Golnama is a modern Sans Serif headline font. Golnama supports Arabic, Persian, Urdu and Latin. It includes proportional and tabular numerals for the supported languages.

Roundy was designed by F.K. Sallwey and appeared with Linotype in 1993. This calligraphy font is true to its name with its soft, round characters. The regular strokes give text an easy, relaxed feel. For variation and emphasis, Sallwey included swash capitals in this font. As initials, the swash characters add zest to texts and can be combined with other alphabets. The calligraphic elegance of Roundy is a perfect contrast to constructivist typefaces.

Brachetto is a calligraphy script, influenced by traditional script style with an added touch of modernity and flourished elegance. This font is delicately crafted and well thought out with every little detail in mind, to ensure its ease and versatility when used. Being elegant yet bold in its visual presence. Brachetto is a collaboration between lettering artist and calligrapher, Leah Chong and typeface designer, Roland Hüse. Introduction video of this font here https://youtu.be/h9AvlgUDxUc

This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans typeface (Latin), published on 2005 and after some years, this multi-script family is the compromise and balance between these two different scripts. This typeface contains characters for setting Arabic, Persian and Urdu languages.

Sultan Nahia, designed by Sultan Maktari in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Designed by fine artist and calligrapher Alissa Mazzenga, Marguerite is is a calligraphy style font inspired by fine artistry and risk taking. She has a way of surprising her viewer, with a look that is authentic, yet chic, relaxed, but also elegant. Marguerite’s trademarks are strong angles, bold uppercase forms, elegant hairlines and perfectly placed swashes. She comes along with many ligature variations and a contextual alternates features.

Middle Earth is a Medieval calligraphy serif font. With the historic charm of ancient manuscripts and the ethereal beauty of elven realms, Middle Earth typeface weaves tales of valor and legends. Its calligraphic allure is accentuated by rounded contours, reminiscent of Tolkien's enchanted worlds. The unusually large lowercase, almost circular in its form, seems to echo the undulating hills of the Shire, while its Irish-inspired design lends a timeless elegance.

Miligant Font is a stunning combination of a calligraphy script font and a modern serif font. He has a beautiful character. Very suitable to be combined with invitation card designs, company logos, film titles, film names, business cards, book titles, brand names and various other designs. Miligant Font is a stunning combination of a calligraphic script font and a sleek modern serif font that exudes sophistication and elegance. Its stylish alternation and binding make this font the perfect partner for any project.

Luisa is a typeface with two weights: regular and inline. Its design responds to the calligraphic principle of pressure. It combines the elegant qualities of the calligraphy with the unstructured and informal layouts of modernity. It is suitable for striking composition in words and short sentences and for shaping dense and deep textures when applied into paragraphs.

Super clean, yet sophisticated! Astaneh with its 2 weights brings a modern and clean sans serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Familiar, yet eye-catching! Hezareh with its 2 weights brings a modern and clean serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Hezareh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

HS Ali was designed in memoriam of my brother - Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014. HS Ali introduced a modern OpenType Arabic typeface, which had the characterstic, features of Kufi style with noticeable both curvy and sharp segments; beside the refinements of its letters that made it more readable. HS Ali is a display font that has been designed to be used in titles in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains four weights: Light, regular, medium and bold which can be condsiderd as and elaboration to the library of Arabic fonts contemporary models that meet the variant purposes of designs for all tastes.

Lovers is a romantic, elegant handwritten calligraphic script, with well over 300 additional characters, including standard and discretionary ligatures, swashes and stylistic alternatives. Use of its extensive OpenType features enable the designer to create text that constantly changes, giving the impression of genuine handwriting, but handwriting that has all the flair and styling of hand-done calligraphy produced towards the end of the twentieth century. Lovers is based on traditional calligraphic ideals, but I've combined these with my own brand of relaxed, handwritten spontaneity, to design a font that is formal yet free and accidental, traditional yet contemporary. The font’s extravagant curves and swashes make it perfect for valentine’s day and wedding media, book covers, greeting cards, and certificates, in fact for any design work that requires a romantic or opulently elegant look. The range of stylistic alternatives and swashes enable users to create a wide range of moods in their work. In many ways it is a calligraphy toolkit. Lovers contains the accented characters used in the major European languages. What sets it apart from most other calligraphic fonts is that it appears so genuinely handwritten and avoids the uptight formality that characterizes so many of the fonts in this genre. Try Lovers, enjoy its wealth of OpenType features and let its vigorous yet elegant exuberance delight you and enhance your creativity!

Golmint - Luxury Handwritten Calligraphy Golmint is a stylish modern calligraphy font with a calligraphy flair. This font a luxurious calligraphy font perfect for elegant logos, wedding stationery, photography branding, modern websites, and more! - Uppercase & Lowercase - Numbers & punctuation - Multilingual - Ligature - Swash Thanks and have a wonderful day Fridaytype

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

An isolated letters display typeface design which emphasizes the vertical stems and has an overall Arabian tales and oriental look and feel. All letters start with a prominent vertical stem shaped as pirate sword and ends in very narrow stroke. Banan font family has two members, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Banan employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Banan includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Rotosh BKL Regular Font is a modern Arabic and English font designed to meet the needs of a wide variety of users. It contains many characters, signs and languages, including the splintered languages derived from Arabic and English . The font is distinguished by its unique drawing and shape, making it a truly versatile font. The font is also easy to read and legible, making it the perfect choice for any project. With Rotosh BKL Regular, you can be sure that your designs will be truly unique and stand out from the rest.

JH Noha is a geometric modern Arabic typeface. It includes black, bold, medium and regular weights.

TE Nastaaliq Font It is one of the Persian calligraphy or ta'liq line that appeared in Persia in the seventh century AH (thirteenth century AD), as it was extracted from the lines of naskh, patch and thuluth. It is a beautiful font whose letters are distinguished by precision and extension. It is also characterized by its ease, clarity and lack of complexity. It does not tolerate diacritics, despite its difference with the line of the patch, as it is one of the best fonts in the world and the best without a competitor and admires many Arab calligraphers, and no cultural or literary exhibition is devoid of a painting written in Persian script. It is one of the most beautiful lines that has a special character that distinguishes it from others, as it is characterized by gracefulness in its letters, so it appears as if it descends in one direction, and its beauty is increased by the soft and rounded lines in it, because it is more flexible in drawing and more flexible, especially if it is drawn with precision, elegance and good distribution, and the calligrapher may baptize In his use of decoration to reach strength in expression by taking advantage of arches and circles, in addition to the grace of painting, the artist may link the letters of one word and the two words to reach the composition of a frame or curved and wrapped lines in which he shows his genius in imagination and creativity.

Nogoom was inspired by the titles of Egyptian Magazine ALOSTUDIO, which used to be published during the 50s-60s. The typeface is part of Arsheef Alkhatt Project, a platform that revives and tributes classical Arabic lettering from different resources and presents them as affordable, digital fonts for independent designers. Nogoom means stars in Arabic, hence the name. Note: The font uses an Opentype feature for the connections that are not supported by MyFonts tester, but it works properly with all Adobe CS softwares.

Stazin is a display high-contrasted font comes with single-weight. Stazin supports many Latin based languages and Arabic language with almost 900 glyphs that covers many OpenType features.

The earlier release of Hasan Amal typeface was in 2008. It has introduced modern OpenType Arabic Typeface which combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters which made it more readable. Hasan Amal is used in both titles and text in modern graphic and publication projects.It supports Arabic, Persian and Urdu languages and contains three weights: light, regular and bold. HS Amal is an OpenType family with (7) weights, produced to support Arabic, Persian and urdu. It contains many various alternatives and good additions.

Introducing a new beautiful calligraphy font, Joos Rilex! Joos Rilex is perfect for elegant logos, high-end packaging, wedding stationery, websites and other projects that require a handwritten and luxurious touch. A wide variety of doodles and alternatives are included so you can give your logo or name a hand-drawn calligraphic look. Features: Joss Rilex (OTF) Thank you for visiting my shop, and feel free to contact if you have any questions!

Clamshell Modern Caligraphy Script font is a harmonious blend of elegance and contemporary flair, seamlessly adaptable to modern and classic design landscapes. It effortlessly radiates timeless elegance and is tailored to meet the needs of professionals seeking designs that are both sophisticated and versatile. Easy to use yet rich in detail, this font is the ideal choice for designers who value both beauty and functionality in their work. Explore this font collection now and infuse your designs with the captivating essence of calligraphy.

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

Hidayatullah is a bold and distinct display font, featuring Arabic influences. Expertly designed to make your creation look out of this world, this font has the potential to take your ideas far further.

Alhabsyi is smooth, bold and distinct display font, featuring Arabic influences. Expertly designed to make your creation look out of this world, this font has the potential to take your ideas far further.

Delik is an interesting display font inspired by the style and feel of Arabic. This font is suitable for branding logos, Islamic themes, Ramadhan themes, and any other projects you can think of.

Isra, designed by Almamoun Ahmed in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The highly geometric and condensed form make it ideal for magazine headlines, advertising, and general display usage, while the large body height and clear forms make it suitable for short text settings. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.