"Old is Gold".. Perhaps that's the best words to represent this typeface called Fragtude - a pair of vintage display typeface consist of bold script and serif. One of our finest typeface, crafted carefully to make sure its quality. Inspired by 40s 50s lettering and signage, the nostalgic feels will bring you back to the good ol' days. This typeface is perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Bee Think This is a Rough Brush Typeface that is written casually and quickly. comes in two mode Standart this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Bee Think has Rough and strong characteristic more natural look to your text with a more modern look to your text. You can activate Ligature OpenType panel to make these two styles. Bee Think is perfect for homeware designs,branding projects, Logo design, Quotes product packaging, especially with horror and scary themes Bee Think a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is has charming, authentic and relaxed characteristic more natural look to your text.

LOOK OUT! It's kinda creepy, we know, but we're convinced that this font does whatever a spider can -- in fact, we believe it can actually spin a web of pretty much any size, and even catch thieves as if they were bugs of some sort -- let's say flies. In fact we'd almost go so far as to say that, in the chill of night (perhaps at the scene of a crime) this font may just arrive like a streak of light in the nick of time. We're releasing this font now not for wealth or fame, we ignore those things, action is our reward. Here at Comicraft we think of life as a great big bang up, and whenever there's a hang up, you won't find us climbing -- or crawling -- the walls... well, not without STICKY FINGERS anyway. Find yourself a pair of webshooters and this font is the perfect complement to any Halloween costume.

While throned before your keys, under your drumming fingers awaits the most astounding standard computer typeface ever devised: BuGlobal. In addition to all the usual alphanumeric characters and symbols, this lone font lets you type more than 400 accented letters appearing in more than 80 English-variant languages worldwide, 70 common math and science symbols, and dozens of other useful characters —more than half a thousand all told— all within the digital parameters of one standard computer typeface, without needing any alternate keyboards or other clumsy digital luggage. Here is a sample: You can add any accent appearing in more than 80 English-variant languages used around the world to any letter appearing in all these languages simply by typing ANY letter then the accent. This includes more than 400 diacritic-laden letters in all —without needing to remember several keystrokes to type any of these letters as a few of them appear in standard computer typefaces. You can type more than 50 math/science symbols that do not appear in standard computer typefaces. These new symbols include several kinds of arrows plus constants, centerlines, dimensions, and graphs and scales that when retyped create continuous scales and graphs. Common symbols such as ballot boxes, rating stars, checkboxes, hearts, fancy fleurons, and similar motifs that do not appear in standard computer typefaces. Dozens of flashy arabesques like ========= [in BuGlobal these equal signs are kerned together so when you type them you create a continuous double line]. In this typeface more than 30 symbols that never appear twice in a row are kerned together so when you continuously type them you create all kinds of flashy arabesques that will make your typing more attractive. No other standard compute typeface allows you to do this. As for Beauty, BuGlobal’s characters are designed according to several axioms of ocular perception until each profile is as iconically simple as Shaker furniture. These axioms make BuGlobal’s letters easier to read compared to other typefaces, and a few of them are: Each letter should look much like the others but for one defining detail. The letters should be as similarly wide as possible. The letters’ midbars should be the same height and thickness. The higher the lowercase letters are compared to capital letters, the more legible and easily readable are their texts. BuGlobal has a typeface user’s guide, titled A Lovely Face, in which a description of each ocular axiom compares BuGlobal with Baskerville, Georgia, Palatino, and other commonly-used standard computer typefaces so you can quickly see why the other typefaces are inferior. You can download a pdf file of this typeface user’s guide, for free, at BuGlobal’s website, butlerfontforge.com, at any time so you can learn all about BuGlobal’s many amazingly new features before possibly buying it. BuGlobal’s plain letters are perfect for texts, its italics are gracefully emphatic, its bolds are ideal for titles and headers, and its arabesques are a fancy way to make your texts look dressy —all of which will add more shimmer to your semantic plumage. One good typeface is more useful than an infinity of poor ones. Robert Bringhurst

Victoriana arose from an inquiry from the Victorian Society for a Victorian font for their journal. As it turned out, no commission resulted, but interest in such a font was aroused in Andy Benedek. Basing the design on some woodblock letterforms, outlines of a basic set of characters were drawn. These, however, were modified to the extent that the final font bore little resemblance to the woodblock letterforms. As erstwhile cyclists, the font was named after the British and champion world track cyclist, Victoria Pendleton who was greatly admired.

Four fonts — found on a map of America, created by the spanish cartographer Diego Gutiérrez and the dutch engraver Hieronymus Cock anno 1562. From the start of the digitization by Sebastian Nagel in 2005, Tierra Nueva has gone a long way. On its journey of exploration it has grown to four members of a family (regular, bold, italic and script) with an overall count of almost 3.700 characters for different languages and purposes, extensively featured with useful typographic options. Over six years after the start of the expedition, it shall be launched. Land ahoy!

Naïve Line Sans is an unusual handwritten sans serif font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed five weights, finely balanced, to assure a good readability whatever the size. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

2018 Update: We extended the language support, added a Black version and added new ornaments. Thank you! Papercute is a cute hand-drawn font designed by Fanny Coulez and Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, easy to play. Small caps are a little different than caps to create alternative glyphs. We also designed a set of cute paper ornaments, to enhance your designs. We also designed an inline version of this font: Papercute Inline . You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup!

Saturnight Regular is a proportional and kerned typeface. The name is a variation of Saturnight, which is itself the anagram of Unstraight. This is because vertical lines are Unstraight sticks. It's a consequence of the Design rule * Glyphs are built from segments on a triangular tessellation (cf. poster 1) Note 1: Unstraight lines depend from the chosen tesselation orientation (here the tesselation has horizontal lines and thus Unstraight verticals). Note 2: The encoding is Windows Latin 'ANSI', which includes Icelandic characters (as illustrated by poster 3).

About this font family Picturebook was made for very young readers and is ideal for creating simple words and sentences in picture books. Produced in three weights with very clear, distinct character shapes to aid early reading and learning. Features 3 weights; Regular, Medium and Bold Multi language support To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. www.andypeat.com Released December 2023

Almoni is a precise, neutral multi-lingual sans typeface and is one of the most popular fonts in Israel. It contains many glyphs and fully supports 230 Latin and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. Many fonts are characterized by their unique character and language, and yet Almoni sheds almost all elements of uniqueness; as such, it will not overshadow your entire design. Every designer needs this functional font in their arsenal. Cyrillic design by Anna Khorash.

The Kimchi font had its starting point in the making of the film "Cloud Atlas", based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for "Papa Song" – an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging. Kimchi was later further developed to become a useable typeface: it works for headlines, street art stencils and of course as logo font for korean fast food restaurants.

Kedem is a multilingual serif font inspired by heritage posters from the time of Israel’s national founding. The font is characterized by wide letters set at unusual angles, distinctive negative spaces, an upbeat cadence and a free and nostalgic spirit. Kedem spans five weights, including “Ultralight” – a monoline inline style. As the weight of Kedem increases, the contrast between its serifs and the shape of its letters is magnified. Kedem supports Hebrew, English and Russian (designed by Anna Khorash), as well as 181 additional Latin and Cyrillic languages.

Naïve Line is an unusual handwritten serif font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed five weights, finely balanced, to assure a good readability whatever the size. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

I do groceries a couple of times a week. When I am shopping for food, I always read the ingredients list; I don’t want too much sugar, nor palm oil, trans fats or a lot of E numbers. It used to be quite hard finding products that didn’t contain artificial flavours or colouring, but it is getting better. Artificial Flavour is an anti-ode to the time we couldn’t get enough of the stuff - it is a handmade, all caps font which comes with extensive language support and a sweet set of alternates.

Nortune is inspired by modern style combined with retro style so that it has a dynamic and elegant shape. This will be very suitable for use in any design that has a modern, retro, and classic feel. Nortune also has 10 thicknesses so it will be very easy to use on any design you have in mind. It also comes with multiple languages, making it easy to use for any country and language. Nortune also comes with alternative Ligatures and styles to make your designs more attractive. Alternate fonts will also create lots of options to combine. This modern letter shape will be very suitable to be combined with various types of fonts. Nortune is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Kiera - Display Typeface Font is an outstanding modern typeface that will add a unique touch to any display design. The font is inspired by vintage typography and posters with display themes, resulting in a classic, fun, and trendy impression that is easily recognizable. Kiera's unique features include the use of ligatures, making it stand out even more among other modern display typefaces. Kiera is an ideal choice for various display purposes, including album covers, posters, labels, t-shirts, apparel, signage, quotes, logos, greeting cards, and logotypes. Additionally, this typeface font supports multiple languages, making it suitable for a wide range of design projects. This font also offers a range of Open Type features that are accessible via Open Type savvy programs like Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. The Open Type features include Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature, which provide an array of creative possibilities to enhance your design. Kiera font is also compatible with different devices. In conclusion, Kiera - Display Typeface Font is an exceptional font that combines vintage typography with modern design elements to create a unique and versatile display typeface that works for a wide range of design projects. Whether you are working on album covers, posters, labels, t-shirts, or any other display project, Kiera will make your designs stand out. With its multiple language support and Open Type features, Kiera is a must-have for any designer looking for a modern and unique display typeface.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to the methodical and engineered nature of its design. The FF DIN family breathes an atmosphere of versatility and authority, FF DIN Stencil follows the same design principles with extra flair. The bridges are arranged vertically, which usually replaces the thinnest parts of the strokes — offering depth in your headlines. Go loud and scale up, as the weights get heavier, the width of the bridges skillfully expand and contract, enabling FF DIN Stencil to provide confidence in volume, and in any chosen style. Also made available as a Variable font, creatives can design hyper specific variations to thrive in any design space, and even to animate movement from one state to the next. Get innovative with the entire FF DIN family, FF DIN Stencil’s spacing and kerning is identical to FF DIN, this enables swapping between any FF DIN font without changes in word length or line breaks. For true FF DIN fans, FF DIN Slab and FF DIN Stencil designed by Albert-Jan Pool, Antonia Cornelius and Achaz Reuss, can be seen as harmonious companions to the FF DIN family, rather than alternatives. Bestowed with its parents distinctive DNA, all the FF DIN extensions open up new possibility with their own unique qualities, but stay true to the FF DIN design philosophy of engineered precision.

Vigo is a combination of both slab serif and sans serif elements, giving it a unique and dynamic look that’s perfect for any design project. The primitive lines and muscular serifs give Vigo its character, making it perfect for any design that needs a bold and powerful typeface. So why not hop on Vigo for a spin? With its distinctive style and retro flair, it’s the perfect typeface for any design project that needs to stand out from the crowd. Try Vigo today and give your project the vintage charm it deserves! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Presenting Ever Looser! A Wild Brush Font with a distinct texture. You can type by Mix & Match to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. As you can see in the presentation pictures above, Ever Looser looks 'wild' on design projects. So, Ever Looser can't wait to give its touch to all your design projects such as environmental campaigns, quotes, poster design, book cover design, promotional materials, t-shirt, hoodie, product packaging, simply as a text overlay to any background image, etc. Besides that, Ever Looser also has some ligature that gives a surprise when you type certain characters combinations. The ligatures are TT, LL, ll, oo, and rr. What's Included? 1. Ever Looser • Comes with uppercase, lowercase (small caps), ligatures, numeral, punctuation, symbols, and multilingual support (Afrikaans, Albanian, Catalan, Danish, Dutch, Estonian, English, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and Many More). 2. Ever Looser Untextured • It's a clean version and comes with uppercase, lowercase (small caps), ligatures, numeral, punctuation, symbols, and multilingual support (Afrikaans, Albanian, Catalan, Danish, Dutch, Estonian, English, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and Many More). 3. Extra Swashes • 7 'wild' swashes (every version) that make your design looks natural. Just type S_1 S_2 S_3 S_4 S_5 S_6 S_7 to feature it. We really hope you enjoy it!

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to the methodical and engineered nature of its design. The FF DIN family breathes an atmosphere of versatility and authority, FF DIN Stencil follows the same design principles with extra flair. The bridges are arranged vertically, which usually replaces the thinnest parts of the strokes — offering depth in your headlines. Go loud and scale up, as the weights get heavier, the width of the bridges skillfully expand and contract, enabling FF DIN Stencil to provide confidence in volume, and in any chosen style. Also made available as a Variable font, creatives can design hyper specific variations to thrive in any design space, and even to animate movement from one state to the next. Get innovative with the entire FF DIN family, FF DIN Stencil’s spacing and kerning is identical to FF DIN, this enables swapping between any FF DIN font without changes in word length or line breaks. For true FF DIN fans, FF DIN Slab and FF DIN Stencil designed by Albert-Jan Pool, Antonia Cornelius and Achaz Reuss, can be seen as harmonious companions to the FF DIN family, rather than alternatives. Bestowed with its parents distinctive DNA, all the FF DIN extensions open up new possibility with their own unique qualities, but stay true to the FF DIN design philosophy of engineered precision.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look. Use OkayPaint to create eye catching designs - perfect for grunge, surf, any casual cool setting. OkayPaint is extended, containing the West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

Augent Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Augent Sans Serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Battleground is a very characteristic Display Font with a strong Sports theme and is very suitable for the Esport Logo as well Battleground came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : -Uppercase & Lowercase -Multilingual support -Number, -Symbol -Punctuation. -Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Introducing Truly Hook by Javanice Studio a Truly Hook is A Handwritting Font a Truly Hook is perfect for branding project, apparel, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, and any type of advertising purpose or just used to express words above the background. This font includes a Truly Hook also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

MGN Felizia is a font product from Morgana Studio set to be released in 2023. This font features lowercase characters with a feminine flair and uppercase letters designed in a vintage style. It's an adaptable font suitable for a variety of design projects such as branding, logos, and headlines. MGN Felizia's unique combination of modern and retro elements guarantees to make a visual impact in any design project.

Introducing, Gilded Majestic- a high contrast bold script with a touch of quirky looks. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Willow Eden is a Modern Handwritten Font. Willow Eden is a magical script font carefully created with a touch of elegance. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Willow Eden also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

YR Gamila is a stunning handwritten font that exudes both class and modernity. It boasts a comprehensive set of basic glyphs, encompassing uppercase and lowercase letters, numbers, and symbols. YR Gamila font is perfect for elevating a variety of design projects, such as logos, cards, prints, social media graphics, menus, books, wedding invitations, and much more. Its sophisticated and contemporary aesthetic lends a touch of elegance to any creative endeavor.

Introducing the delightful Quasar sans serif font – a true gem in the world of typography! With its clean and modern design, Quasar brings a touch of elegance to any project. This font family consists of not one, but six distinct weights, offering you a versatile range of options to choose from. Whether you're aiming for a bold and impactful statement or a more subtle and refined look, Quasar has you covered.