This is Emoji font(Dingbat), contains many cute motif like animals, heart, ribbon, foods, fashion goods. I think you can use it for decorate contents for children, and use web font as icon. You can use as it is, I think that you can paint the color inside. It might be interesting even if you hang a hat or put on a ribbon by combining several characters like a sample. I make it will be cute, and you use it with happy feeling, I will be happy if you think so. ＜「omekashiemoji」紹介文＞ 動物やハートやリボン、食べ物、ファッション小物などかわいいモチーフがたっぷりな絵文字フォントです。 子供向けコンテンツの装飾に使ったり、webフォントをアイコンとして使ってもいいんじゃないかなと思います。 そのまま使ってもいいですし、中に色を塗ってもいいと思います。サンプルのように数文字組み合わせて帽子を被せたり、リボンをつけたりしても面白いかもしれないです。 かわいくなるように、使って楽しい気分になれるようにとの思いを込めて作りました。 その思いが少しでも伝われば幸いです。 ＜スタイルカテゴリー＞ 絵文字、Dingbat ＜価格＞ 税抜1200円

Hypnerotomachia Poliphili, which can be translated in English as “Dreaming Love Fighting of Poliphilus”, is a romance about a mysterious arcane allegory in which the main protagonist, Poliphilo, pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the “Fountain of Venus”. The author of the book is anonymous, however, an acrostic formed by the first, elaborately decorated letter in each chapter in the original Italian reads “POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT”, which means “Brother Francesco Colonna has dearly loved Polia”. Despite this clue, the book has also been attributed to many other authors. The identity of the illustrator is less certain than that of the author. It was first published in Venice, in December 1499, by Aldo Manutio. This first edition presents an elegant and unique page layout, with refined woodcut illustrations in an Early Renaissance style and a refined Roman font, cut by Francesco da Bologna, which is a revised version of the type used in 1496 for the De Aetna of Pietro Bembo. The print quality is very high for the time, but nevertheless it presents many inconsistencies and imperfections due to the non-ideal inking and adherence of the matrix to the paper. For that reason numerous samples of the original have been used to create every single glyph which will result in an appropriate reconstruction and not a mere and humble reproduction. Some letters like \J, \U and \W were extrapolated, because they are not part of the original alphabet of the period. Some letters like \Q, \X, \Y, \Z and \h have been updated to more modern variants, but the original shape is accessible by Stylistic Alternates Opentype Feature, which also changes the shape of the \V and the \v. The original numerals \zero, \one, \tree, \four and \six have been accompanied by reconstructions of the missing numbers and extended by modern figures. Finally, swashed lower cases and original scribal abbreviations were also included. The font has joined by a matching Italic variant, closely inspired from Aldo Manuzio's 1501 "Vergilius", the first book printed entirely in Italic type by Francesco da Bologna.

Bradley Texting: a clear, friendly and easily legible calligraphy font, also suited to electronic devices With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. Two other font families paved the way to the newly introduced Bradley Texting. In the mid-1990s, Bradley published Bradley Hand, with its rough contours. Since these coarse forms do not cut a good figure in the larger font sizes, Bradley Type followed, with smooth letters. During the development of Bradley Type, the idea for a further font came about ? one in the style of the two other calligraphic typefaces, but with simpler, easily legible forms and suited to electronic devices like mobile phones or tablets. The letters for Bradley Texting began with a marker on paper. Looking back, Bradley describes one of the biggest challenges as having the calm required to draw the relaxed-looking letters repeatedly while still making them fit the general style.The somewhat narrow and dynamically designed letters have round line ends, like those left by a felt-tipped pen. As a hand-written print font, the individual letters are not connected to one another. Nonetheless, they demonstrate the influence of a written font, such as the extended ends and the flowing transitions. Clear forms with open counters and a large x-height guarantee Bradley Texting good legibility in the smaller font sizes. Bradley Texting is also effective under more challenging conditions, such as on mobile phones, e-book readers or tablets; the fonts friendly and lively character comes through. With Regular, Semibold and Bold, Bradley Texting is adequately equipped for use as a headline or text font in various sizes. The selection of characters covers the Western European languages and German typographers will be happy to note the presence of the upper-case ß. Use the dynamic and clear forms of Bradley Texting anywhere you need a friendly character with a personal accent. Bradley Texting is persuasive in the print realm, in advertisements or on posters, as well as on electronic devices.

Rabenau (formerly Lucinde), the distinctly warm and legible type family For 30 years the graphic designer Axel Bertram worked at creating his typefaces: He developed complete new alphabets for magazines and typewriters as well as for the constant demand for typefaces for use by commercial artists. He has developed wall charts the size of advertising posters as teaching aids for training commercial and graphic artists to write in a clean, classic cursive script. In the eighties he used the American Chyron computer to design a screen font for television. In the mid-nineties he discovered for himself the fabulous possibilities offered by the Fontographer font software program and explored them playfully. From the results of these experiments, Axel Bertram selected a design for further development. From 2003 onwards the calligrapher and type designer Andreas Frohloff collaborated with him on the further development and production of the 16 fonts of the Rabenau™ typeface family.The Rabenau font was inspired by many factors: From the fonts used as book covers to typewriter fonts and even printed material from England dating from the beginning of the nineteenth century (e.g. those used by the skilled printer William Bulmer), Rabenau's relatively high contrast is offset by some organic tapers, subtley rounded bracketed serifs, and a fairly generous x-height. This makes for a typeface that looks especially good in print. Its broad repertoire of weights and styles - Condensed, Poster, and Shadow - give it added versatility, and make it ideal for setting both display and text in the same typeface. Throughout the heavier weights, the contrast is maintained. The Poster Italic sparkles, and will make a fine display type for dynamic headlines, or logotypes. This family of sixteen fonts works beautifully together. All Rabenau font styles have a large set of ligatures and thus cover typical letter combinations in many European languages. Besides the standard ligatures for ff, fi and fl, letter connections are also available for tt, th and fj or ffi, ffl and ffk. The range is completed with lovely arched transitions for the characters st, ck or ct. The latter gives the font that certain something, both in continuous text and above all in headlines.

Reisar is inspired by the vintage sign of motels, automotive logos, and badges, mixed up with urban modern cross-culture of contemporary visuals and brutalism. It makes Reisar born with a fresh vibe combined with the past and future for your visual graphic design needs. Perfectly fit for your logo, branding, clothing, apparel, merchandise, music project, album artwork, cover, book, music video, serial title, movie title, poster, animation, stickers, event, festival, magazine, and many more.

GiraffeSkin is an exciting, contemporary font. The popularity of the "animal skin" look in contmporary clothing and soft furnishing design make GiraffeSkin a must for designers on the cutting edge. It is best used for headings and where you intend to make a strong impact, with an African wildlife look. The font comes in two versions, one based on the popular Kassena font, the other based on Zim, one of Scholtz Fonts new designs.

Gome Pixel is focused on the purpose of the display. It contains uppercase and lowercase characters. Suitable for use in retro game design and computing vibes. Gome Pixel is inspired by bitmap fonts This is the first release of the Fitrah Type. The entire typography has been designed to work on large sizes and display purposes such as branding, titles, thumbnails, posters, and animation. This font is available in 2 styles, regular and rounded

Konichiwa! Introducing our brand new font "The Last Shuriken" a Japanese-style typeface. Inspired by modern Japanese food branding and anime title. Designed in a bold stroke, this font is an all-caps font that has the same cap height and different shapes. The Last Shuriken is perfect for display, especially for Japanese food, title, logo, poster, short quote, movie, games, apparel. Complete with stylistic alternates and PUA Encoded with multilingual support! Thank you. Ramz.

Easter Day is a very cute and unique font. The font is embellished with a bunny shape which adds to the funniness of this font. This font is very easy to use because it is specially designed, so it will be very easy to bring out the embellishment of the letters. Easter Day is perfect for Easter celebrations, logos, branding, banners, book titles, movie titles, animation, children's world, promotions, business and more.

Super clear and elegant display font with round edges to fit any logo or signage.

This is a classic font. You can use to any kind of book or text.

Jennie in a box - a very well flowing scriptfont that's appealing for almost any task.

Donald DBXL Beekman needed a break. And he took it too. While sitting there consuming a sandwich and a half-pint of milk, he took up his ruler and pencil. By the time there was no milk left and only some bread crumbs remained on his plate, VLNL Breakz was finished. That’s DBXL for you. Get your letters during your break. VLNL Breakz was originally designed as the headline and logo font for the breakdance competition Amsterdam Breakz, but turned out to be very versatile. It has 4 variations, Regular and Condensed widths / Bold and Light weights.

Introducing Kinesthesia, the hypermodern typeface that channels the sleek, futuristic aesthetic of liquid crystal displays. With its sharp diamond points and hi-tech letterforms, Kinesthesia is the perfect choice for anyone looking to communicate their message with a cool, technical tone. Whether you’re designing a cutting-edge website, a high-tech advertisement, or a bold logo, Kinesthesia will give your work an unmistakable edge. But what sets Kinesthesia apart from other typefaces on the market? For starters, it offers a wide range of monetary symbols, as well as numeric ordinals, primes, and OpenType fractions. So whether you’re writing a report for work or creating a digital design for a client, you can be confident that Kinesthesia has all the symbols and characters you need to convey your message with precision. And of course, let’s not forget Kinesthesia’s angular design. With its sharp, diamond-shaped points, this typeface is the perfect choice for anyone looking to add a contemporary edge to their work. Available in Ultra-Light, Extra-Light, Light, Regular, Semi-Bold, Bold, and Heavy with obliques, Kinesthesia offers a wide range of weights and styles to suit any design need. So if you’re ready to take your design game to the next level, look no further than Kinesthesia. With its technical aesthetic and wide range of features, this typeface is the perfect choice for anyone looking to make a bold, unforgettable statement. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome to the world of Tandelle—a sans-serif typeface with a unique flavor that will make your designs stand out. Tandelle was designed with a specific purpose in mind: to operate efficiently when there is a limited amount of horizontal space available. Its narrow letterforms are perfect for headlines, captions, and other types of text where space is at a premium. What sets Tandelle apart from other sans-serif typefaces is its flat points on verticals such as “A” and sharp points on horizontals such as “Z”. These distinctive features add a touch of sophistication and elegance to your designs, making them visually appealing and easy to read. Tandelle’s spacious shapes and minimal detail make it simple to read despite its narrowness. The typeface’s clean lines and modern design lend themselves to a wide range of applications, from branding and advertising to packaging and web design. Tandelle comes in four styles: Regular, Italic, Bold, and Bold-Italic. Whether you’re looking for a subtle accent or a bold statement, Tandelle has you covered. With its narrow letterforms and unique flavor, Tandelle is the perfect choice for any project that requires a touch of sophistication and style. So why settle for ordinary when you can have extraordinary? Try Tandelle today and see the difference for yourself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Balietta - Lovely Script font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of ligatures.

The Chickenz dingbat font is a series of symbols based inspired by the wild west, from cowboy silhouettes and playing cards to a series of office shapes that can be used in any corporate layout. These designs were conceived as part of the Jackazz family but can also be mixed with any other typefaces.

Miffiest - Stylish Calligraphy Fonts Miffiest is a stylish calligraphy font. Inspired by sketches, there are several characters that have unique ligatures and give a different impression from other fonts. Miffiest comes with multilingual support as well. Files Included: - Uppercase & Lowercase - Numbers & punctuation - Multilingual - Ligature - Alternative Drop any message if you have any questions, Thanks! Fridaytype

Romantic Couple is the perfect collection of fonts for any design project that requires a light and charming feel. Use it to turn any design project into a true standout! Romantic Couple includes Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Encoded PUA Characters Fonts are fully accessible without additional design software. Happy designing...! Thanks.

Cashmere - sweet handwritten font with an incredible charm. Clean, elegant, it fits and turns any design project into a true stand out! Use this font for branding or create a logo, a beautiful frame for your home, decorate any project. Or just use it for book covers, stationery, marketing, a blog, magazines, and more.

Mermaid Babies is a fun, jolly and incredibly charming display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project. What's Included : - Multilingual Support I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank You, Subectype

Introducing new Love Casual Serif Typefaces with lots of alternative characters, multilingual support and unique ligatures. Love Casual is a very versatile font. Perfect for branding projects, logos, magazine imagery, wedding invitations, posters, apparel, packaging, website headers, or simply as a stylish text overlay onto any background image. Any Questions? Just Ask! Hope you enjoy !

Dress it up and get into the 60's groove! Fontazia Pop62 features 62 unique pop flowers inspired by the flower-power era. These simple long-stem florals are great for nostalgic designs as well as any modern project where a little bloom is what you need. A great addition to any font library!

Fox Cat is a font that features imperfect strokes with a handwritting style. It looks great in quotes, social media posts or simply as a stylish text over any background. It works great for greeting cards, stationery or any project that requires a beautiful, informal design. Includes: Uppercase, Lowercase, Numerals and Punctuation Language support

Introducing Brskovo is a modern uppercase serif, use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature - Uppercase & Lowercase - Number & Symbol - International Glyphs - Multilingual support - Alternative - Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.