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  1. Marsh Gas - Unknown license
  2. Bottix - Personal use only
  3. Mage 1999 - Unknown license
  4. UglyQua - 100% free
  5. Christian Crosses V - Unknown license
  6. Monkey Chunks - Unknown license
  7. SunriseSunset - Unknown license
  8. Halter Pinchy - Unknown license
  9. Oloron Tryout - Unknown license
  10. AngeGardien - Unknown license
  11. Aquarium - Unknown license
  12. Nixon - Unknown license
  13. Embossing Tape 2 (BRK) - Unknown license
  14. Inked - Unknown license
  15. Final Fantasy - Unknown license
  16. Shazbot - Unknown license
  17. DS Thompson - Unknown license
  18. KR Trick Or Treat - Unknown license
  19. Bandwidth BRK - Unknown license
  20. Slinked - Unknown license
  21. Gaheris Demo - Unknown license
  22. KR Crayons - Unknown license
  23. KR Katlings - Unknown license
  24. Lounge Bait - Personal use only
  25. Chibaraki Now - Unknown license
  26. LetterOMatic! - Personal use only
  27. Kefka - Unknown license
  28. Stonecross - Unknown license
  29. Kremlin Kourier II - Unknown license
  30. BluePlateSpecialSW - Unknown license
  31. CharlieChan - Unknown license
  32. Covington SC Shadow - Unknown license
  33. Upheaval TT BRK - Unknown license
  34. Gold Year Personal Use - Personal use only
  35. Maketa - Personal use only
  36. AringtonDemo - Personal use only
  37. akaFrivolity - 100% free
  38. Optima Cyrillic by Linotype, $65.00
    Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™, and Soho®.
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