Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

A stencil font you won't find anywhere else. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Plain and simple, here's a faithful reproduction of the Advocate font for IBM Selectric typewriters from the 1960s. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Unikled a decorative calligraphic family inspired by the uncial style. The upper and lower cases are largely different and can be treated as two separate alphabets. It is available in two weights, plain and bold.

This font designed by Elan Ronen, consists mainly from geometric, to forms make this elegant font family a great companion for invitations and signs, indoor and outdoor.

Modsten-Bold is a modernistic stencil design with two sets of capital letters. Modsten-plain was added to complete the family.

Melina Plain and Melina Fancy are characterized by graceful lines, strong contrast and nostalgic overtones. These typefaces are patterned after two members of a type family named Greco, released by Fundición Tipográfica Richard Gans of Madrid, Spain, in the 1920s. Melina Plain is a refined version of Greco Bold, and Melina Fancy is based on Greco Adornado, with the notable addition of a lowercase, which was not a part of the original design. Melina is based on two typefaces (ca. 1920) from the Fundición Tipográfica Richard Gans in Madrid, Spain. Nick Curtis first found Greco Adornado in a type specimen at the Library of Congress. It was a cap only design. He made a cut of the original (Melina Fancy) and created his own lowercase, and many other characters to support contemporary character sets. Later he came across Greco Bold, which had a lowercase, but he chose not to use it and instead, adapted his Melina Fancy to create Melina Plain.

Simple, unassuming, yet fully functional in all sign, poster and headline applications is Unpretentious JNL and its oblique counterpart. Where plain, bold titling is necessary, this typeface will draw attention to the message with minimum effort.

Fishhook is a letterbat font that makes letters from fishhooks and barbs. In the plain version the fishhooks look more realistic, but the bold version may be more satisfying from a typographical perspective.

RosarGrad is a simple but elegant calligraphic face with six style: plain, italic, medium, medium italic, bold, and bolditalic. It was inspired by hand lettering on a graduation picture from the late 1960s.

Eurobia is a family of two typefaces - Regular and Plain. They are display faces with a strongly European feel and a strong flavour of the 1920s. My suggestion would be to use them for poster or banner work, or packaging or cover design, with the heading text set in Eurasia Regular and subsidiary text set in Eurobia plain. Why not give that European flavour to your next project? We see Eurobia as a fun typeface, for advertising products like confectionery or concerts. We had a lot of fun designing it and hope you'll like it too!

As its name suggests, PlainPensle is a handwriting font that emulates printing and writing with a pencil or ballpoint pen. The plain and bold styles have hand printing that is ordinary and nondescript. The italics and bolditalics contain simple handwritten cursive.

Prologue was designed to look like a postmodern typewriter. With plain and simple upper cases and trickier lower cases. Three weights give a good variety for all kinds of designs and seem especially well made for headlines and short teasers.

Rafigen is a thick and playful typeface . It comes in two different styles, plain and slant. Really great font to make it easier for you creative work such as — branding, film titles, packaging, advertising, posters, and web or app. Enjoy:)

GalexicaMono is an attempt to create a futuristic typewriter font, which may be an oxymoron. Unlike most typewriter fonts, it is sans-serif. The family has two weights, plain and bold, each with an oblique style. For a variant of the design that is not monospaced, see Galexica.

Pinkus is a nice, uncomplicated serif font. It was hand drawn on plain white copy paper, hence the roughness. Pinkus is an all-caps affair, but upper and lower case letters can be interchanged. Pinkus can be used on posters, postcards, books, magazines and whatever else you fancy. Enjoy!

Shesek is an informal, loose, handwritten font without any frills. It is deceivingly plain, but when you use it, you will find out that Shesek has a distinct taste, not unlike its namesake, the Japanese plum, or Loquat. The Loquat is a soft, oval, yellow fruit which is grown mostly in Japan and Israel (where it is called ‘Shesek’).

A rough hand-drawn plain sans serif that would be good for non-formal use. Do not expect a polished set of fonts from a professional, this family is hand drawn, hand spaced and hand kerned.

Extreme Junction was created for use in designing logos, signs and letterheads and has a limited character set. The uppercase letters are outline versions of the plain lowercase letters. Characters can be overlapped or merged to indicate movement or direction.

Spinner Rack Pro BB is a new and improved version of the classic Blambot typeface, Spinner Rack BB! New spacing, kerning, manga characters, barred-I correction, additional accented characters, autoligatures, contextual alternates, and a plain bold weight for the first time!

Abigail is a font designed by Ethan Dunham that looks like it is made of ribbons. It comes in two versions, plain and dots. This whimsical font is perfect for headlines that need a contemporary but informal feel.

Hubba is a modular geometric typeface. Its heavy weight is excellent for headlines and display. There is a plain, oblique, and opposite oblique styles. The variable version will give you the opportunity to be more free in design and not limited to standard styles.

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

JabcedHy is a serifed, legible typeface in four weights with each weight having both an upright and an italic style. The original four fonts (plain, italic, bold, and bolditalic) were constructed by blending two other typefaces, and because the result seemed better than either parent, the parents were retired. Semibold and extra bold weights were added in a 2019 revision.

Trailerpark numbers 0-9 were rather old fashioned 1950's cut aluminum numbers, you've seen digitized nowhere else but here! Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Blankcho, There’s beauty in the plain version Blankcho, even without all the extras, for a clean and elegant minimal serif. Any version of Blankcho brings a touch of luxury and bespoke custom typography to modern logos, websites, social media quotes, wedding branding, and more. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Bouclé.2 – an upgraded edition of Bouclé fonts (2009), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages. New edition consists of eight styles: Light, Regular, Bold weights for plain and round fonts respectably, plus Regular and Light italics. Typeface is released in OpenType format with some OpenType features.

One of the examples in the 1916 publication “Baker’s Showcard Book” [an early 20th Century instructional book on sign lettering] was simply called “Plain Poster”. Somewhat Art Nouveau in style, but with many ‘nonconforming’ character shapes and widths, this novelty design is available digitally as Free Form Showcard JNL in both regular and oblique versions.

Cennerik is a plain, sans-serif typeface with rounded ends. It comes in five weights: light, regular, semibold, bold, and extrabold and each weight has both upright and italics styles. It was originally designed in 1992 and has been updated several times since then, most recently in 2020.

PhrackSle is a a Fraktur face with a difference: it has a uniform stroke rather than a calligraphic-pen stroke. It comes in four weights: thin, plain, bold, and extrabold. (For a version of the design done with a calligraphic stroke, see PhederFrack.)

FlyHigh is a decorative text face with slab serifs. It comes in eight styles: plain, semibold, bold, extrabold, italic, semibold italic, bold italic, and extrabold italic. Its low x-height makes it more appropriate for uses such as invitations than for book text.