This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.

Original sanserif designed in 1962 for Fonderie Olive by the late Roger Excoffon. Excoffon achieves brilliant personal effects by calculated breaking of accepted design canons. Antique Olive™ font field guide including best practices, font pairings and alternatives.

This font is for anyone who wants to give a touch of pain and horror to their project. This handwritten font is suitable for display use, titles, and some designs with the theme of sadness, fatigue, or anything alike.

Excessive photocopying, with extreme enlargements and reductions to magnify the imperfections, helped to rough the edges and give Not Sassure a non-digital quality.

Non-alphabetic typeface consisting of 38 silhouette and outline images of women’s footwear and accessories. Designed by Yana Kutyina. Released by ParaType in 2008.

Radgrows is a casual and playful font with ligatures! This font works perfectly for anyone who needs a font for headlines, logotype, apparel, invitations, branding, packaging, advertising, and more. This typeface includes uppercase, lowercase, punctuation, symbols, numerals, ligatures, multi-lingual support.

Asterone is a modern font family and works perfect for anyone who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Asterone comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, etc also support multilingual.

The Vadstenakursiv font was inspired by letterforms first used in the Vadstena nunnery, Sweden, founded by Birgitta, later canonized Saint Birgitta and buried in Rome 1373. These letterforms were also used in documents for different guilds, and on commercial documents.

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

Mix and match the upper and lowercase keys to access swash and non-swash letters in this unconventional serif font with a plethora of European characters.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

Scripty is a hand drawn, calligraphy longhand handwritten font. With careful spacing, the letters can be used together to create words that look like theyπve been written with an old≠fashioned fountain pen, or used alone as embellishment to more plebean text.

This set of two fonts is intended for use by kindergarden & 1st grade teachers or anyone else teaching young children how to write. 2 Fonts are included, PreCursive Lined has the upper, lower & dotted mid line & the the Regular has only the letters.

PictiFont’s newest symbol set, intended to be used within any of the PictiFont™ typefaces, features a sampling of the seashore. From seashells to sailboats, surfboards to sunshine, here are the symbols you need to make all things summer a breeze! Sunscreen anyone?

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Someri (English: Sumerian) is an Arabetic type design with a Cuneiform spirit. The Someri family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Someri employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Someri family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

The Silsilah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Silsilah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Silsilah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

The Arabetic Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

The Yasmine Mutlaq type family follows the guidelines of the Mutamathil Mutlaq type style. It has one glyph per basic Arabic Unicode character or letter. Each glyph is completely symmetrical around its vertical axis to facilitate bi-directional ordering. This family does not include any required ligatures and does not use glyph substitutions or forming but it does use marks positioning. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Yasmine Mutlaq employs four x-height values, two above and two below the x-axis. Its design uses curves with equally distributed weight. This family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular styles. Also included is an additional font, Yasmine Mutlaq bidi that encodes same glyphs as symbols to facilitate user input from left to right using a Latin keyboard. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

The Nasrallah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Nasrallah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Nasrallah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Night Visions: An Unsettling Hand-Drawn Brush Script Font Night Visions is a hand-drawn script font with a loose style typical of late night horror and thriller movie posters. It’s designed to look as though ink has been laid with the nervous flick of the artists brush, giving a random, imperfect, but elegant result. This font comes with the flowing script of the regular version or a complete set of non-script alternatives. Added to which there are additional character alternatives and special ligatures to experiment with for a truly hand-made look. Each version comes with a full set of uppercase and lowercase characters along with numerals, punctuation and language support. I recommend this font for anyone about to design a header or title that needs an authentically hand-made look. It’s the perfect choice for movie titles or posters, album covers, comic books, t-shirts or editorials. It’s a font that rewards experimentation and offers many options for your designs. Check out the visuals for usage ideas.

Anne's Hand is a custom handwriting font of Anne Hubbard, who tragically lost her battle with anorexia nervosa this past January. Anne loved to write, so her brother Richard designed a custom font of her handwriting as a tribute to her memory. All proceeds from its sale will go to the National Eating Disorders Association to support programs and services like the NEDA Navigators and Loss Support Network, programs that many families count on for support.

A fun font to create pop and young graphics, with a non-obvious font created starting from a handcrafted line. For an urban, snappy and fresh result.

California Sans designed as a beautiful easy reading text face also works great in Headlines. It also has a matching drawn Italic which makes a great combination for all your needs. Even as a stand alone Italic font it works in so many designs.

Brastagi Signature is a beautiful signature writing font. Its casual charm makes it seem incredibly simple, easy to read, and, ultimately, incredibly versatile. Brastagi Signature will look amazing in any context, whether it's used in a busy background or as a stand-alone title!

GHEA Warm Font is a non-serif style text, tytle and Display typeface. It has two weights- SemiBold and SemiBold Italic. The font is very elegant and easily readable.