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  1. LDJ Jillk And Cookies by Illustration Ink, $3.00
  2. Poultry And Fish JNL by Jeff Levine, $29.00
    The image of an old enamel sign advertising poultry inspired Poultry and Fish JNL, which is available in both regular and oblique versions. Horizontal cut-through lines within the Art Deco-era hand lettering adds to the uniqueness of this type design.
  3. Janda Safe And Sound by Kimberly Geswein, $5.00
    Imperfectly hand-sketched sans serif.
  4. KG Flavor And Frames by Kimberly Geswein, $5.00
    Adorable accents for your work including frames, labels, chevrons, mustaches, and more!
  5. Words And Music JNL by Jeff Levine, $29.00
    The 1934 sheet music for "I'll String Along with You" from the Dick Powell-Ginger Rogers musical "20 Million Sweethearts" yielded the charming Deco monoline design for Words and Music JNL.
  6. Paisley And Swirl Doodles by Outside the Line, $19.00
    26 paisleys and 26 swirls to mix and match. All hand drawn of course.
  7. The Brande and Lotaline by Arterfak Project, $25.00
    A beautiful bold serif specially designed for display. Inspired by modern fashion and classic typography, this font equipped with hundreds of alternative characters and ligatures. The Brande and Lotaline typeface represented luxurious, elegant, glamour, fashion, and wealthiness. This font works perfectly for logotype, invitation, cards, magazine, apparel, fashion, lifestyle, poster, social-media kit, and many more!
  8. Knitting And Sewing Doodles by Outside the Line, $19.00
    Knitting & Sewing Doodles are just that. If you type all caps you get 15 knitting icons and lower case is 15 sewing doodles. Knitting items include yarn, knitting, needles, ball winder, spinning supplies, stitch counter, etc. Sewing machine, buttons, thread, pin cushion, bobbin, thimble and needles, scissors, label, tape measure, darning egg, zipper, seam ripper, and pins, all in the Outside the Line style.
  9. Coffee and Danish JNL by Jeff Levine, $29.00
    In the collection of vintage and historic images available online from the Library of Congress is one of the exterior of the Town Talk Diner in Minneapolis, Minnesota. Regrettably, on May 28, 2020, the Town Talk Diner was damaged by vandalism, and subsequently destroyed by a fire that engulfed the building early on the morning of May 29th due to civil unrest following the death of George Floyd. The restaurant first opened in 1946, closed in 2011 and subsequently re-opened under new ownership in 2014 with French cuisine, then from 2016 until its demise as an American bistro. While this was not known at the time of selecting the image for a typographic model, subsequent research on the diner turned up these facts. The large vintage sign above the entrance was in big, bold Art Deco letters with rows and rows of bulbs for illuminating the name at night. Coffee and Danish JNL, modeled from the image of that sign, is available in both regular and oblique versions. Perhaps, in a way, the type design will serve as a bit of historic recognition for a popular eating spot.
  10. Town And Country JNL by Jeff Levine, $29.00
    Town and Country JNL features a mix of block-style characters along with rounded ones found so often in the Art Deco fonts of the 1940s. Modeled from the hand-lettered title on a piece of sheet music from that era, this unusual coupling of two distinct design styles works despite it breaking all of the obvious rules of typography.
  11. Crust and Crumbs Brush by Redy Studio, $10.00
    Discover the perfect pairing for your culinary creations with the Crust and Crumbs Foodie Font Duo, featuring a harmonious blend of rounded sans-serif and expressive brush fonts. Whether you're a food blogger, restaurant owner, or a passionate home cook, this font duo is designed to add a delectable touch to your food-related designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy
  12. Sign And Design JNL by Jeff Levine, $29.00
    Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.
  13. Green Eggs and Spam - Personal use only
  14. Faktos - Unknown license
  15. Bionic Type Italic - Unknown license
  16. Binary X BRK - Unknown license
  17. An Unfortunate Event - Unknown license
  18. Rolling No One - Personal use only
  19. Plastic No.25 - Unknown license
  20. Plastic No.20 - 100% free
  21. Minster No 1 - Unknown license
  22. Plastic No.29 - Unknown license
  23. Got No Heart - Unknown license
  24. An Accidental Kiss - Unknown license
  25. Plastic No.28 - Unknown license
  26. Grotesque No. 9 by URW Type Foundry, $35.99
  27. News No. 14 by Monotype, $39.00
  28. Oldsman No. 1 by Serebryakov, $49.00
    Oldsman No. 1 is an uppercase font family. It was specially designed for logotypes and experimental editorial design projects. Geometric, rhythmic, modern... Try it!
  29. Baskerville No. 2 by Bitstream, $29.99
    This redesign is made from proofs, rather than the metal, and so is heavier, with particular attention to the Harris and the Monotype revision, which was made from proofs of Baskerville’s Great Primer (16pt).
  30. Ionic No 5 by Monotype, $51.99
    Ionic No5 is a refresh of a classic Linotype Clarendon-style serif, another restored classic from the Monotype library, much like the recent updates to Walbaum and Helvetica Now. The original typeface was designed to be printed and read at small sizes, popular with newspapers in the 20th Century at its birth. The restoration and refinement of this typeface has bestowed a greater sense of clarity and directness, smartly stylish, and an utterly captivating appeal. Because these styles were so popular for books and newspapers for so long we associate them with being editorial or bookish, not dull, but thoughtful. Designers today can use that association to their advantage as a visual shortcut to convey similar meaning and tone. More attention was given on modernising the typeface with precious use and the introduction of sharp edges & finishes. The thinnest weights can give a dancing typewriter aesthetic, being low stroke contrast. The heavy weights have an unquestionable presence on the page. Overall, the typeface has a richness and almost illustrative quality about it. The true depth of Ionic No.5 could enable each weight to be a poster by itself. Ionic N°5™ font field guide including best practices, font pairings and alternatives.
  31. CA No Dr. by Cape Arcona Type Foundry, $30.00
    No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.
  32. No Entry JNL by Jeff Levine, $29.00
    The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style. This design has been digitally recreated as No Entry JNL, which is available in both regular and oblique versions.
  33. Edgar No 9 by Type Innovations, $39.00
    Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.
  34. Modern No. 20 by Bitstream, $29.99
  35. No Bad Days by Cardigan, $25.00
    Get RAD with this unique, fun, handwritten font by Cardigan. This pack includes two fonts. A bold, brush font with a supporting thin, handwritten script font. These typefaces ooze good vibes, adding a fun and edgy style to any design. Whether you need a hand drawn feel to a logo or a bold organic font that jumps off any page. No Bad Days has your back and is a total dream to work with.
  36. MPI No. 510 by mpressInteractive, $5.00
    No. 510 is a friendly, slim gothic face. Strokes have a gentle inward curve at the median with the tops and bottoms of the letters slightly wider and thicker. The design was first introduced by William H. Page & Company around 1887.
  37. Bodoni No. 2 by URW Type Foundry, $35.99
  38. Poldi No 1 by 066.FONT, $9.99
    Poldi No 1 is a display font in which each letter has been handwritten, giving it an authentic and original character. It exudes a varied and extravagant style, and with its daring and sophisticated letterforms, Poldi No 1 attracts attention and gives projects a touch of nonchalance. It is ideal for creative projects such as posters, invitations or branding materials, where a striking and distinctive text finish is sought that stands out. Remastered in 2022.
  39. Garamond No. 2 by URW Type Foundry, $35.99
  40. Synchro No. 2 by URW Type Foundry, $35.99
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