Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered as LTC Tourist Gothic Alt. Tourist Gothic Pro combines both variations and includes a full Central European character set and several other OpenType features. Digitized in 2006 by Paul Hunt.

A new dynamic and industrial display font with octagonal shape and rounded inner contours. Constructed with a modular system. It includes a full set of letters (uppercase), numerals, and symbols. Libertad Mono family comes with 6 weights, from Thin to Black. Designed by Radinal Riki Mutaqin. This type features a Latin Pro character set, covering multiple languages written with the Latin script.

A ìthick and thinî Art Deco sans lettering design was found within the pages of the May, 1936 issue of Modern Screen magazine. This condensed typeface has rounded terminals, similar to that made by a round nib lettering pen. This is now available as Deco Film Ad JNL in both regular and oblique versions.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

Ralph M. Unger, (Arno Drescher), 2006, (1936) Originally, Arabella Pro was designed by Arnold Drescher around 1936/1939. Drescher created this wonderful script for former Germany type foundry Joh. Wagner. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio.Arabella Pro comes in two versions, light and medium, each with a large selection of manually designed ligatures and alternates, i.e. swashed upper case to make this naturally flowing script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Arabella Pro light and medium are perfect partners for any sans serif, especially for Futura. It is perfectly suited for anything in the area of headlines, posters, invitations etc. However, since it is very well legible, it can also be used individually for small text blocks.

Roundabout is a typeface that is extracted from an ellipse shape. Each and every character started at the same geometrical figure. By cutting it up in sections, twist and rotate the separate characters could be build. The ellipse provides this typeface with evident and smooth looking features. The name Roundabout is misleading, an ellipse is not round. But the word Roundabout has a nice ring to it and it seems to fit this typeface perfectly. The Roundabout as we know it is a place where the traffic circles. Sometimes in the greater metropoles it jams like clotting veins. Various exits are presented for those who know which way to go, for those who don’t it seems an eternal treadmill. Unlike my typeface, that seems rather careless, light weighted and knows her way around. A roundabout in a child’s mind is a playful carrousel or a merry go round. Merry go round has the sweetest sound and a match is found. My Roundabout is a joyful, optimistic and open typeface, which can be used over and over and over again for many or any purposes. ----- Roundabout ist eine Schrift die aus der Form einer Ellipse entstand. So teilen alle einzelnen Zeichen denselben geometrischen Ursprung. Durch das zerteilen, verdrehen und verflechten der elliptischen Grundform konnten die separaten Zeichen so geformt werden, dass sie einen klaren und weichen Charakter erhielten. Der Name Roundabout scheint auf den ersten Blick etwas irreleitend - ist eine Ellipse ja nicht wirklich rund. Er hat aber einen schönen Klang und doch eine tiefe Verbindung zu dieser Schrift. In unseren Gedanken ist Roundabout ein Kreisverkehr: Manchmal, in großen Städten, kann er blockieren, so wie eine verstopfte Ader. Verschiedenste Auswege zeigen sich denen, die ihr Ziel kennen; für alle anderen erscheint dieser Ort wie eine endlose Schlaufe. Dieses Bild widerspricht dem Auftreten meiner Schrift, welche eher sorglos und leichtfüßig ist; sie kennt ihren Weg. In dem Kopf eines Kindes jedoch ist ein Roundabout ein verspieltes Karussell, ein „merry go round“. ,,Merry go round“ klingt bezaubernd und so fiel die Entscheidung. Meine Roundabout ist eine fröhliche, optimistische und offene Schrift, die immer und immer wieder genutzt werden kann, zu jedem erdenklichen Zweck.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.

Rhaetic or Raetic (/ˈriːtɪk/), also known as Rhaetian, was a Tyrsenian language spoken in the ancient region of Rhaetia in the eastern Alps in pre-Roman and Roman times. It is documented by around 280 texts dated from the 5th up until the 1st century BC, which were found through northern Italy, southern Germany, eastern Switzerland, Slovenia and western Austria, in two variants of the Old Italic scripts. Rhaetic is largely accepted as being closely related to Etruscan.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

The source of inspiration for Voyeur Monogram is the 1934 "Book of American Types" by American Type Founders. Found in that specimen book was a charmingly sophisticated diagonal monogram alphabet known as “Broadway Monogram Initials”. This wonderful typeface is now digitally recreated, revived, and updated for modern use. Download and view the MFC Voyeur Guidebook if you would like to learn a little more. MFC Voyeur comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

Theatrics JNL gives a rounded corner treatment to Prismatiq JNL; which in turn was modeled from lettering found in an early 1900s French lettering book displayed at an online image sharing site. Limited character set.

Originally conceived while sketching outline typefaces for a client, Minotte Pro has blossomed into a font one thousand glyphs strong and is chock full of alternates and contextual swashes! By enabling swashes, style sets, and contextual alternates in your OpenType savvy application, headlines and text set with Minotte Pro will transform into unique combinations of initial, middle and final swash forms! There’s also an alternate Cap set with a partial fill for even greater variety! Perfect for travel ad headlines, Minotte Pro adds a light, carefree touch. If your app doesn't support OpenType, then check out the split out versions, Minotte, Minotte Swash, Minotte Fil and Minotte Swash Fil. Minotte Pro Minotte Solid Pro contain these OpenType features: Contextual Swashes, Stylistic Alternates, Standard & Discretionary Ligatures, 6 Style Sets, Superiors & Inferiors, Fractions and Ornaments. The Minotte Extras Pro Pak includes three chromatic effects fonts, Minotte Center, Minotte Gradient and Minotte Shadow. These Extras fonts are intended to be used with Minotte Pro and Minotte Solid Pro, allowing colorizing and 3-D shadow effects. There are numerous combinations when using all three together! The three Extras fonts support the entire Pro character set and all OpenType features! Intended for users that do not own or use OpenType savvy apps, the four alternative fonts capture the best of the Pro version and will provide you with the glyphs needed to duplicate some of Minotte Pro’s typographic richness. Minotte and Minotte Fil are fully usable, whereas the Minotte Swash and Minotte Swash Fil are intended to work in tandem with the basic Minotte fonts. Set your headlines and text in Minotte, then switch to Minotte Swash and manually select the appropriate swash glyphs. Switch to either of the Fil fonts for full sets of Cap alternates sporting a partial fill. Minotte Pro, Minotte, Minotte Fil, Minotte Swash and Minotte Swash Fil support an extended European character set.

Rebekah Pro is a revival of ATF’s Piranesi family, the regular being designed by Willard Sniffin, and the remaining weights designed by Morris Fuller Benton. Tom Rickner first revived Benton’s Italic for use in his wedding invitations for his marriage to Rebekah Zapf in 2006. He completed the character set in 2009. Rebekah Pro captures the elegance and distinction of the original. Tom carefully studied samples from 1930s American Type Founders catalogues and created a digital version with meticulous care. While considered an informal script because its letterforms do not connect, Rebekah Pro has graceful strokes and a truly elegant appearance. Tom created a variety of typographic enhancements not found in the original Piranesi italic font. These OpenType typographic features offer a distinguishing touch to everything from invitations and announcements to greeting cards and advertisements. Rebekah Pro contains the Latin 1 character set and the following OpenType typographic features: Swashes, Small Capitals, Ligatures, Alternates, Oldstyle Figures, Proportional Lining Figures, Tabular Lining Figures and Ornaments.

Pen Gothic JNL emulates lettering made with a round nib lettering pen, and is loosely based on some text found on the popular 1918 song "Ja-Da". The font is available in regular and oblique versions.

Speyside is a round, curved and controlled sans serif with an additional set of decorated uppercase letters, initials and small caps. It's appropriate for text, titling and display. The origin of the name is taken from a small location in Tobago. The font is inspired by the local handicraft, the batik in particular. Each pro font style includes small caps and decorative initials as well as several OpenType features.

Fleurons are embellishments and here is my fourth round. I found some nice old ones and made some new. These go very well with my scripts Nadine and Ellida!!! Yours once more in a beautiful mood, Gert Wiescher

The source of inspiration for Haute Monde Monogram is the 1934 "Book of American Types" by American Type Founders. Found in that specimen book was a wonderfully elegant traditional smallcap-Capital-smallcap monogram alphabet known as “Elite Monogram Initials”. This elegant typeface is now digitally remastered and updated for modern use with functionality beyond its original intentions. Download and view the MFC Haute Monde Guidebook if you would like to learn a little more. MFC Haute Monde Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

This friendly rounded display typeface is perfect for headlines and logos, its gentle curves and comfortable corners are reminiscent of forms found in nature. Inspired by the shapes found in leaves - soft curves forming gentle corners as they meet. Cockle pairs well with Arial for a body font. Includes over 500 characters; with Ligatures, small caps, old style figures, and mathematical symbols.

Metaphysica is an unorthodox futuristic typeface that provides otherworldly zest without overly compromising typographic aesthetics. Combining weird angular beams and junctions with soft and round forms, Metaphysica finds the middle ground between sci-fi futurism and friendly legible sans.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to find.

Pasture is a display serif in a range of weights. Rounded interior and exterior corners, curvaceous details, and rotund terminals give it a warm, handmade quality. Classic style that is, at the same time, right at home in modern spaces.

Dearest is a distinct flowing script based on handwritten characters found in a 19th Century German book chronicling a history of the Middle Ages. Originally released in 2001 as a set containing two styles, Script and Swash, Dearest is now expanded in 2014 as a pro font with several hundred new characters including support for Central European, Cyrillic and Greek languages. Other Opentype features include ligatures, fractions and figures, Roman numerals, alternate letterforms and more swashes to expand the possibilities of this designer-friendly font. In addition to the Dearest Pro font, a new companion font has been added- P22 Dearest Alternates. The characters contained in this font are part of the pro font, but are also designed to be used with Dearest Script and Dearest Swash and is intended for those who have applications that do not support Opentype features.

Built on a square grid, Blok's variable axis conforms to your canvas. With pre-defined weights ranging from 2x1, through to 1x16, Blok is as flexible as it is structured. Character Set: A-Z, Period & Exclamation Mark Weights: 6 Normal & 6 Rounded