Cowboy Junk is my loose handmade impression of what would happen if the wild west crashed into grafitti! The letters are loose and jumpy and the terminals are kind of exaggerated to give that firce impression of handcraft! So, better get up early and leave this town, 'cos there’s only room for one sheriff in this here town, and that is Cowboy Junk! Comes with contextual alternates, which means that the font will automatically cycle through the 5 different versions AS YOU TYPE! Yieeehaaar!

Wellington is simple and easy to create awesome lettering. Just type your words and then you will immediately see the great results. Wellington also includes Stylistic alternatives, swashes, ligatures, initials and finals, and symbols. If you don't have a program that supports OpenType features such as Adobe Photoshop or Illustrator, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, do not hesitate to contact me by email masinong.studio@gmail.com Thanks and happy designing :-)

Brush Script is a lively font with brush-written characteristics, designed by Robert E. Smith in 1942 for American Type Founders. Brush Script continues to be a favorite, despite competition from other similar typefaces of the period and more modern looking scripts digitized in recent years. Perhaps that's because Brush Script is peppy, informal, and unabashedly confident. The letterforms are casual, yet look as if they have been written quickly. Today, Brush Script is used for advertisements and sales materials, especially for luxury and consumer products.

Rasputin is a sharp, curvy and versatile modern slab serif typeface with 4 weights. These are complemented by unique discretionary ligatures that pay attention to detail to make this font stand out and stand out in all its shapes and weights. Its sharp uniqueness, for example in the letter "A R K" provides a great personality type in the title and body text while maintaining optimized readability. Characters that are well-suited for a wide variety of applications from editorial design to branding, advertising, publicity and digital.

Realtime Text Rounded is the proportional alternative to the monospaced Realtime type family. Nevertheless Realtime Text Rounded includes a monospaced design already built into the font. It is employable through OpenType by activating alternate characters. Realtime Text Rounded is a technical yet friendly design with details that serve function and visual impact alike and lends itself to tabular designs, sturdy columns and tidy layouts. It comes in five weights, from light to black, and with a character set that covers over 200 latin languages.

Introducing Wolfgang Krauss - Modern Fraktur Typeface, created by ikiiko. A simple blackletter type with mood of modern fraktur style. This typeface is perfect for an poster event, stencil, hipster magazine, fashion stuff, T-shirt design, tote bag design, quotes, and so much more. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Format File : TTF & OTF Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Sacred Bridge is an old fashioned display typeface, inspired by vintage signage combined with ornaments that were inspired by certain Indonesian tribe ornament feels, because our little type foundry is focused on vintage display fonts. Till now at least. Sacred Bridges offers a layered system, with regular, rough and slant versions from each style. And don't forget about the Extras (ornaments) we offer. You'll get separate ornaments and objects that you can mix and match. We also give you most of our ornaments seen in our display.

BB Strata™ (Pro) is the first font with only octagon angles (±45°), polyspacing (same width in every weight), optical shape and monoline variants for any type of use. The ideographic system was created for an exhibition in 2015 to visualize the process and results of scientific investigations in a historical and contemporary context. ● 9 Variants (incl. SS19, SS20) ● 37 Opentype-Features/Style ● 60 Stylistic Sets (20/Variant) ● 90 Styles (incl. SS19, SS20) ● 40 OT-Features/Style ● 97 Languages Support ● 31,920 Glyphs (1064/Style)

Introducing Vintage Waves. A retro bold serif which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Sabbatical is a no nonsense brush font family with lots of character. The family contains 3 hand-lettered fonts, Regular, Bold and Basic. This dry textured script font is inspired by travel journals written by adventurous souls, hence the name. The design is perfect for any type-based creations, quotes, invites, packaging, branding and much more! Sabbatical Basic has his own unique form which complements Sabbatical Regular and Bold. It consists of a fun caps font with an even more playful variation. All Sabbatical fonts have alternate glyphs that can either be accessed by the swashes feature, stylistic sets, or glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer more variation. With over 880 glyphs the design options are unlimited.

Your branding missing something that makes people amaze? Looking for an elegant font to attract your audiences or customers? What if we told you, you only need to change one element to engage and convert your clients? Introducing Anthony Hartman - A Modern Script Font Giving you a simple, yet gorgeous solution to your branding. This font is another level script font. It encapsulates the essence of elegance and modernity. With its clean script-type design and curved indentations, this font will take your projects to the next level! Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Anthony Hartman includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Alternates Swashes Multilingual Support PUA Encoded Numerals and Punctuation

Hello good people. introducing our new font 'Piedmond' This time we wanted to create a gallant signature font. Inspired by men's hand strokes, with a decisive pattern, each glyph is formed through the pressing of the pen, the orientation of the shape is almost constant with the direction of the pattern that continues to point forward and ends with a strong pressing of the pen. We call it the masculine signature type, reflecting a confident attitude, a definite decision and full confidence. We design this font for modern product branding, not only for men, but women also love this masculine side. This font is equipped with swashes, alternates and additional ligatures for the lowercase. By using this font, it will give your brand more confidence to appear wider. Thanks

The Dorrington is a font trio package contain a monoline script and sans serif which looks great to be paired especially for vintage and adventure theme! This font trio is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 2 Monoline Script Font and 1 Sans serif font uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.\

Drawn shortly before Jim Rimmer's passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of the story's classic hero. Loxley's shapes were inspired the same early Roman faces (such as Subiaco from the late 1400s) that influenced Frederick Goudy's Aries, Franciscan and Goudry Thirty types. It exhibits the preculiarities of Jim's left-handed calligraphy, as well as his outside-the-box thinking with exit strokes and serif variations. Loxley was remastered for the latest technologies in 2013. Now it comes with a character set of over 450 glyphs, including plenty of stylistic alternates, a full compliment of f-ligatures, a Th-ligature, basic fractions, ordinals, a long s for historic setting, comprehensive class-based kerning, and extended Latin language support. 20% of this font's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example. The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination. The end result is Structural Glass JNL, which is available in both regular and oblique versions According to Wikipedia: “Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”

Meet Bjorn. A super usable, digital-device ready type design, refreshingly unburdened by today’s pre-conceived notions of ‘digital neutrality’. This is a typeface driven by the notion that today’s ‘digital’ shouldn’t automatically mean the devolution of typographic personality, Bjorn brings a softer-side to the idea of pixel perfect brand comms. Solid digital typography can also convey a warm tone of voice, radiate a softness, a human emotive charm whilst still maintaining all of the functional on-screen requirements of crisp easy reading fonts across viewports. Bjorn is a distinctive type design that combines a unique blend of flattened round stems (to take the edge-off), levelled inner terminals (pixel friendly) and pointed ears and feet (creating an distinct rhythm and dynamic with bowled letters). Bjorn is not a typeface following a tried and tested pattern, it’s a typeface designed to make digital brands feel special, enabling speech in a voice that brings viewers closer to their words. Bjorn is warm, yet clinical, flat and curved, elliptical and pointy. The font’s strong sense of ‘straightness’, the letter proportions and features build up its versatility across digital environments, not too wide, not too narrow, not too pointy, not too round — just right. Bjorn is available in 4 Roman styles — Light, Regular, Medium and Bold.

Orlando is the work of British designer Freda Sack. It is an all capital, outline typeface including a complete set of swash initials and an array of stunning flourishes designed especially for this typeface. Orlando was inspired by and modelled upon 19th century antique type styles.

Dutch type designer Max Kisman created this display FontFont in 1990. The family contains 2 weights and is ideally suited for poster and billboards and sports. FF Scratch provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

British type designer Rian Hughes created this pi and symbols FontFont in 1993. The family has 5 weights, and is ideally suited for poster and billboards.It provides an extensive collection of wonderful dingbats and expressive graphic cartoons. It comes with tabular lining and proportional lining figures.

German type designers Johannes Erler and Henning Skibbe created this pi and symbols FontFont in 2009. The family has 12 weights and was one of the first symbol typeface for a new generation.It has one of the largest collections of contemporary symbols and icons for office communication.

Park Avenue is a lighthearted contemporary script designed by Robert E. Smith in 1933 for American Type Founders. This unique design has small x-height lowercase letters with very long ribbon-like ascenders. Park Avenue is a good design for occasional pieces such as invitations and menus.

BESITOS is a deconstruction INSPIRED on a sans serif type, in which the weights of the source did not mark the width of the letter but the lines that compose it is made in two variants according to their lines end up at right angles or curves.

The cover of the 1908 sheet music for "When the Meadow-Larks Are Calling, Annie Laurie" has the title hand lettered in a semi-formal Art Nouveau Roman type design with gentle spurs. This is now available as Meadowlark JNL in both regular and oblique versions.

Orlando is the work of British designer Freda Sack. It is an all capital, outline typeface including a complete set of swash initials and an array of stunning flourishes designed especially for this typeface. Orlando was inspired by and modelled upon 19th century antique type styles.

Inspired by 15th century Venetian italic book texts and based on examples from volumes on the history of type. Fourteen64 has a rugged charm and lots of character featuring 'Roman' capitals with italic lowercase. Includes alternate characters, extra ligatures and a small selection of medieval ornaments.

On the cover of the 1926 sheet music for “There Ain’t No Maybe in My Baby’s Eyes”, the title is rendered in Art Nouveau hand lettering; pen-drawn with rounded ends. The type design is now available as Nouveau Vaudeville JNL, in both regular and oblique versions.

Hauslan is a simple, minimal and geometric type family inspired by the rationality presented by Bauhaus in 1920 which affected many areas such as architecture and graphic design. Following the concept of basic geometric shapes, Hauslan focuses on readability and versatility, either for small texts or headlines.

Create borders, wallpaper, or repeating patterns using Wallflower II’s unique hand drawn wallpaper tiles and accompanying icons. Wallflowers II are easy to use for borders or wallpaper: simply type the same letter consecutively (i.e., aaa) and the pattern will emerge. See what’s included! http://bit.ly/2bGXbnC

Ignatius is the work of British type designer Freda Sack, a traditional roman typeface featuring an open, engraved effect. The stately capitals can be used alone or combined with the complementing lowercase and both should be set closely. Ignatius will give any work a classic look.

BESITOS is a deconstruction INSPIRED on a sans serif type, in which the weights of the source did not mark the width of the letter but the lines that compose it is made in two variants according to their lines end up at right angles or curves.

Elk Grove JNL is both historical and original in design. Inspired by a small sampling of letters from an 1800s wood type called Facade, Jeff Levine created the remaining characters. Because of its highly condensed design, it's best when used in large headlines and short phrases.

Fontazia Mazzo features a unique assortment of floral bouquets in abstract vases. A modern addition to any interior design layout or for any project where flowers say just the right thing! Like other type, these dingbats can easily be integrated into any text document or graphic program.

Hylata is a typeface inspired by the Mexican colonial style of the 50s, especially from the state of Puebla. Its design is very characteristic of the local talavera crafts. The typography presents "blacksmith" type styles, which is ideal to represent the characteristic provincial style of Mexico.

Konscript is a distressed typewriter face developed from analog samples from papers Mary Browers typed in the 1950s for her high school coursework. The model and age of the typewriter are not known. Additional characters were developed based on the analog samples to complete the character set.

Köhler Köhler is a Condensed Headline Type Family. Köhler comes complete with 6 OTF files. Regular, Rough, Clean & Textured with Oblique counterparts. Köhler is a super condensed typeface with a vintage aesthetic but also doubles as a great modern typeface depending on the final use. Thank you!

Create borders, wallpaper, or repeating patterns using 25 unique hand drawn wallpaper tiles and accompanying icons. Winter Wallflowers are very easy to use for borders or wallpaper: simply type the same letter consecutively (i.e., aaa) and the pattern will emerge. See what’s included! http://bit.ly/2bO1mIE

For many type lovers, Broadway is the quintessential Art Deco typeface. Designed as an all-caps typeface in 1927 by Morris Fuller Benton for ATF, it was expanded two years later with a lower case designed by Sol Hess, who also drew the inline version, Broadway Engraved.

It is monospaced and organic. Two words that often not goes hand in hand, but in this case it does. You have 6 different versions of each letter to choose from, or just let the Contextual Alternates do the job by automatically cycles as you type.