Dewi is a modern neo-grotesque multi-typeface family with closed forms. It includes 4 versions: condensed, normal, extended, expanded. In each version there are 16 font styles: 8 regulars and 8 italics (64 styles in total). The family contains weights from thin to black. Everything is ready to solve absolutely any graphic tasks. Dewi helps to create a unique and vibrant design consonant with the spirit of our days. Сontours remains neutral in a small size but when you work with large sizes Dewi shows his strong and confident character. Ideally suited for web design, logos and branding, navigation, printing, advertising and packaging, infographic, poster design, music covers and so many more. This typeface will be a real workhorse for you. Opentype features: old-style figures, tabular and tabular old-style, slashed zero, ligatures, fractions and automatic frations, circuled numbers, arrows and stylistic alternates for arrows, superscript and subscript. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 70+ languages)

Hand printing typography revolutionized the way books were published. The earliest printing presses made it possible for newspapers to reach the doorstep every morning, for information to freely be shared among the masses for the first time on a large scale…and the fonts that were used in those classic times are forever embedded within the collective memories of societies across the planet. It is to this collective memory that we give a visual form with our new Hand Printing Press Pack. Up for grabs are a set of 10 Hand Printing fonts plus one "Stamps" elements font. The fonts are: the Normal, the Stencil, the Eroded, the Meshed and the Scraped in REGULAR and BOLD versions; each of them displaying a simplistic yet classic printing style and as often happens lately, we are also offering you an "elements" pack, the "Stamps" font, to go with these to create your customized stamp giving to your creations a touch of "official documentation".

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Isabel was made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights, 551 characters and is composed of 208 languages.

Vertrina marries four virtues: elegance, simplicity, character and usefulness. It started as an idea to combine two things: the elegance of classical Roman typefaces and of classical Roman architecture. The result is that rarest of all things - a truly new face that is elegant yet characterful but not so obtrusive as to be restricted to display work. All the faces' uprights mirror the elegant taper of Roman columns, as used in the most simple and elegant form of Roman architecture. The serifs are a subtle shape that mirrors the pediments and corbels of that same order of architecture. Vertrina is a family of eight faces, four upper and lower case faces, suitable for the elegant setting out of text, and four small capitals faces ideal for headings and titles. You'll find regular and bold weights and normal and condensed width, as well as a range of Opentype ligatures. All faces are offered individually and in family groups. Bring some simple elegance to your work.

Magic Heart is a swirly script typeface. A valentine typeface with a romantic flow, Magic Heart has a lovely personality and a passionate appearance. Its swashy capital letters gives any project a sincere vibe. Use characters # ¤ for decorative heart symbols. Use underscore _ anywhere in a word for swashes. Example: Won_der Use multiple underscore for different swashes. Example: Love____rose The Magic Heart family consists of eight styles: The ornamental Swash and Swash Bold, the normal Regular and Bold, plus each of the styles as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Built tall and strong, the Goodland font family is ready to do the heavy lifting in your next design project! Inspired by painted signs on industrial buildings in the town of Goleta, California, Goodland combines a mid-20th century aesthetic with modern features. Three widths: Normal, Condensed and Compressed Eight weights from ExtraLight to UltraBold Matching italics for all 584 glyphs support 223 languages, including Vietnamese & Cyrillics Two sets of Stylistic Alternates Variable font to select any amount of width, weight or slant The Goodland font family is a versatile branding solution. Extreme Light and Bold weights stand out in headlines and display type, while the mid-range Regular and Medium make for easily readable body text on light or dark backgrounds. Dial in the exact look you need with Stylistic Alternates and Variable Font features. Explore the many features of the Goodland font with wonderful things that have come out of the Goodland!

Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

A rough hand-drawn plain sans serif that would be good for non-formal use. Do not expect a polished set of fonts from a professional, this family is hand drawn, hand spaced and hand kerned.

Dorkihand is left-handed handwriting. Julie is left-handed - which condition is variously called a caggie or a dorker - hence the name of this font. It is more grunge handwriting than a formal and elegant script.

Thoughts comes in Truetype, Windows PostScript and Opentype format.

As Word War I raged on during 1917, a large number of songs were written as morale builders for both the soldiers leaving for overseas service as well as their friends, family and loved ones. One such song, "Send Me Away with A Smile" has its title hand lettered in a simple, yet somewhat stylized sans serif design that was so much a part of the Art Nouveau style of that era. Simply Nouveau JNL captures and preserves that design within a digital typeface; available in both regular and oblique versions.

Matchstick is a hand drawn brush script. Matchstick is packed with loads of ligatures and alternates that help simulate a swift look of a handwriting. This feature is set in Standard Ligatures and it is normally automatically on. Matchstick is a great display brush to be used in writing headlines, packaging, posters or as a logotype. Matchstick works great when paired with strong sans serifs.

Airy is in fact a very light-minded summer font without any serious design concept. It is a collection of hand-drawn letters that with the help of OpenType features allow you to get a lace texture with mutable structure. Together with the font you also get a bonus — a set of naive pictures that you normally draw on the margins of your sketchbook.

Mally is a family of humanist fonts, sans serif with 32 styles, variable with 08 normal and condensed weights and their respective italics, with 594 characters in each font, offers alternative characters, was conceived as a variable font encompassing various weights and widths. Characterized by its excellent readability even in the smallest sizes, with a contemporary design it has a wide support of Latin languages.

LineDrive was inspired by an obscure 19th century type design. It has no curved lines and what are normally circular elements in the lower-case letters are diamond-shaped. It might work best with only upper-case letters, which have a Victorian feel to them. In addition to the two weights of plain and bold, the family includes a shadowed version and an inline (or outlined) version.

NorB Croquis is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 12 weights: Normal, Medium, Bold and Cut Tip along with their Italic and Oblique versions.

Masifa has compact, simple, functional and neutral body structure. It has 5 widths from Normal to Ultra Condensed. Each width includes 9 weights from Hairline to Black and their matching italics. Also, every weight includes rich OpenType Features like Small Caps and custom number styles. Due to its large family, it is ideal for a wide range of usage from large-scale designs to small product labels.

Twentieth Century Poster, designed by Sol Hess for Lanston Monotype in the 1940s, provided the inspiration for this family of faces. Although, historically, the design falls outside the time period normally considered the Art Deco era, its sensibilities are pure Art Moderne. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Typography created in Montevideo, Uruguay. The project's development typography Economica covered much of 2007 and received assistance of colleagues from all over Latin America. Economica has four basic versions: normal, bold, italic and bold italic. It was inspired by saving space for publishing texts without loss of height. Includes a comprehensive set of characters that lets you deal with diverse languages in its four variants.

Gopher is a reverse contrast, geometric sans serif typeface in 3 optical sizes ranging — Text, Normal, and Display. With the most subtle contrast,Text works best in smaller type settings while Display is the most dramatic as the contrast has been pushed more to the extreme for an immediate visual impact. Gopher works great in a variety of settings for branding, advertising, posters, magazines, packaging, and more.

Talesha is a high contrast typeface inspired by old style and contemporary fonts. Talesha family consist of 8 fonts: Sans and Serif Font: Normal, Condensed, Slant with 239 glyphs each. Opentype features allow for the implementation of typographic niceties such ligatures and extended language support. Perfectly for elegant branding, web design, magazine design, logo design, headlines, posters, packaging, cards or wedding invitation and more.

Fenton Font family comes with 6 weights. The design was inspired by (convex) camber. It has a higher lowercase structure than the normal ones. It has a modern, rounded and squared character. Each weight contains 364 glyph. It is a type family which you can use in brand and model names of technological devices, newspaper and magazine ads, jerseys, logos, posters, apps, banners and promo images.

The Gravity family is a unique series of heavy square slab serifs intended mainly for display usage. Gravity Normal exhibits impact with legibility. Gravity Nova is fine-tuned to showcase brawn and beauty. Gravity Supernova, the most audacious of the family, commands attention with its extremely dense, mechanical design. Each weight includes diacritics for Western and Central European languages and is tightly spaced for maximum impact.

NorB Casual is a handwritten text font which my daily casual writing, it can be used with any word processing program for text and display use, print and web projects, apps and Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations or even just for fun. This font comes with 16 styles, Light, Normal Bold and Heavy each with their Italic and Condensed version.

Quebra is an extend display sans-serif font family with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Eight years after the initial release of Brandon Grotesque , the typeface has grown into a font family of 48 styles, including a version for small sizes and a space saving condensed version. This type family was completely drawn from scratch with the look and feel of the original normal-width version. Today, Brandon supports at least 116 languages, from Latin based languages to Greek and Cyrillic.

Commuters Sans is a daily type. Classic but Modern. Very simple geometry and wide type with warm clearness. Useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

Gaude is a sans-serif typeface. Crafted with care, maximizing neatness in shape. With thickness balancing with negative space. Making it fitting when strung together into words, or sentences. Added with alternative glyphs, to make it more alive. Gaude comes with 3 widths, namely: normal, wide, and expanded. And also a soft version, making it 6 styles. Gaude is perfect for branding, titling, headline, and more.

This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The lower-case sits on the baseline and the much-taller-than-normal capitals have an imaginary baseline that sits about two-thirds of the distance from the real baseline to the bottom of the EM.