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  1. Komika Text - Unknown license
  2. Esquivel Trial - Unknown license
  3. BoinkoMatic - Unknown license
  4. Rickles - Personal use only
  5. cup Font - Unknown license
  6. AndironOutline - Unknown license
  7. WC Wunderbach Bta - Unknown license
  8. Bionic Comic - Personal use only
  9. Jonny Quest Classic - Unknown license
  10. Jumbo Outline - 100% free
  11. Star Series - Unknown license
  12. Robotaur - Unknown license
  13. Notice - Unknown license
  14. Arbuckle - Unknown license
  15. RaveParty Narrow - Unknown license
  16. Crosspatchers delight - Unknown license
  17. Pakenham - Unknown license
  18. Omicron Zeta - Unknown license
  19. PR8 London Ads - Unknown license
  20. Brothers of Metal - Unknown license
  21. RNS BARUTA BLACK - 100% free
  22. Lumio - Unknown license
  23. HIPTRONIC - 100% free
  24. Kovacs - Unknown license
  25. American Dream - Unknown license
  26. Staggering Bob - Unknown license
  27. Prussian Brew - Unknown license
  28. NeverSayDie - Unknown license
  29. Heavy Rotation - Unknown license
  30. Century Oldstyle by Bitstream, $29.99
    Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.
  31. Mackay by René Bieder, $39.00
    Mackay is a powerful transitional serif in 6 weights plus matching italics, designed for screen and print. The eccentric serifs on uppercase letters like E, F, L and T are inspired by Alexander Kay’s “Ronaldson” from 1884, working as the starting point for the family. The lowercase letters follow the traditional Antiqua model with attributes tracing back to drawings from the early 20th century. The “grotesk” lowercase a, as well as the sharp lowercase s, derived from the closed shapes of uppercase letters like C, G or S, create a compact and bold appearance while a large x-height and small descenders add a modern look. In favor of a dynamic and elegant impression, the design of the italic cuts come with a strong calligraphic influence. This results in completely new shapes for letters like lowercase a or g, ensuring a smooth integration into their surrounding letters while maintaining a distinctive appearance when combining with romans. The family comes with a variety of opentype features like case sensitive shapes, old style figures, fractions, ordinals and many more. Additional attention was given to the standard and discretionary ligatures, extending the structure of the basic glyphs with elegantly designed letter combinations for g/i, i/t or s/t. According to their dynamic architecture, the italic weights are equipped with additional initial swash characters to subtle accentuate the calligraphic roots. As a result of a high stroke contrast the family works great in paragraphs with medium to large font sizes like headlines, short paragraphs or logos. With its 12 cuts, the family meets all requirements on high quality typography.
  32. Parisine Plus Std by Typofonderie, $59.00
    A playfull fancy sanserif typeface in 16 fonts Parisine Plus was designed in 1999 as an informal version of Parisine. A reaction to the subjective functionalism of Parisine. In fact, when Parisine try to express neutrality (a typeface is never neutral), Parisine Plus has fun with contrasts and not-so-obvious additions for a sans family. Parisine Plus is a precursor in the way it offers many ligatures and strange forms we generally find more in serif typefaces families that express historical connotations. The various Parisine Plus typeface subfamilies Parisine Plus is organised in various weight subsets, from the original family Parisine Plus (4 compatible fonts), Parisine Plus Gris featuring lighter versions of the usual Regular and Bold (4 compatible fonts), Parisine Plus Claire featuring extra light weights (4 compatible fonts), to Parisine Plus Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord (4 compatible fonts). About Parisine Parisine helps Parisians catch the right bus Parisine Plus and its fancy type effects Observateur du design star of 2007
  33. JASON PERSONAL USE - Personal use only
  34. BARBEDWIRE PERSONAL USE - Personal use only
  35. Paddington - Unknown license
  36. Ashby - Unknown license
  37. Pixeldust - 100% free
  38. Console - Unknown license
  39. Dueblo by alphabeet.at, $40.00
    Dueblo is a font family in serif, sans serif and semi serif with variability in weight and serifs. It's a classical antiqua with a sans serif basis, a semi serif version, two decor styles for headlines and initials and the italics in sans and in serif. The small caps, alternates as well as other useful optional and contextual open type features are included in the fonts. It has been in development since 2012 and in use for several projects and publications since 2015. It was worked on until 2020, the cyrillic and greek letters were added, and it was built up in a new and modern way. Now it's really ready for building words and paragraphs.
  40. Gyst by phospho, $30.00
    Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst comes in four upright and italic weights, all equipped with a whole lot Alternates and Ligatures.
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