Great for posters, t-shirt designs, branding, packaging, labels, and more. Bring back me to the 60's brother! :D And why you must grab me? - Simple installation - Support for 23 languages (WOW!) - Compatible with MAC or PC - PUA encoded - Lots of fun!

If you're getting tired of using Broadway, here’s an exciting alternative in regular and bold weights. Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger began designing this high-contrast novelty face for the Ludlow Foundry in 1928. It retains the classic style of the Jazz Age with a bit more individuality and spirit than Broadway. This extreme thick and thin design also sports normal descenders instead of the clipped ones found on Broadway. Ultramodern Classic is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

OHG is pleased to announce the release of Tynne 2.0, now with two new out-line, drop-shade fonts which work independently as attractive display faces in their own right or one layer of a two layer, chromatic typeface. In addition, kerning and letter spacing have been adjusted and improved to ensure all characters will line up correctly when layered. Tynne, Is a strong, wedge-serif, condensed display font. Deep �ink traps�, subtly varied forms and open counters bring to its even colour and pleasingly regular rhythm a bit of syncopation and sparkle making it ideal for packaging, elegant yet informal headlines and posters. OpenType features include over 70 standard and discretionary ligatures and digraphs, three sets of figures, alternate characters, small caps and swashes. We are proud to acknowledge the assistance and contributions of fellow type designer, James Arboghast.

The Ballpoint font was created to look as close to a natural handwritten script as possible by including lowercase alternates, lowercase swash, ligature and underlines. Mix and match lowercase regular with several lowercase alternatives to get your new ligature. Perfect for any awesome projects that need hand writing taste. With built in Opentype features, this script comes to life as if you were writing it yourself. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design ... Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple's Text Edit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it. Thanks for checking out this font. I hope you enjoy it! AminMario

Copperplate was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this medium cut in three variations, medium, sans and rounded! Enjoy! Gert Wiescher

Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher

Hello Sunflower! Enjoy this new vintage-style typewriter font, inspired by an old portable typewriter. Combining Chank's grunge and retro font styles, it has a classic rustic beauty, like sunflowers growing alongside an old farmhouse. Enjoy a new, multi-purpose display font for all your labeling and headline needs. Looks great on the web, too!

Introducing our new Fun Font Collection. A new display font from Crafty Bestie that combines a hand-drawn style with a brush texture touch. Crafty Bestie comes with Alternates that you can use to give more options to your projects. The Crafty Bestie is perfect for branding projects or packaging that need a playful feel.

Introducing "Vagodha" a captivating retro reverse contrast script font that brings a unique and striking visual appeal to your designs. Inspired by vintage aesthetics, this font features an intriguing twist with its reverse contrast, where the thin strokes are replaced by thick ones and vice versa. The result is a font that effortlessly stands out and grabs attention. With its bold and dramatic letterforms, "Vagodha" adds a touch of retro charm and edginess to your projects. Whether you're designing logos, headlines, posters, or any creative work that calls for a standout retro style, this font will make a bold statement. Features: Uppercase and lowercase letters Alternates Letter Ligatures Multilingual, numerals, and punctuation Thank You!

Hello, Everybody! Imagine a world filled with white matters? Are you trying to make an elegant, calm, but stylish projects? Then grab this font immediately. Introducing White Space- A Display Serif Font This gorgeous, stylish and modern font can be used for a host of different content needs and projects. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Our font always includes Multilingual option to make your branding globally accepted. Features: Standard Ligatures Alternate Stylistic Set Swash Multilingual Support (91 languages) PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Benar is our newest san serif, and it has amazing fonts for your projects. This typeface is ideal for branding, advertising, posters, banners, packaging, headlines, magazines, websites, logo designs, banners, social media designs, and many other uses. Light, Regular, Medium, and Thick are the four available weights. It features a clean and beautiful aesthetic that can help your project appear more serene, and unique and grab the attention of the audience. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Milton Glaser’s Kitchen Typeface from the mid 1970s exemplifies the bold 3-D art deco revival genre that was a trademark of the Glaser style. This typeface resulted from his involvement in the design of the The Big Kitchen in the World Trade Center’s concourse in New York City. The new P22 Glaser Kitchen takes on the technical challenge of overlapping 3-D shadows by offering two styles. P22 Glaser Kitchen Regular is spaced out so that the shadows do not overlap the white spaces of the neighboring letters. Whereas the P22 Glaser Kitchen 3D Fill and 3D Shadow can be used layered on top of one another to achieve the tight spacing intended by Glaser. P22 Glaser Kitchen was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Typographic punctuation and sorts were imagined by James Grieshaber to work with Glaser’s design, as well as diacritics to accommodate most European languages. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

With its solid slab form, mixed with subtle curved terminals, Arbour is a unique font with the versatility to work in many different scenarios, from branding to digital applications. It comes in 7 weights, from a delicate extra-light to a solid, strong black, with matching italics for each upright. Arbour may have a serious look to it but it also has a playful side. The light weights are great for calling out text and the heavy weights are perfect for that new brand you are working on.

Welcome my new typeface family Turkuaz. Funny and stylish, creative and distinctive Turkuaz is great in headlines, premiums and web sites + blogs. Being a super readable it can be used in texts as well. Three fonts are included into the family – Turkuaz Regular, Turkuaz Deco and Turkuaz Italic. Special ligatures that you can switch on/switch off make headlines and texts sooo cute, I love them! Both OTF and TTF are included for each font. Fonts are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations.

'Suddenly --' just isn't 'Soon...' enough for some people, and 'Later...' isn't quite 'The Next Day...' 'Meanwhile...' lies inbetween 'Seconds pass...' and 'That Night...' and was designed by Comicraft's John 'With Just a few minutes to Go...' Roshell in order to tell the tales of Marvel's AVENGERS and FANTASTIC FOUR. 'And now, back to the action...'

Rotis is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.

Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.

Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for ist counterstrokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Your rhythmic type-designer Gert Wiescher

Dez Weimar Plakat Pro was inspired by a 1923 Weimar Bauhaus exhibition poster. It is in strict keeping with Constructivist rectilinear thought of that time. Dez Weimar Plakat Pro includes multiple language support including Greek and Cyrillic-- contains nearly 800 glyphs.

Royalist Pro is an expanded OpenType font based on "Secretary Hand" from the time of the English Civil War, circa 1632. This Pro version includes over 500 glyphs with alternate characters, ligatures and full Western and Central European Characters sets.

Pasture is a display serif in a range of weights. Rounded interior and exterior corners, curvaceous details, and rotund terminals give it a warm, handmade quality. Classic style that is, at the same time, right at home in modern spaces.

Wire Mesh JNL is an outline variation of the same design that produced Shady Characters JNL (lettering printed over a simulated halftone). This time around, the end effect gives the impression of looking at lettering cut out of a mesh screen.

Abstract is a contemporary and eclectic serif typeface inspired by today's life and created in times of pandemic. This family includes a true italic variant —that has its own personality— alternates, lining and old style figures, numerators and denominators & Cyrillic support.

Blaak is an interpretation of a Modern Classic typeface with a beautiful and strong impression for editorial design. The sharp serif combined with curves gives Blaak a fabulous, glamorous and bold look; at the same time doesn't sacrifice its functionality.

Summer's almost here, so it's time for some mango smoothies! Mango Smoothie is a tall, all caps, hand drawn font. A little shaky, a little uneven, but with a big taste and some creamy glyphs. Comes with multi-language support.

Adaptation to the 1920s design style which is synonymous with luxury and elegance. Its form is rigid, and stratified, and stands out in the height of its character. This font was created to recognize the famous design style of the time.

Deco Neue Wilde is a filter font based on Deco, an original Open Window classic. It sort of speaks for itself but it reminds me of a lava lamp and the countless shapes that you could waste time watching appear.

Back in the 1950s and 1960s a popular event was the sock hop - when kids would meet in the school gymnasium, kick off their shoes and dance to the popular records of the day. Sock Hop JNL recalls those simpler times.

Introduced by the American Type Founders Co. at the time of the Spanish American War and advertised as suitable for "War Scare Headlines"! Used by many papers for years after because the narrow type was suitable for narrow single column heads.

This was a favorite of the old time job printers;­ decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out at the rate of several every year.